Acid House Culture

In 1967, The Beatles released and the album that would change the way people looked at them as a band and as music as a whole. ‘ 'Sgt. Peppers Lonely Hearts Club Band ' ' was The Beatles eighth studio album and took them 5 months to complete. At the time of the release, hippie culture was prevailing and this year is widely remembered as the summer of love. Long hair, recreational drug use, and psychedelic rock music come to mind when quizzed on stereotypes of the decade, but was it all flowers and peace – or did the ‘Summer of Love ' have a dark side? The group battled with inquisitions about their usage of the drug LSD, which seemed

The misunderstood subculture of music that many have come to know as “hip-hop” is given a critical examination by James McBride in his essay Hip-Hop Planet. McBride provides the reader with direct insight into the influence that hip-hop music has played in his life, as well as the lives of the American society. From the capitalist freedom that hip-hop music embodies to the disjointed families that plague this country, McBride explains that hip-hop music has a place for everyone. The implications that he presents in this essay about hip-hop music suggest that this movement symbolizes and encapsulates the struggle of various individual on

Throughout the evolution of popular music in American culture, many factors have been instrumental in the inspiration musical artists. The wide range of sources reflects the variety and creativity of music in the modern day that musicians claim as their muses, ranging from religious beliefs to love interests. However, the primary driving force behind the creative minds in music in the United States has undeniably been the drug subculture that was the largest at the given time period. Without the use of recreational drugs by artists, popular music would have taken an entirely different and unimaginable evolutionary path, resulting in a completely different musical world. Music is what is taken from drug culture to be incorporated and sold

Rock and roll helped break many people out of the pre-war mindset and into a new, fresh one. Although many adults detested rock, the younger generation felt that it symbolized a break from the war and the “age of anxiety” that the previous World War had caused. In addition, it promoted a promiscuous lifestyle that celebrated sex and drugs. Rock and roll seemed to be associated with this because many of the “rock stars” endorsed in a loose and laidback standard of living. Because many of the performers practiced recreational drug use, followers felt compelled to do so as well, feeling that that way of life was acceptable. Rock and roll was thought to be outlandish, primarily because of the performers’ gyrating and grinding of their hips, their suggestive lyrics, and rebellious undertones that provoked erotic senses in teenagers and upset parents. Rock and roll was said to establish a sense of identity and power in teenagers, mostly because of the new energy that came from the new style of music. Rock music was seen as satanic by the older generation because it seemed to lead to the

I spent the first ten years of my life, roughly, homeschooled and constantly around both my parents. During this time, I had no choice but to listen to whatever music they enjoyed playing drying the day, whether it was Seal in the car or Melissa Etheridge on the home stereo. Once I had struck my preteens, and with the help of my then high-school aged sisters, I was introduced to punk rock and hard rock genres of music. This became a new addiction for me; it felt rebellious, cool, in style and new. Eventually, it felt very repetitive and it seemed as if everyone was trying to emulate the same sound. So, after a short time, I began searching for music on my own. I bought Coldplay and Vampire Weekend albums, and was on the lookout for music with a more sophisticated feeling than what I had been listening to previously. I was then hopelessly addicted to music that I was discovering, and was proud to say I found my own style of music to listen to. After I received Coldplay’s album, “A Rush of Blood to the Head” as a Christmas gift, I would play it daily to

Although the two decades were different in themselves, there is still a parallel running between the two. Both were times of change, with popular culture culminated for the newly recognised youth, each decade had their own brand of pop music, and their own brand of teenagers.

What is a rave? Raving is a highly subjective experience. One person's best rave is another person's worst. Any attempt to analyze rave culture must recognize the highly personal factor of the experience. Author Daniel Martin defines a rave as “a long period of constant energetic and stylistic dancing exhibited by a large group of people in a hot, crowded facility providing continuous loud House music and an accompanying strobe lit psychedelic light show” . Since the beginning of this culture there has been much controversy on the legality of what goes on in the scene. Through the history, music, people, spirituality we are introduced to one of the newest things affecting pop culture today.

During the mid-1900’s many different types of music emerged and became popular. Each type of music that was popular brought along different social and political issues. Between 1950’s rock and roll, 1960’s psychedelic rock, and 1970’s disco, America was undergoing a great deal of changes. Among these three genres of music, rock and roll posed the greatest challenge to the status quo, with its bonding of African-Americans and white people in listening and dancing.

Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for

With the economic decline and availability of jobs with upward movement, a culture of youths formed in Britain that challenged the ideals and cultural norms of the generations that came before them. A consistent movement from traditional society through youth subcultures brings light through the eyes of the musicians that describe their generation’s feelings of homelessness in an era filled with unemployment, low wages, and violence. The insurgence of the counterculture movement, poor economic conditions, and the commercialization of previous Rock and Roll music in Britain directly led to the punk subculture because it allowed youths to speak up about their conditions and frustrations through an easily understood and accessible medium while maintaining a different stance than their predecessors.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance

Introduction: (Play YouTube video from 1:38 – 1:58). What you just heard were the sounds of EDM. EDM stands for electronic dance music. Also you saw first-hand the inside of a rave called Electric Daisy Carnival (a Las Vegas event famous for ‘finding yourself under the electric sky’). What rave culture means to me is a place I can be myself and express my creativity in a judgment-free environment. Today, I am going to explain the history behind the top 3 most popular genres of EDM, and the meaning behind rave culture.

Hip- hop has become a phenomenon throughout youth culture. Many believed hip-hop was only a phase of music like disco, but as the genre continued to expand and evolve, it became clear that hip-hop was here to stay. (History of hip- hop: past, present, future) Hip- hop is made up of 2 main elements, DJing and rapping. DJ is short for disc jockey, which is a person who usually uses turntables to make music, and rapping is talking and chanting in an easy and familiar manner. (Hip-Hop: A Short History) In writing this research paper, I will explain the most impactful years of hip-hop, and the events surrounding them, starting from 1979, when Sugarhill Gang released “Rappers Delight”.