Act 1 Hamlet Dialectical Journal

Scene 1: A girl takes some psychoactive drugs, and plans to take a break on the sofa. Scene 2: She hears the doorbell, and opens the door. She stands on the porch (extremely deep), and looks to the left then looks to the right—nothing! Scene 3: She comes back, and sits on the sofa. Scene 4: doorbell again.

Finally, in act 3, scene 2, we are shown the true nature of King Claudius.  The players enact the same scenario described to Hamlet by the ghost.  The King rises and calls for lights, showing the players, Hamlet, and the audience that what has just been acted has shocked him tremendously.

Brenda Zavala March 16th, 2015 Character Analysis project: Part 2 Commonplace Journal Entry one Hamlet His canon 'gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Seem to me all the uses of this world!

One of the best known pieces of literature throughout the world, Hamlet is also granted a position of excellence as a work of art. One of the elements which makes this play one of such prestige is the manner in which the story unfolds. Throughout time, Shakespeare has been renowned for writing excellent superlative opening scenes for his plays. By reviewing Act 1, Scene 1 of Hamlet, the reader is able to establish a clear understanding of events to come. This scene effectively sets a strong mood for the events to come, gives important background information, and introduces the main characters. With the use of this information, it is simple to see how Shakespeare manages to create stories with such everlasting appeal.

First they think that Hamlet is lovesick over Polonius' daughter, Ophelia, but after the king spies on Hamlet and Ophelia in conversation, he comes to the conclusion that Hamlet is mad, a threat to his rule, and must be sent to England to be executed.  This is a sign of the king's uneasiness over the mettle of Hamlet's anger which is directed towards him.  The last thing that Claudius wants is for Hamlet to be unhappy with him, in fear that Hamlet will overthrow him, discover the murder, or possibly kill him.  The king becomes increasingly nervous as time passes, making him a bit paranoid over Hamlet.

She means a lot to him, but now she has rejected him (by returning his

In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.

The speech of Hamlet “O that this too sullied flesh would melt, … But break, my heart, for I must hold my tongue.” (1.2.129-159) is where we can see Hamlet’s sadness towards his mother, Gertrude and his uncle Claudius and feels disappointed about their decision of getting married. Hamlet is seen to be too upset after his father’s death. It’s not even a month has passed and he gets to hear another news about his mother Gertrude and uncle, Claudius getting married. In the beginning of Act 1 Scene 2, King Claudius gives a speech to his courtiers, telling them about his recent marriage to Gertrude, mother of Hamlet and his brother’s widow. Claudius says that he mourns his brother but has chosen to balance Denmark’s mourning with delight of his marriage. He also mentions in his speech that young Fortinbras has written to him, rashly demanding the surrender of the lands King Hamlet won from Fortinbras’s father, and dispatches Cornelius and Voltimand with a message for the King of Norway, Fortinbras’s elderly uncle.

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

What should Hamlet do? Explain the moral theories of each philosopher: Plato, Aristotle and Augustine. For each, determine the right thing for Hamlet to do. Then, assess the prince's actions from the perspective of each recommendation.

What is Hamlet about? Maybe a summary of the plot could answer this question but it wouldn’t do it justice. However it’s impossible to narrow down any of William Shakespeare’s work to one theme. The fact is, that all of Shakespeare’s plays are about many things. There are many ways to look at a Shakespearean play, and none are wrong of course, but it is not entirely true to say that one theme is the most important. Some of the more common and dominate themes that can be found in any of Shakespeare’s works are: conflict, appearance and reality, order and disorder, and change.

Day 49 – I informed the King and Queen that I would like them to attend my play today. I’m anxious to see Claudius’ reaction when the actors act out his murder. I really hope that he reacts in such a way that I can prove to my mother and everyone else that he was the one who murdered my father, and that he did

The Tragedy of Hamlet, Prince of Denmark has been performed thousands of times since it was “written in 1599–1601 and published in a quarto edition in 1603” (Britannica.com). It’s popularity stems from its themes that translate across time. These themes, are seen to be relatable even to this day with the ever growing audience. Readers and viewers are able to find similarities between the current state and or even relate to one of the characters or events taking place over the course of Shakespeare’s five act masterpiece. Shakespeare's, The Tragedy of Hamlet, Prince of Denmark remains a viable text for contemporary readers in that it functions as a mirror.

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

Rosencrantz and Guildenstern are comic reliefs by acting as the fool in the play Hamlet. The duo’s ignorant nature are picked at by Hamlet’s sharp toungue through the play, intensifying it’s ultimate tragic nature. One example is in act two scene two of Hamlet, when Hamlet is questioning Rosencrantz and Guildenstern about the reason they are at the castle. Hamlet offsets Humor in these scenes by his choice of words. Hamlet puts the pressure on the duo and Rosencrantz in an aside to Guildenstern asks what excuse they should make to Hamlet while the whole time Hamlet is aware of their conversation. “(to Guildenstern) What