Act 3 Scene 3 as the Turning Point of the Play Othello by William Shakespeare

The scene I am focusing on is Act 3 Scene 3; this is the longest and

In Act 3 scene 1 of Hamlet we are faced with the soliloquy that contains one of the most famous lines from English literature: “To be, or not to be – that is the question” (III.i.57). This passage tends to show a large amount of evidence of the theme “Action vs. Contemplation”. Through poetic devices, tone, and sensory imagery we are able to analyze the theme and Hamlet’s tragic flaw: indecisiveness/inability to act.

In Act 3 Scene 1 of Romeo & Juliet, Shakespeare raises the excitement and the tension throughout the scene by using dramatic tension between the characters, provocative and threatening dialogue, strong language effects, and sharp vital violence. The scene begins with Benvolio and Mercutio coming on to stage, with Benvolio suggesting they should go home in case they meet the Capulets and the violence ensues. “The day is hot, the Capels are abroad, And if we meet we shall not scape a brawl, for now, these hot days, is the mad blood stirring.” This pathetic fallacy and strong image of mad blood creates an expectation in the audience of violent events to come. This expectation seems to be met fulfilled quickly

To some people, power is authority, and to some, it is capability. To all, it is a metaphorical concept that is individually assigned by one's own view of a situation. George R.R. Martin targeted this concept precisely in A Clash of Kings when he wrote, “Power resides where men believe it resides. No more and no less.” This quote ties in nicely to Othello by William Shakespeare. Power seems to be a relevant theme in this story, although the question of who help the power is also very prominent. The insightful quote from Martin helps us determine this. To defend this quote with evidence from Othello, one must first understand how to obtain ‘power’, then understand why the characters thought Othello was the one in power, furthermore, one may

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

that he may have pushed his luck a little bit says, 'My lord, you know

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

Act III, Scene I is seen to be the ‘turning point’ from comedy to tragedy in the play. Tragedy is used furthermore to expand on true human experience as Shakespeare uses family rivalry and warfare as well as fate and fortune to contribute to the effect.

Act 3 scene 1 of ‘Romeo and Juliet’ is a very important scene in the

Act III Scene 3 of Othello reflects the true mastery of Shakespearean plays that transcends throughout history. Shakespeare asserts sentence structure, topics and themes, reveals the scene’s purpose, and depicts the importance of Iago as a character in this scene.

Bad luck is also shown in act 3 scene 1 when Mercutio is killed under

The scene that I chose to illustrate and direct was act 4 scene 1, when Othello slapped Desdemona. Here you can really grasp Othello’s controlling attitude as he insists on Desdemona lying, even though she didn’t know what she was necessarily lying about. We really witness the manipulative portion of Othello’s personality, and that’s why I'm focusing on this scene.

Through the passage in Othello's Act 3 Scene 3, between Iago and Othello, is of the most

What makes one person to be considered evil, while another is considered righteous? The character Iago, in William Shakespeare’s Othello, could be considered evil because of his plot against Cassio and Othello. Othello, could be considered righteous, because he believes his wife has been unfaithful. The line between these two labels, evil or righteous, is thin. Ultimately, actions speak louder than words. Iago is evil in his actions towards Othello, but between the two, Othello is the most evil for reacting to lies in the most violent of ways.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.