Act 3 Scene I of William Shakespeare's Romeo and Juliet Essay

In Act III, scene 3 of Romeo and Juliet, Friar Laurence informs Romeo that the Prince has decided to punish him with banishment from Verona. Instead of feeling joyful of escaping capital punishment, Romeo mourns over the fact that he could never see Juliet again. While the two discuss the Prince's decision, the Nurse arrives and tells Romeo that Juliet is also heartbroken over Tybalt's death. Guilty of hurting Juliet, Romeo threatens to commit suicide. To stop Romeo, the Friar suggests that he and Juliet should consummate their marriage, and afterwards, they can try to get the Prince's pardon. Comforted, Romeo agrees and prepares to see Juliet. As the director, I will ask the three characters to showcase the difference between the youth and

wilt not, be but sworn my love, and I’ll no longer be a Capulet’. The

William Shakespeare’s Romeo and Juliet has been adapted into several films, but the film that properly demonstrates the mood of Act 2, scene 2 is Baz Luhrmann’s 1996 version.

In William Shakespeare’s play Romeo and Juliet, about two love struck teenagers whom aren’t able to be together due to their families feud/ social situation. There are two key themes that of love and hate. Before Romeo and Juliet meet, the audience is only aware that he is a Montague and that she is a Capulet. This adds to the scene being so dramatically effective as do other happenings throughout the length of the scene. These include the speech of Capulet and the happy and joyous mood of the party, The romantic speech of Romeo, The hatred and harshness of Tybalt’s speech, a direct contrast with that of Romeo’s and the drama when the two lovers, Romeo and Juliet first meet.

'I do but keep the peace put up thy sword, or manage it to part these

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

Mercutio, while in neither of the houses, dislikes Tybalt. While it may have something to do with the fact that Romeo dislikes Tybalt as well, Mercutio—without reason to—still stands faithfully by Romeo’s side and closer to the house of Montague. From his first entrance, and his last exit, Mercutio stays a stable character by being a constant right hand man to Romeo.

Acting on selfish desires can result in violent actions. When one is overcome by grief they tend to act on impulse with revenge in attempt to fill their sorrow, when in fact that only makes the situation worse. In William Shakespheres Romeo and Juliet the fude between Montague and Capulet heats up as Romeo Montague is caught by Tybalt Capulet at a Capulet party. Tybalt selfishly wants to put Romeo in his place. The only way Tybalt negotiates is by war.

Romeo is saying he has a premonition that he will be controlled by fate and eventually lead to a

Act One immediately engages the audience. Do you agree with this statement? How does Shakespeare achieve this? Act One of 'Romeo and Juliet' by William Shakespeare does indeed immediately engage the audience. Shakespeare does this by using several language techniques to create an interesting opening scene.

Bad luck is also shown in act 3 scene 1 when Mercutio is killed under

as he was always off at war…who else to warm the royal bed than the

Act 1 Scene 1 of William Shakespeare's Hamlet On the battlements of Castle Elsinore, Bernardo arrives to relieve Francisco of his watch. Horatio and Marcellus arrive and greet Francisco. They talk of the ghost they have seen ‘this apparition’. Marcellus has invited Horatio to come and see the ghost for himself.

Act III Scene V - This is a very important scene. Select and comment on

relentlessly to get rid of Romeo and even goes as far to say, ‘tis he,