Act I : William Shakespeare 's Romeo And Juliet

The summary of Act V is that Romeo received a letter about everything that has happened. Romeo decides to go back to Verona, to see Juliet. Since he thinks Juliet is dead, he buys poison so he can kill himself, to be with Juliet. Paris doesn’t want him there, so they fight to the death. Romeo wins, and he sees Juliet. He drinks the poison and dies. When Juliet wakes up, she sees Romeo lying dead next to her. She is so sad that she kills herself to be with him.

“THE FIRST COMMANDER IS GETTING RESTLESS, we need to hurry,” a fair-haired Kingsman stated to another. He enters first through the singed door of the last home near the entrance to the grain fields, locking eyes with a disheveled young maiden holding on tightly to a frightened little boy.

I nod and mumble, “Thanks,” and maneuver the car out of her driveway. I drive to the house she pointed at, and park. Before I can unhook my seatbelt, Malcolm opens the front door and runs towards me.

As one of the most complex characters in the play, Romeo and Juliet, Mercutio’s purpose is to act as a static catalyst for the death of most of the characters. Shakespeare uses Mercutio’s character cleverly as the kind of character that stays in the background, but influences the rest of the cast in the utmost amount. Mercutio’s light and occasionally sardonic humor at inapt times relieves the play from being a complete tragedy and allows the audience a false sense of security before calamity strikes, such as the death of his character. Mercutio also stands as a consistent character to prove that despite the fact that the majority of Shakespeare’s characters are unpredictable and impulsive, there has to be at least one character to steady

(As Lymon gets ready to go he hears a voice at the door, a voice that he and everyone else recognizes.)

[Emilia stands front to the crowd, shaken feeling unhinged and devastated, her lip slightly quivering]

Act two started off with the man in the Yellow Suit celebrating his win with those in the traveling fair. He is very excited at what he overheard in the forest. Little does he know he is putting himself in a dangerous stop if the

"Cadence! Twilight! She is waking up!!" Rainbow zooms up to the two princesses, almost crashing into them.

"You can just call me Craven. I've been a knight for a few years now." answered the

QUEEN OPAL rises from her chair, picks up one of the newspaper clipping strewn on the ground and hands it to QUEEN GARNET. She reads it and begins to laugh.

“I am Nathan Andrews. I have come to explore and study this magnificent castle.” Before he can ask her to introduce herself, she’s attacking him. With expert instincts, his hand pull the sword from its sheath with ease in time to block a blow. “Woah! Wait! What did I do wrong?”

“You knights and the king’ll stop this Morgane and her men, won’t you?” she asked Perceval as she packed. “Everyone’s right terrified. And it’s not just them! One of my girls saw those men from the Highlands… scary looking dressed in furs and with drawing on their bodies.”

Act One immediately engages the audience. Do you agree with this statement? How does Shakespeare achieve this? Act One of 'Romeo and Juliet' by William Shakespeare does indeed immediately engage the audience. Shakespeare does this by using several language techniques to create an interesting opening scene.

“Hey Trent, John” I respond. Suddenly, one of my friends Violet comes running in. Panting she

Olunde! ( He collapses slowly at Olunde 's feet. ) Oh son, don 't let the