In Act 4, Scene 2 of Shakespeare's Othello, imagery and other stylistic devices are used in lines 48-74 to develop the lack of communication between Othello and Desdemona. This passage foreshadows tragedy, as it illustrates that Othello no longer trusts his wife. It is apparent that Iago's plan will be a success.
Othello begins hyperbolically: "Heaven truly knows that thou art false as hell." This also contains two antithetical terms: heaven and hell. Shakespeare uses adjectives to illustrate this-- heaven is true and hell is false. This is a response to the previous line, spoken by Desdemona: "Heaven doth truly know it [that she is honest]."
Desdemona then naively says, "With whom?" She also asks "To
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Othello says he "could bear that too."
The next passage discusses his feelings for his wife. He says that where he has stored his heart (or love), referring to Desdemona, he must either "live or bear no life." Othello says: "The fountain from which my current runs / Or else dries up..." He compares his love to a fountain. Re-asserting the previous statement, he says the current either flows or dries up. Alternately, he may keep it as a cesspool for "foul toads (Cassio and Desdemona)" to breed in; he feels he is being abused because of this.
He concludes by imploring patience, the "young and rose-lipped cherubin (or angel, referring to Christian mythology)" to "turn thy complexion there." After viewing Desdemona's betrayal, patience will look "grim as hell," turning pale at the sight. Interestingly, the selection (lines 48-74) begins and ends with hell.
The passage makes clear the lack of communication between husband and wife. Othello is made to appear stubborn and ignorant, and Desdemona is made to appear naive. It seems as if their marriage will not survive, and Iago will succeed.
- Daniel Gruber
In Act 2, Scene 4 of Shakespeare's play Othello, conflict finally erupts between Desdemona and Othello as he accuses her of dishonesty. This is the first time in the
Othello is a loyal, honest, brave hero, and he won Desdemona’s love with his own performance and the legendary hero life; however, his low self-esteem causes his doubt for himself about his black skin, age, and manhood, his rudeness, reckless, paranoid personality seized him and
The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
This quote by Iago puts into Othello's mind that Desdemona may be cheating on him with Cassio. Othello then begins to question whether he was right to marry or not and although without proof, he believes in Iago's words. This is shown in his statement, “why did I marry? This honest creature doubtless sees and knows more, much more, than he unfolds”(Shakespeare 1324), indicates that he quickly turns to doubting his love Desdemona and takes Iago as being credible and true. It also causes him to become jealous and angered with only a simple touch of trickery by Iago. This marks his first sign to a down hill plunge in moral.
Othello’s insecurities are brought to surface as Othello announces, to only the audience, his thoughts. During his speech, Othello pounders the idea that Desdemona has lost her love for him, listing many
Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.
It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):
Starting off, Othello allows Iago to tamper with his mind and does nothing to stop it. Othello puts all of his trust in him, but Iago is just hiding behind a mask and only wishes to torment Othello. Othello is not aware of his surroundings and the people there, making him vulnerable. If he paid more attention to Desdemona and not Iago than he would not have thought to kill his loyal wife. Othello jumps to conclusions too quickly
In the given passage, Desdemona illustrates her view of her relationship and stance against doing any wrong by Othello;
Othello is not hurt because of a failing love, but because of how it makes him look and hurts his pride. This is when things get ugly. Othello puts more trust in Iago than in his own wife. This is due, in part, to Iago's manipulative skills, but mostly to Othello's lack of communication skills, especially with his wife. But Desdemona does not do anything to mediate the situation and lets the condition escalate, and her self-blaming attitude only perpetuates Othello's misgiven notion that she has been falsely accused . After Othello strikes her in front of the whole dinner party, and orders her around like a peasant,
Shakespeare’s play ‘Othello’, set in early Venice, focuses on the key relationship between titular character Othello and his wife Desdemona, to comment on the human condition through the text. The relationship between the married couple allows us to understand Shakespeare’s commentary on human nature, particularly how humans are inherently selfish, prone to falling victim to jealousy, and are made both stronger and weaker by their emotions.
In the beginning of the play, Othello and Desdemona have a strong relationship. When others interfere with their marriage, Othello
There is more to Shakespeare’s Othello than just the characters in the play. There is a message of power, and who has it, as well as the ones that want it. Two of the central characters in the play are both married. Their "love" for each other is questionable. The message that Shakespeare is sending is not really about "love", but about the power that one holds in the marriage.
The scene that I chose to illustrate and direct was act 4 scene 1, when Othello slapped Desdemona. Here you can really grasp Othello’s controlling attitude as he insists on Desdemona lying, even though she didn’t know what she was necessarily lying about. We really witness the manipulative portion of Othello’s personality, and that’s why I'm focusing on this scene.
This quote also touches on the issue of whether Othello only loves Desdemona for her beauty when he does not want to harm her looks in the process of her murder. He seems to think by killing her he will also save the other men she would betray and also himself. Othello is talking to the audience expressing his thoughts of why and how he must commit this action. By this information being made aware to the audience they are hopeful that he may change his mind. The audience are given a greater insight to who Othello really is and how he views himself characteristic to God, felling rather in place punishing her as if it was his personal duty. Shakespeare uses this technique of soliloquies to help the audience understand what drives the characters and develop their own character interpretations. This soliloquy is perhaps one of the most strong