Act Two Scene One in The Taming of the Shrew Essay

I must and will have Katherine to my wife. (Act 2, Scene 1, Page 13)

In essence, all Petruchio did was teach Kate not to be so brash and rebellious. He showed her how awful her actions looked, and on her own, she made the decision to change her demeanor. She could have remained bitter and feisty, but it would have been in vain, and I believe that she realized that her actions had been no worse than the vanity and shallowness she witnessed in the people of Padua.

In the play, The Taming of the Shrew, by William Shakespeare, there is a recurring theme of people hiding their real identity. First, there are cases of deception, such as Tranio pretending to be Lucentio, Lucentio pretending to be a Latin tutor, Hortensio pretending to be a music tutor. More complex than these obvious examples of deception are Shakespeare’s clever uses of psychological masks. Several characters in the play take on roles that do not agree with their personalities. The psychological masks that they wear are not immediately apparent to the audience, or even to the characters themselves, until they are unmasked through the course of the play. Shakespeare mostly uses this device with the characters of Katherina, Bianca,

The Taming of the Shrew written by Shakespeare, is a play that focuses on the gender and class variations of the Elizabethan Era. The two main characters, Katherina and Petruchio, have been used to highlight these inequalities as the play details the tense relationship of these two bold personalities. Two modern film transformations of the original play have been made in 1967 and 1999, and have allowed viewers to develop an understanding of how the idea of love has changed since the Elizabethan Era. A common topic frequently argued is whether these two films are an exercise in misogyny – or a love story about a man liberating a woman. After studying these two texts in depth, I believe that the 1967 film, The Taming of the Shrew, is an exercise in misogyny, while the 1999 film, 10 Things I Hate About You, is a romantic comedy about a teenage boy liberating a teenage girl.

Act 1 scene 7 is very important in the whole of the play because the

In the play Taming of the Shrew, written by William Shakespeare, many characters are reshaped and given new personality traits. Petruchio is known as being a cocky man who intends to help tame a shrewish young lady named Kate. There are many critics that believe Petruchio is solely obnoxious and a bully but through out his interactions with Kate it is shown that he truly cares about the well being of others. Of course at the beginning of Petruchio’s plan to tame a young lady he is acting off of his confidence and trying to impress those around him but this soon changes once he begins to interact with Kate. Petruchio proves that his ways have changed and he is only taming Kate to make her feel better about herself, “Petruchio uses psychological methods, not aggressive or barbaric ones, to tame Kate, which alls her to still be witty and intellectual, but also happily married, at the end of the play”(Natale,98). Petruchio truly believes that by taming Kate he is preforming a good deed and helping her accept herself in this process.

“When love speaks the voice of all the gods makes heaven drowsy with the harmony,” Taming of the Shrew, Act IV, scene II.

In the Shakespearian play: The Taming of the Shrew, deception is one of the major concepts. A tangled web is created in the play through deception of character behavior and the change between clothing and class. Most of the deception in the play have particular motives behind them and create dramatic irony. Shakespeare has used dramatic irony to create a comedic play.

In William Shakespeare’s comedy, The Taming of the Shrew, Shakespeare uses the induction to successfully portray the social inequality of the era. The creative use of the induction highlights the social inequality within the play through Sly’s deception of equality. One example where Shakespeare uses the induction to portray social inequality is through the discussion between Christopher Sly and the Servingmen about Sly’s ‘wife’. Christopher Sly, discourteously states, “Ay, the woman’s maid of the house” (Induction.2.91). This sets up the plot of the book relating to Katherine having to submit to Petruchio and do as he says because it is what is expected of her. Katherine listens and obeys everything Petruchio says towards the end of the story, therefore the induction helps to

Act one, scene two of the Taming of the Shrew, demonstrates how men would do anything for the girl they want to have as their own to love. In this second scene, Hortensio and Gremio had already planned to find a husband for Katherina, thinking that the fact that she is very rich would help make the task easier. Meanwhile, Lucentio and Tranio decided to also make up a plan that allowed Lucentio to be with Bianca. Tranio then discovered that Luciento could become a tutor for her. Thinking that since he is also quite intelligent, he would pass for a schoolmaster, but then they realized that someone would have to pretend to be Lucientio since he is the son of a well known merchant and there were people who were already expecting him once he arrived to Verona.

William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.

The relationships between servants and masters closely reflect the gender relationships in Shakespeare's The Taming of the Shrew. Lucentio and Tranio's relationship as master and servant is an ideal of the Renaissance era according to "An Homily on the State of Matrimony." Tranio risks taking the place of his master because of his love for him and Lucentio always treats him with kindness and respect, almost like an equal. Though they are not involved romantically, Lucentio and Tranio fulfill these ideals better than any marriage in The Taming of the Shrew. Lucentio's relationship with Bianca reflects his role with Tranio: Bianca shows respect for Lucentio as he

A shrew is a woman who is unruly, unpleasant, and uncontrollable. In Act 1 of The Taming of the Shrew, a play by William Shakespeare, many men come to Padua seeking a wife and end up all falling for either Bianca or Katherine. Scene One opens up with Lucentio arriving in Padua to further his education and possibly find a wife with Tranio coming with him as his servant. While walking in the street, they encounter Baptista and his two daughters: Katherine and Bianca. Lucentio and Tranio eavesdrop on the conversation between Gremio, Hortensio, and Baptista.

   William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It

Marriage in William Shakespeare's The Taming of the Shrew At the time Shakespeare wrote The Taming of the Shrew the idealistics