Actions of Goneril in Shakespeare's King Lear Essay

After King Lear’s two oldest daughters, Goneril and Regan express their love for their father in a flattering speech they were granted their share of the kingdom, and Cordelia his youngest daughter and favorite daughter refused to play along, Lear felts she was disrespectful and she was banished from his sight. Cordelia bids farewell to her sisters, and tells them that she knows they don’t love him, “I know you what you are, and like a sister am most loath to call your faults as they are named.” (1.2.273-275). “Time shall unfold what plighted cunning hides; who covers faults, at last shame them derides. Well may you prosper!” (1.2.284-286). Once Cordelia left, Goneril and Regan revealed to the audience that they had no love for their father.

In the beginning of the story, as Lear conducts his love test Goneril and Regan kiss the bottoms of their father’s feet in order to gain their desire power. However, when Cordelia does not follow with her sister’s praise Lear feels betrayed and embarrassed by her. He decides to get his revenge and decides to disown Cordelia by saying "Here I disclaim all my paternal care"(pg. 5). The betrayal continues to go back and forth as Lear feels Cordelia’s love is not pure or true meanwhile, Cordelia feels the exact opposite. In this specific part of the story betrayal is being used to portray the easy access to power and success as well as losing it. “Be as well neighbored, pitied, and relieved, as thou my sometime daughter”(pg.5). Cordelia lost everything from the blink of an eye because her father turned a blind eye to Goneril and Regan’s true intentions.

The power that Lear gives to Goneril and Regan makes them treacherous and deceitful. Lear offers his

In this soliloquy, the audience gets its first glimpse of the character of Goneril. The full spectrum of her greed and selfishness will not be revealed until later, but this is certainly a good sample of her personality. Her profession of love is so large that it seems almost artificial, and it also seems motivated by the fact that possession of land is involved. Still, Lear seems immensely pleased by her statement, and requests a similar profession of love from his other daughter, Regan. She obliges, and in her declaration she tells her father that she loves him even more than Goneril does. Regan emerges from her

Goneril and Reagan try to convince Lear that he is old and incapable and to lessen the number of knights he has protecting him. Lear refuses and heads out of the castle out anger that both his daughters refuse to provide him shelter unless he follows their orders. It is at this event that Lear has realized the error in his choices. Lear’s distribution of power had left him defenseless and that his daughters – as if they were men, were taking full advantage of his self-inflicted disability. And the hierarchy that reigned for centuries of a king over his daughters was now destroyed.

Cordelia is Lear's most loyal and loving child and yet she refuses to put on a display of affection and sentimental love before her father's court in order to make her father feel admired. The public display, wholly false, of affected feeling by her sisters Regan and Goneril is enough to ensure that Cordelia will keep quiet in word (which, as her sisters show, can be deceptive) and prove her love through action (which she does throughout the play). As far as words go, she simply tells her father that she loves him "according to my bond; no more nor less" (1.1). This should be sufficient for Lear because it is a statement of fact: Cordelia recognizes the duty she owes her father and is prepared to act accordingly. The same cannot be said for her sisters who attempt to prove their love through flattery. That Lear allows himself to be flattered by their empty words ill-prepares him to receive the meaningful and rich words of the terse Cordelia. By saying next to nothing, however, she says much more than the others. Lear, unfortunately, fails to grasp the fullness of Cordelia's "nothing." This paper will analyze the power of "nothing" in King Lear and show why Cordelia's response of "nothing" to her father is worth far more than the affectation of her sisters.

Reacting with rage at this notion, Lear proceeds to beat his forehead with his fist in frustration: “O Lear, Lear, Lear!/Beat at this gate that let thy folly in/And thy dear judgement out!” (1.4.267-269). Lear believes that he is still the ruler, despite giving up his kingdom, and as such feels that Goneril should obey him. He obviously regrets his decision to give Goneril any power. Later, Regan and Goneril cause Lear further suffering by undermining their father’s sense of authority, without hesitation. They do this by severely diminishing the number of knights they will allow him to keep under his rule:

Not only did Goneril lie and cheat, but also as mentioned earlier she committed many acts of violence. She killed Regan and herself. She conspired to kill Albany. If she did not turn her back on her own father, the whole tragedy would have never happened. Goneril was more of a leader than Regan, so it is suspected that Goneril devised up the plan for Lear. Her actions spurred on a spiral of tragic events. Consequently, her decision destroyed many characters. Gloucester would have never been blinded and eventually killed from misery because he would not have tried to help Lear. Therefore Goneril is more evil than any other character because she lied the most, and did the most harm to everyone else.

Goneril and Regan use Lears pride to render him homeless. They are aware that he loved Cordelia best but

King Lear's oldest daughter, Goneril, is the most villainous among the siblings. She is steered by power and lust thus committing wicked deeds.When to call upon to by King Lear to profess her love she created lies within her speech and said: “ Sir, I love you more than words can wield matter” conversely Goneril plots with Oswald and Regan to reduce King Lear's authority and power. The readers discover her true identity when Goneril has a conversation with Regan “We must do something, and I’th’ hea.” (Act I.II. 355). This proves how Shakespear explicitly establishes Goneril’s intentions at the onset of the play. Goneril intentions are to betray her father and cut all ties with him promptly. The first plan she executes is to ask Oswald, her servant to behave in a rude manner to King Lear and his knights to ignite a dispute. The second move she devises is to reduce King Lear's knights “ This man hath good counsel. A hundred knights” ( I, iv, 340). Thirdly, Goneril closes the doors on King Lear when there was a storm outside this prove that she is a cold-blooded daughter. Lastly, she supports the idea of prosecuting anyone who tries to aid King Lear “Pluck out his eyes.” (III, vii, 6) Not only she commits horrible actions to her Father but, also have an affair with Edmund while married to Albany due to her selfish and narcissistic attitude she

In these situations, the cast confronts instances of betrayal and eventually self-growth. The story initiates with King Lear’s urgency for flattery, which drives him to commit a decision that instigated the power-hungry course of his daughters. The betrayal of Goneril and Regan caused Lear to separate from his man-made principles and praise those of nature. Besides the change in Lear, the audience also observed Gloucester’s position concerning the legitimacy of his two sons. Societal views were a detriment regarding the rights of illegitimate children, like Edmund. Seeing his brother Edgar conquer all his father’s treasures, Edmund left his praise of nature behind and instead exploited the reliance of status and relationships in his royal family to overcome the laws of society, forming a great deception against his own family.

The daughters Goneril and Regan are inspired by their hunger for power and their lust for Edmund. Once Goneril and Regan received their land, they immediately showed no respect to Lear, who gave them the land. In [Act 1 scene 4] Goneril instructs her servant Oswald to show utter disrespect for Lear. Oswald complies and enrages Lear. Soon Lear will find that his two daughters have no loyalties to him.

The remainders of Act I and Act II in Eyre’s film focus on the conflict between Lear and his two daughters, Goneril and Regan. Goneril and Regan begin looking down on their father and take away more of his privileges every chance that they get. They reduce Lear’s hundred knights down to fifty. Goneril and Regan’s tone of voice when arguing with Lear about reducing his number of knights down is vehement. Goneril complains about how the palace seems more like a tavern because of Lear’s knights’ demeanor, her voice quivers slightly, making it seem like she doesn’t want to have to argue with her father, in the play this change of tone is absent. This suggests that although Goneril cares more about the way others see her and material objects than the safety of her father. Both Shakespeare and Eyre emphasize the consequences of Lear’s choice to give up his power and give it to his two eldest daughters, Regan and Goneril.

As Regan and Goneril show their disdain and, thereby, expose their `natural' selves to Lear, his recognition of them and the wrong he did to Cordelia are also expressed with the language of nature; of Cordelia he says, "O most small fault, how ugly dids't thou in Cordelia show! That, like an engine, wrenched my frame of nature from the fixed place" (I.iv. 262-265). And when Lear realizes that both Regan and Goneril have deceived him, he calls them "unnatural hags" (II.iv. 276).

In sum, Goneril believes Albany is a coward. This is arguably another demonstration of King Lear’s daughter being dominant. Furthermore, Goneril says "I must change names at home, and give the distaff / Into my husband's hands" (4.2.16-17). This quote is Goneril expressing her desire to become the head of her household while her husband plays a more caretaking role, such as a housewife. This dynamic was uncommon in the seventeenth century. It was traditional for the man to be in charge and for the woman to be a housewife. Despite already being the one with power, Shakespeare illustrates Goneril’s deviousness by having her sharing this information with Edmund. Goneril has always been more powerful than her husband, but by disclosing her feelings about Albany to Edmund, she believes this will seduce Edmund. (Kelly,