Adam Liszt As A Principal Figure In The Romantic Movement

Johannes Brahms works were absolutely created as expanded developments of older forms, similarly to many of Beethoven's. (Guthrie) Johannes admired him so much that he wanted to follow in his footsteps, and make the impact of his music spread. By doing this, more composers were influenced by the ways of Ludwig. Berlioz admired Beethoven's sixth symphony because of the way each movement was connected to nature. (Guthrie) Like Brahms, Berlioz wanted to spread this influence, so he wrote his music with the same ideas in mind. He showed this in his Symphonie Fantastique by subordination the entire form of the piece to the feverish narrative that is exhibited in Beethoven’s music to accompany the symphony. (Guthrie)[p Thus spreading Beethoven's influence even deeper into the music world. Beethoven influenced Stravinsky in Juxtaposing chords. (Discuss) He did this by creating juxtaposed chords, using a D major chord and a B minor chord simultaneously. While they are similar, this contrast is influential during this time, seeing as it was unheard of. Using the strength of this new idea, Stravinsky put juxtaposed chords in his Russian Ballet. (Discuss) Beethoven’s music was extremely personal and idiosyncratic in style. (Beethoven) Which was strange for this time period, considering music used to only be made for the use of entertainment and not for the sake of passion. This style also fits perfectly

Only a few composers in the history of time have ever successfully left their mark throughout our musical world we live in today. It’s been over two hundred years since the birth of Beethoven and his music still speaks to us today as he originally expressed and composed it. Ludwig Van Beethoven was born in the city of Bonn Germany on December 16th 1770 and has since been one of the most influential composers known to man. A common theme of early age learning and mastering seems to emerge in Beethoven’s life because while living in a musical family as a child, his father taught him how to play the piano, violin and in addition how to compose musical pieces since he was four years of age. A few short years later, he gave his first public piano performance at the age of seven. While Beethoven certainly gained a lot of knowledge from his peers, he also supported his family by giving music lessons and also by playing in the court orchestra. In the year 1792, Beethoven worked under an Austrian composer Franz Joseph Haydn and by the year 1800, his compositions established him as a strong Mozart successor.

Also among Beethoven’s teachers, though later in his life, were Johann Georg Albrechtsberger, an organist at the imperial court in Vienna whom he studied under until 1795, and Antonio Salieri; Mozart’s old rival whom Beethoven learned vocal composition in the same period he was studying under Albrechtsberger. Before Albrechtsberger and Salieri was a man named Haydn, whom he studied under for a period of about three years starting in 1792 until 1794 when Haydn moved to London. It is said that Beethoven admired Haydn so much that he was the only man he had ever bent his knee to kiss the hand of. Finally, Beethoven studied under Aloys Forster, a specialist in writing scores for quartets. It is plane to see that throughout his life, his talent was not only constructed through his love of music, but forged by his exposure to multiple mediums and teachings throughout his life.

The Classical and the 19th century Romantic Period were eras where many of the most famous composers and compositions that we know today were born. The Classical Period brought forth big name composers like Joseph Haydn, Wolfgang Amadeus Mozart, CP Bach, and Ludwig van Beethoven. The 19th century Romantic Period was characterized by composers like Franz Schubert, Felix Mendelssohn, Robert Schumann, and Edvard Grieg. But, what really were these artistic periods? What makes them different from each other? And how did the Classical Period inevitably end and influence the beginning of the Romantic Period? Here we will not only cite in depth research of both the Classical and the 19th Century Romantic Period, but also pull direct characteristics of the classical period from Beethoven’s “Zärtliche

Some of the most well known composers came to be in the in the classical music period. Ludwig van Beethoven was one of the composers, along with other greats of the time like Haydn and Mozart, which helped to create a new type of music. This new music had full rich sounds created by the new construction of the symphony orchestra.

At the age of nineteen, Schumann left Leipzig to attend Heidelberg. While there, he followed Franz Schubert’s style in composing waltz. Schumann practiced vigorously and thought often about abandoning law to become a virtuoso pianist (Par 4). His mother agrees with him and he returns to Leipzig in 1830 to study with Wieck (Par 4). Although Wieck was pleased with Schumann talents, he was concerned about the constancy and ability to demonstration hard work from Schumann.

One of few great composers to be recognized in their lifetime, Johannes Brahms stood out among the crowd of composers in the Romantic period of music. During this period, musicians discarded the intelligence and form of the Classical period in favor of emotion and feeling. Experiencing one's inner-child became a prominent inspiration as well as forces of nature, including thunderstorms and crop-circles. Brahms developed talent early on and, with the help of his father, flourished into a powerful composer blending the sounds of the Classical and Romantic periods.

Beethoven's talents were discovered at an early age, and he was sent to Vienna to study under different teachers including Mozart and Hayden. There, Beethoven quickly adopted a reputation of a great piano player, a child prodigy. He gave his first public performance at the age of eight and published his first

Many prominent musicians produced major works during the romantic period. Among these are Beethoven, Strause, and Bach. But the musician that I think had the most impact, was Franz Schubert. Franz Peter, born on 31 January 1797 was one of fourteen children born of Franz Theodore Schubert and Elisabeth Vietz, four of which survived. He grew up in an apartment that daily converted to a classroom in which his father taught several elementary school classes. He received a thorough basic education; his father being a good teacher, and son being a bright student. From his father Franz also learned to play the violin, and from his

At the age of three, Wolfgang showed signs of remarkable musical talent. He learned to play the harpsichord, a keyboard instrument related to the piano, at the age of four. Wolfgang began composing minuets at the age of five. When he was only six years old, he and his older sister, Anna Maria, embarked on a series of concert tours to Europe’s courts and major cities. They played for the Austrian Empress Maria Theresa

According to De Portales, Liszt had a struggle in himself between the virtuoso and the composer and he knew that he had to choose. He chose to go with the composer and in 1847 his virtuoso career was over (De Portales 111-112). Another reason he made the choice was that in 1847 Liszt once again fell in love upon meeting a princess, named Carolyne Sayn- Wittgenstein, in Kiev. She gave him a large sum of money after a charity concert and he deeply desired to meet her to thank her (De Pourtales 117). They met and fell in love. In 1848, after knowing each other for a couple of months they went back to Weimar together, even though she was married to another man (De Pourtales 121-122). Liszt accepted a job at the Grand Duke of Weimar’s court and became the Kapellmeister in Weimar and also the conductor (Perenyi 238, Kamien 238). This even though it by the romantic era was more normal for musicians to be independent (“Liszt, Franz”). His reason was not because he needed money, he was the first pianist performer who could support himself by doing what he did, he wanted to start composing (Franz Liszt). He stayed at his position in Weimar from 1848 until 1861 (“Liszt, Franz”). His new orchestra one of the first in Germany (De Portales (114). He managed to make the orchestra bigger and to obtain more skilled players. He made sure to give them better pay and better pensions. The orchestra had 45 members (“Liszt, Franz”), which was a normal size for a romantic orchestra

(2) Schubert was one of the most prominent composers in the Romantic era. He was the first composer to live off only the money he got from composing. He wrote many compositions during his short lifetime, especially art songs (“OnMusic”).

Romantic: of, characterized by, or suggestive of an idealised, sentimental, or fantastic view of reality… concerned more with feeling and emotion than with form and aesthetic qualities.

The romantic period of music began in the 1820s and with it came a change of stylistic features. Beethoven largely impacted the new way that the music of the Romantic era was viewed. He made people perceive music as a true form of art made to be taken seriously, rather than just a fun time passer. Another reason for the change of music during that time was due to nationalism and exoticism. Nationalism promoted music, such as folk songs and dances, which was created for the purpose of supporting the nation. Exoticism had the opposite effect as nationalism. It caused audiences to listen to folk music from other nations and it allowed people to have a better understanding of unique qualities and cultures of surrounding nations. These factors led to the music during the Romantic period becoming more personal and emotion than it was in the previous classical era, although it still contained a melody, harmony, tone color, and a form. Much of the music from the Romantic era can be recognized by its melody. The melodies became wider, more irregular, and dramatic during this time. The harmony of Romantic music was further advanced as well. The composers learned how to use harmony to build the melody and intensify its emotionality, while at the same time experimenting freely with new chords. The tone color of music during this time was expanded allowing the quality of the sound of the music to improve. One of the most important changes that were made to the features of music during

In the course of the development of music, many great composers have contributed their brilliance towards the revolution of music. To be a great composer does not necessarily mean that they have reached a vast amount of fame. However, it means that their compositions have ingenuity and value. The melodies they have cleverly created have reached a point of worthiness in the world of music. For it is the sweet harmonies a composer creates that defines who he is. One of these gifted composers was Frederic Chopin, born on February 22, 1810 in Zelazowa Wola, Poland. Young Chopin was already composing by the age of eight and as his musical career developed he became known as a master of piano composition. Although he was often misunderstood