Adaptation, Metafiction, Self-Creation

In the movie and the book, Charlie announces that he loves Miss Kinnian. For example, on page 71 of the story it states, “The thought of leaving her behind made me sad. I’m in love with Miss Kinnian.” This statement from the story makes Charlie realize that because of him becoming smarter, his emotions have also changed for Miss Kinnian. In the movie, Charlie realizes that he loves Miss Kinnian, but leaves for a few weeks to a month for a rebellious stage. The movie portrayed it in the same way because the movie wanted to focus on Charlie’s emotions along with the book. Although the book didn’t focus on the emotions as much as the movie, the writers still thought that Charlie should love her.

He glanced out of the window, watching the sky turning from a deep blue shade to a clear, blue, breezy morning. ‘A good day.’ He made a mental note to himself. The sun baked through the curtains, sharpening his enormous shadow. He thought of that fussy factory owner and sighed.

Charlie’s friends even take advantage of how nice he is. They always make him the root of their jokes. When Charlie asks a barber shop owner to move his illegally parked car, the owner laughs at him and just throws him the keys to the car and tells him to move it himself. The whole town takes advantage of Charlie though, not only his friends. In the supermarket a woman asks to cut in front of him inline and then ends up having a cart full of groceries. This is Charlies breaking point. He starts tensing up, you can tell something is happening. All of a sudden he starts talking in a different voice, and finds vagaclean in the woman’s cart that cut in front of him. So to take his anger out on her he gets on the store microphone and announces she has vagaclean in her cart. We learn this new personalities name when he is drowning a young girl in the water fountain who disobeyed him earlier. When the girl says she is going to tell her father on him, he announces that he is Hank. After this change in personality he starts going

Love in itself is a very complicated emotion, being either the driving force for a great blessing or a pressing burden. When comparing the surrealist chronicle, The Metamorphosis, written by Franz Kafka, and the down-to-earth short story Samsa in Love, written by Haruki Murakami, this idea truly takes form. The Metamorphosis is the story of Gregor Samsa, a young man who works vigorously to support his disconnected family. One morning, Samsa awakens to find spontaneously himself transformed into a giant cockroach. No longer able to support them, the roles are flipped and Gregor is now being cared for and quickly becomes a burden on his family. On the other hand, Samsa in Love transforms Kafka’s original story as in this version, Gregor Samsa

The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.

We get to know Charlie through letters he writes to the unnamed “friend”. Charlie has a lot of internal conflicts which he deals with every second of his life. He deals with his best friend’s death and his aunt’s death and his past with his aunt. These internal conflicts make him withdrawn. Moreover, Charlie has a need to tell someone about his life and thoughts, maybe to feel less lonely. In the very start of the story Charlie expresses: “I don’t want you to find me”, which emphasizes that he does not want a concrete person to help him, he only needs to let his thoughts out. Charlie is absolutely a dynamic and round character. He is an intelligent, observant high school freshman who hides his beautiful personality because of having dealt with a lot of trauma in his childhood. Through the relationships he develops over the course of the school year, Charlie suddenly comes out of his shell and grows as a person. For example, what he tells Sam who has also dealt with a troubled past: “Even if we don’t have the power to choose where we come from, we can still choose where we go from there”. However, it is not until the very end of the book that he uncovers the repressed memories of sexual abuse of his aunt that are at the foundation of his internal

The Metamorphosis, a story written by Franz Kafka, is about the sudden transformation of Gregor Samsa into a bug. The narrator describes how Gregor’s transformation negatively affects his work, family, and social relationships; it also takes readers through Gregor’s journey of trying to regain his humanity. Throughout the story, Gregor denies his loss of humanity and attempts to preserve his previous work and family relationships because these relationships make up a great deal of his identity. Throughout his life as a bug, Gregor realizes just how much of an influence his work and family have on who he is, and life becomes difficult for him now that he is letting down both his family and his

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Throughout this journey you realize what is suggested of women and what should be done and how it is seem to be that women follower down the same path as the one they are raised from. Another idea that the book takes you on is the idea of Arnold Friend being connie's alter ego. It is gathered early on that connie has fantasies and lives a double life depending on who she is with and evidence to support the fact that he is just a character portrayed to connie as fear of her passage to adulthood. “Connie stared at him, another wave of dizziness and fear rising in her so that for a moment he wasn’t even in focus but was just a blur standing there against his gold car, and she had the idea that he had driven up the driveway all right but had come from nowhere before that and belonged nowhere and that everything about him and even the music that was so familiar to her was only half

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

Without the constraints of external forces, is human nature inherently good or evil? In Franz Kafka’s novella, The Metamorphosis, Gregor Samsa’s transformation into a "monstrous vermin” serves as a window into the human psyche. Through lack of obligations, decreased sense of shame, and increased sexual drive, Kafka reveals Gregor’s relationship to the outside world weaken, as his internal instincts grow stronger. Kafka utilizes Gregor’s transformation as a symbol to show the dangerous potential of the human “id”, a term coined by Sigmund Freud, to break down social norms. This psychological venture reveals humanity’s true instincts as animalistic, when not contained through personal and societal pressures.

In recent years, it has become popular for many of America's great literary masterpieces to be adapted into film versions. As easy a task as it may sound, there are many problems that can arise from trying to adapt a book into a movie, being that the written word is what makes the novel a literary work of art. Many times, it is hard to express the written word on camera because the words that express so much action and feeling can not always be expressed the same way through pictures and acting. One example of this can be found in the comparison of Ken Kesey's novel, "One Flew Over the Cuckoo's Nest, and the film version directed in 1975 by Milos Forman.

In The Metamorphosis Gregor Samsa is forced to deal with his transformation from a human being into an insect. After his transformation Gregor is no longer able to do everyday ordinary things. He now has to depend on someone to do these things for him. His younger sister, Grete, makes herself responsible for Gregor. She takes it upon herself to make sure that Gregor is fed and his room is cleaned. This leads to the question; why does she place such a huge responsibility on herself? An optimist like Gregor who only sees the good side of people would say it is because she is a loving and caring person. That her brother’s current condition makes her feel sorry for him and

Metamorphosis is transformation of an insect from an immature form to an adult form. Although this term is ordinarily used in Biology, Franz Kafka uses this term to title his peculiar story. This is a story about a young man named Gregor Samsa, who is a traveling salesman. He is a typical hardworking man trying to pay off debts. However, he wakes up one morning as a human-sized beetle. His parents see him as a beetle, they react negatively, but his sister, Grete, is not so concerned. In months following, she helps him get through the change. Without Gregor working, the family is financially suffering. Gregor dies from an apple thrown by his father. Surprisingly, the families’ lives improve after Gregor’s death.

Metamorphosis In the short story, Metamorphosis, the narrator describes Gregor’s new life as an insect. He then goes on to describe Gregor’s sister, Grete, with a reflection of Gregor’s opinion in the description. Kafka employs a number of stylistic devices including descriptive imagery, metaphors, and symbolism in the passage to describe the situation.