Advantages Of Tube House

     Color values are strong in this painting. It goes back to what I said about color, but I believe the soft hue of the blue walls against the strong hue of the bed frame and floor provides enough contrast to pull you into the painting. I also like the strong hue of the table. It connects the visual of looking at the chairs and the bed. When you look at the table, your eye cannot help but look at the other furniture.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

When Stephen visits Sachi’s garden for the first time, he finds that “There were no trees, flowers, or water, only a landscape made of sand, stones, rocks, and some pale green moss . . . Sachi had created mountains from arranged rocks, surrounded by gravel and elongated stones flowing down like a rocky stream leading to a lake or the sea” (40). Unlike Matsu’s very green and tree-filled garden, Sachi’s garden is very dry, and simplistic, yet has a peculiarly admirable feeling when one is able to see the subtle details. Although it is very different from a typical garden, its components harmonize to create a new and beautiful pattern. At first, Stephen is overwhelmed by the unfamiliar concept of a dry landscape, but after taking it in, he says it is beautiful. This garden is has a fresh taste to it, leaving Stephen to decide the effect it has on him, whether it be positive or negative. When creating the garden, Sachi insisted that it should not have flowers. However, eventually, “between two large rocks grew a neat cluster of blooming flowers, startlingly beautiful, a splash of blue-purple . . . thriving among the muted, gray stones.” The way that the bright colors contrast against the dull gray shows that something unfamiliar and novel can appear beautiful in its own way. Since Sachi’s garden is filled with pebbles and stones, the dainty flowers stand out comely, and to

The composition I chose was Dorothea Tanning’s painting Eine Kleine Nachtmusik. This painting depicts two girls alone in the hallway of a rundown hotel, playing with the larger than life sunflower which lays in the middle of the hallway, reaching which the stairwell. What intrigued me first about this painting was its use of color. The color scheme that Tanning employs is complimentary. As we know, a complementary color scheme means that two colors that are directly across from each other on the color wheel are primarily used. In this case, the complementary colors represented in the painting are red and green. Tanning shows a rich, blood-red color in the carpeting as well as on the shirt of the girl leaning against the frame of on of the doors. Those deep reds complement the ivy green color of the hallway walls, the leaves on the large sunflower, and the vines from the flower as well. Another aspect of color in the painting that pulled me in was the balance of color temperature that is featured. There are many warm colors featured in this painting which makes the slight pop of cool colors stand out against each other. Of course, the warm colors Tanning uses in this painting are the deep reds in the carpeting and shirt, the dark brown of the doors, and the wooden stair flooring that run down the hall, as well as the eerie yellows featured in the sunflower and mysterious lighting leaking out into the hall from a slightly cracked door. Meanwhile, the warm colors are met with the cool whites in the young girls’ dresses and skirts. Plus, the frigid greens popping out from the walls along with the enormous vines and leaves. The greens stand out against the sunny yellows in the flower and three petals that have fallen from the sunflower, coupled with the deep warm reds that line the floor.

The color tone is mostly analogous in the mural; however, there are complementary colors in detail elements such as the artist uses blue and green for large areas to represent river and mountains, uses red and orange to paint houses, huts, horses, small roads and clothes in the village to create emphasis point. For the color tone that artist uses, the harmony of blue and green of the most of the areas can represent the abundance of water or farms in the village and a rainbow ribbon shows what the leader gives to people in the village as

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

Stone City by Grant Wood was created in 1930 by using oil on wood panel. This painting illustrates a lot of visual elements and principles of design which are important components of an artist’s work. Visual elements and principles of design help draw the viewer’s eyes to certain aspects of the painting and they tell the story of what the artist is trying to convey. This analysis will highlight the visual elements and principles of design that are present in Grant Wood’s Stone City.

Australia is one of the continents over the world. The vast, varied land and the culture in this abundant place has a deep and lasting impact to the architectural design traditions—Tectonic. Tectonic can be regarded as one distinctive characteristic which is relating to building or architectural construction. It also gives ability for people to read a structure, or see how a structure was put together. Among those architects who had used this tradition in their designs, Donovan Hill and Glenn Murcutt, as Australian architectures, have their own style relates to tectonic. For example, Donovan Hill composes different materials and layered against with one another in D House, while Murcutt establishes a harmonious connection to the surrounding landscape and local climate with Magney House.

In his essay, Heidegger discusses the type of dwelling which is poetic in a sense. He then questions further that are the dwellings poetic in a true sense if yes then are other dwellings incompatible with the poetic ones? He further questions about the coexistence of the man’s social and historical life. For Heidegger, poetry is the things that let the man dwell and dwelling is through building. He believes that art of building is very much similar to the art of poetry. The way the verses in a poem depict a simple fact in a really creative way is same as that of the technique of constructing a building and then making the building alive by dwelling in that particular building. This philosophy of Heidegger is reflected in his architectural design sense that he connects the building styles with human life. This poem tends to remove the misconceptions that poems snatch away the realities of this world or poetry is mere fantasy but it’s not like that. Actually, poetry brings fantasy to life. Same as the opposing above and below and belonging to each other; the writer sees different contrasting things as

In this essay, I will compare and contrast two sacred spaces; Ise Jingu of Japan and the Great Stupa in India. First I will describe the sacred spaces and their artistic features, values and importance. Afterwards, will come the analysis comparing the two in architectural design and decisions, rather than the difference of religious belief or purpose.

In Wright and An alto's houses, a powerful sense of insides is generate by opacity. Which, in Falling water is express in roughly dressed stone masonry walls and, in Villa Mairea. By white-painted, solid walls. The transparency of glass windows in both houses thereby connect the two. In both houses, the architects created a strong sense of insideness yet, at the same time, devised ways to connect inside and outside and thereby create a robust continuity between the two. This inside-outside relationship can be translate into environmental and architectural experience in four different ways: (1) in-betweeness; (2) interpenetration generated by inside; (3) interpenetration generated by outside; and (4)

“Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling places too complementary to Machinery. Any building for humane purposes should be an elemental, sympathetic feature of the ground, complementary to its nature-environment, belonging by kinship to the terrain.”

The first thing that stands out in this painting is the color scheme. From far away, the warm colors of orange, tan, and mahogany seem inviting. The home seems friendly under a slice of turquoise sky. Shadows heighten the look of the fading sunlight upon the

The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.