Essay on Advertising and the Women's Movement

They were born in great numbers and as a result became the most powerful group of consumers. Advertisers soon set the guidelines to what material commercial products every girl needed to obtain her status in society. Women’s roles on television gradually changed from perfect housewives to mystical genies and witches with power, but somehow they always subdued their power to please their men. In the background women were fighting for equal rights and equal pay, but the media portrayed these protests as isolated events and acts of extremists. The newscasts attempted to label feminists as women who protested against being exploited and “looked at” by exploiting themselves and secretly wanted men’s attention by these protests. Television did respond by developing a new “tougher” woman, but made her success dependent on her attractiveness and sexuality. The media’s simultaneous promotion and containment of the women’s movement left the young women of the seventies exposed to what Douglas refers to as social schizophrenia (9). Feminist were now rejecting cosmetics and other marketed ploys that contributed to the oppression of women, leaving industries that were primarily focused on women’s “needs” struggling to address this while maintaining their market. Mass media encouraged and exploited commercial androgyny with unisex fashions and Madison Avenue promoted a new “natural look” that was anything but natural. This look promoted a Lolita image that

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.

Contemporary visual media contributes to the social construction of gender in that the way that men and women are portrayed in advertising is vastly different.

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

The sexualisation of women in advertising has become a very prominent and controversial issue in today’s society. Many brands, products and campaigns we are presented with portray women as being available and willing sexual objects, who exist to cater to the male gender. Gucci is one such brand that does this, focusing on emphasizing the sexual appeal of the female gender in order to sell their products, because as advertisers know: ‘sex sells.’ This new cultural shift can however, be seen as politically regressive for women, as the ideology it brings negatively impacts how women are viewed by society and how they view themselves.

Advertisements are intended to make their audience feel remarkable if and only if they purchase what is being publicized. In 2005, Dove launched a “Real Beauty” campaign in an effort to reassure women of their physical beauty. The campaign featured women of all different shapes and sizes to connect with each body type. However, this campaign would not be advantageous to both the consumers and advertisers if the advertisers did not get their fair share. Gloria Steinem, author of “Sex, Lies, and Advertising,” is strongly challenged by Dove’s campaign by exemplifying how Ms., a magazine that Gloria was co-founder of, eliminated advertisements in order to maintain journalistic integrity. However, Jennifer L. Pozner, author of “Dove’s ‘Real Beauty’ Backlash,” utterly supports Dove’s “Real Beauty” campaign by concurring with Dove’s powerful message of confidence. Despite their opposing views on advertisements, both women share a common ground: Advocating the empowerment of women.

The use of sexualization also reinforces a pattern of gender roles that are currently circulating throughout advertisements. More often than not, women who are used as ploys in ads are seen doing household chores like vacuuming, changing the toilet paper, or making coffee. Females are rarely ever seen in a work place, and definitely not in a powerful position. In fact, the directors of most of these ads place women below or behind the man to show who has the power in actuality. Women are seen as skinny, fragile, and immobile in high heels, while men are strong and powerful. By setting up such a strong binary between the two different groups, it is obvious that the majority of the American society will not be able to fit into these roles, and it leaves a sense of rejection for the average person. This rejection, accepted by the viewers, manifests

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate

In Sex, lies, and advertisement Gloria Steinem basically is addressing the fact that companies use beautiful women in their magazines or commercials to promote the sale of their products. Her argument is still relevant and this is easily seen as sexism because it makes young men think of women are sex objects instead of as a woman. It also makes them look like they’re a product as well and that they can be bought if they buy the beer or car or whatever the ad is promoting. And it also damages women’s dignities.

Throughout Jean Kilbourne’s film, Killing Us Softly 4, she states that advertisement is frequently used to communicate with potential consumers and persuade them to buy certain products. While advertising’s main purpose is to sell products, modern advertising does more than just sell a company’s merchandise. Advertisers create the values, images, and concepts of love and sexuality that every member of society is pressured to meet; they tell consumers who they are and who they should be. Modern advertising tends to portray the two genders, male and female, in completely different ways. Men are described as powerful beings who are believed to be insensitive and brutal; they are posed and photographed in positions that create a perception of strength and dignity. On the contrary, women are viewed as the weaker sex and taught to believe that their outward appearance determines their value in society. In a Cosmopolitan magazine, a Miss Dior perfume advertisement uses a beautiful naked woman, with long, brown hair and brown eyes, barely covered by a blanket to sell their product. While the perfume being sold should be the focus of the ad, the woman occupies most of the image lying on a bed in a provocative position. She appears to be around twenty-two years old, which appeals to the belief that sexuality only belongs to the young and attractive. In today’s society, women are viewed as vulnerable, objects used to please men, and flawless.

Do you remember the last ad you saw in the past 24 hours? Do you remember what they were selling? It was definitely not the item that was mentioned at the bottom of the ad. For years, marketing has been using people 's temptations to make them interested in the ad, or commercial; not necessarily in the product. In Judith Lorber’s piece, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, it becomes evident how many different ways a woman can be negatively affected by the media’s idea of how a sexy woman is supposed to look and be treated. Lorber’s research explains how women are negatively affected in the workforce and within their daily lives due to the constant objectification of women in ads and commercials. Women are forced to

Everyday we expose ourselves to thousands of advertisements in a wide variety of environments where ever we go; yet, we fail to realize the influence of the implications being sold to us on these advertisements, particularly about women. Advertisements don’t just sell products; they sell this notion that women are less of humans and more of objects, particularly in the sexual sense. It is important to understand that the advertising worlds’ constant sexual objectification of women has led to a change in sexual pathology in our society, by creating a culture that strives to be the unobtainable image of beauty we see on the cover of magazines. Even more specifically it is important to study the multiple influences that advertisements have

The roles of males and females in society have significantly changed, as opposed to the predominant roles in our history. In the modern culture of today, women have begun to break out of the mold that which society has placed her in. This much can’t be said when it comes to modern gender representation in mass media advertising. It can be safe to state that woman are seen as sexual, fragile, exotic—whereas men are portrayed as tough, in control, and aggressive. This trend can be one seen as an inhibitor to the advancement of our culture, because especially for women, it is hard to pull away from the stereotypes that are continuously represented. As examples of the given trend, the following