African American Culture Essay

Artwork has been an imperative part of Black culture, and many artist share their inspirations coming from African origins. From the beginning of slave societies to present day, African America artwork has contributed to large parts of United States artistic collection. Beginning in the early 1600 to 1800 “black art took the form of small drums, quilts, wrought-iron figures and ceramic vessels in the southern United States. These artifacts have similarities with comparable crafts in West and Central Africa.” The significance of the

Slavery began in the late 16th century to early 18th century. Africans were brought to American colonies by white masters to come and work on their plantations in the South. They were treated harshly with no payments for all their hard work. In addition, they lived under harsh living conditions, and this led to their resistance against these harsh conditions. The racism towards the African Americans who were slaves was at its extreme as they did not have any rights; no civil nor political rights.

Black inferiority and racial prejudicial sentiments germinated and were validated in an article written by Thomas Jefferson entitled Notes on the State of Virginia, a work that marked the inauguration of racial science. In these notes, Jefferson declared that blacks were unchangeably inferior in both mind and body.

Still between 1865 and 1876, there was a culture identity crisis for African Americans. We cannot explain the roots of African American culture without

Many of our life lessons were often given by our elders in the form of stories, jokes, and the spirituals which serve often song in the fields, as well as, on Sunday mornings. Yet, as a people, we thought it necessary to hold on these priceless teachings because it has served as the only link to our African ancestry. African American culture is both part of and distinct from American culture. African Americans have contributed literature, agricultural skills, foods, clothing, dance, and language to American culture.

There is no doubt that African Americans have a rich cultural background and history like the many different ethnic groups who settled in the New World, whose origins lie in another country. For this reason, America was known as the melting pot. However, the backgrounds of each of these cultures were not always understood or, in the case of African Americans, accepted among the New World society and culture. Americans were ignorant to the possibility of differences among groups of people until information and ideas started to emerge, particularly, the African retention theories. This sparked an interest in the field of African culture and retention in African Americans. However, the study of African American culture truly emerged as a result of increased awareness in America, specifically through the publication and findings of scholarly research and cultural events like the Harlem Renaissance where all ethnicities were able to see this rich historical culture of African Americans.

African American Studies is a very complex subject. To confuse African American studies with black history is a common occurrence. African American studies is much deeper and more profound than just Black history alone. There are many unanswered and unasked questions among the Black American culture which causes confusion and misunderstanding in modern day society. In unit one there were many themes, concepts, and significant issues in the discipline of Africana studies. Both W.E.B Du Bois and Vivian V. Gordan touched on many concerns.

African-American is a politically correct term used to refer to blacks within the United States. The roots of many African-American rites can be traced back to African cultural rites. However, it is important to note that not all blacks in America identify with African cultural roots. Therefore, some of the rites found within what many in the United States call African-American culture stem from Caribbean and other cultural traditions. For this reason, when making end of life decisions or funeral arrangements the “cultural identification, spirituality and the social class” the individual identifies with must be taken into account. The black majority within the United States identifies with Afrocentric traditions and perspectives. For this

As Americans, we are privileged with diverse experiences. With this comes a perceived understanding of many cultures and their influences but in fact full cultural literacy is impossible to achieve.

Abstract: Since the Transatlantic Slave Trade, African Americans have been dependent upon those of fairer complexions to educate them about the culture and history of their own people. Unfortunately, the trip over to the Americas caused them to lose touch with several parts of their being; native tongues, culture/heritage and most of all their self-righteous. Somewhere along the way they forgot that they are creators of every major practice; from metallurgy to agriculture; practices that essentially influenced the entire world. The Transatlantic Slave Trade essentially and effectively brainwashed a group of people. It caused people of the African diaspora to lose sight of who they really are; installing negative and inferior perception of their ancestry, while also installing white superiority through their mindsets. African Americans innately depended on white people for every part of their life, even later slavery. In regards to education, African Americans depended on white Americans to build infrastructures for the education of black people. This unfortunately continued the cycle of white dependency. While African Americans thought they were enhancing their knowledge, all they were doing was becoming more equipped servants to their white

The issue of slavery in the United States has been hotly debated for centuries. Historians continuously squabble over the causes and effects of America’s capitalistic, industrial form of slavery. But two of the most heavily discussed questions are whether the institution of slavery destroyed African culture in America, and whether it reduced slaves to a child-like state of dependency and incompetence. Anthropologist Melville Herskovits, and historian Stanley Elkins both weigh in on this debate: Herskovits with, The Myth of the Negro Past, and Elkins with, Slavery: A Problem in American Institutional and Intellectual Life. In, Slavery: A Problem in American Institutional and Intellectual Life, Elkins asserts that African culture was all but destroyed by a repression of the slaves’ rights, at the hands of their masters. He claims that complete dependence on their masters and a lack of collective cultural identity and family bonds, reduced slaves to a child-like state of helplessness and ignorance, and childish behavior called the ‘Sambo’. Herskovits takes a different stance in this debate. In, The Myth of the Negro Past, he claims that African culture was not completely destroyed by slavery, and that the ‘Sambo’ stereotype was no more than a myth or at least a gross generalization. He uses slave revolts and the persistence of African culture in American in music, dance, and language as evidence to prove this.

The author, Curtis J. Evans, argues that African Americans and images of black religion in American culture have been key to the development of American ideals and culture, as well as a reflection of the nation’s failures as a country. Throughout the text, Evans never truly offers any added narrative to the events in history he speaks on, but simply historicizes the burden that has been placed on black religion, and by natural extension, black people. He documents the changes in how black religion was viewed in America and how black America responded to these views.

For many years, African-American culture developed separately from Westernized culture, both because of slavery and the persistence of racial discrimination in America. As a result, African-American slave descendants desired to create and maintain traditions of their own. Today, African-American culture has become a staple facet of American culture while still maintaining its individuality. African Americans who remained in the South have carved out their own path that continuously influences the socioeconomic and

In order to provide culturally appropriate care, an examination of one's personal views, beliefs, and prejudices must be examined. The first portion of this paper will examine my personal values, beliefs, biases, and prejudices. The remaining paper will analyze the African American culture relating to the Ginger and Davidhizar's Transcultural Assessment Model cited in Hood (2010). This model uses six key cultural elements that include communication, space, social organization, time, environment, and biological variations. This model provides a systematic approach for assessing culturally diverse clients. I will also discuss an aspect of care that I would

Thomas Jefferson’s childhood experiences with African Americans shaped his understanding of inferiority based on race, which provided a justifiable context for his treatment of his slaves. As with any