African Americans And Film And Television Production

During the 1950’s, black artists and entertainers chose either to directly or indirectly supported. Everyone in spite of where they came from and regardless of their identity, race, and gender all came together to fight the injustice. Black women entertainers bridged the entertainment world and popular culture to the civil rights politics. They were able to highlight the inequality between black and white people and men and women. Their activism allowed for global perspective on race relations and was continually reinforced through the interactions between entertainers, diplomats and other intellectuals. After World War II, black people in New York were rallying support for the movement by using creative strategies to represent blackness politically.

Over the years television has been known to be one of the major educating and socializing institution in America. Television in today’s society is able to play a powerful key through which individuals can be informed, hold forums, and voice their opinion‘s. Television is also important because it offers us glimpses into minority life and minority figures. When sociologists examine minorities in television they document how minorities are portrayed and how those portrayals have changed over the years. Through time, minorities in television have been able to make moderate gains whether they are in front of or behind cameras. However, they continue to remain significantly underrepresented as leading actors in films, as writers, and as TV show creators. Even though minorities are significantly underrepresented in today’s society the TV industry has been pushing to give an opportunity to many minority groups in succeeding in the media. Several TV shows and commercials have succeeded in the TV industry to try and change how minorities are underrepresented, however, there are also shows that reinforce stereotypes and are prejudice towards minorities.

The 1960s was an era of the civil rights movements that African Americans held to end segregation and racism. Although African Americans faced abundance of hindrances throughout their strive for equality, they responded with increased courage, hope and determination.

The 1950s and 1960s was a period of growth and prosperity in America. Features of the common life included innovations such as television, dishwasher, and home air-conditioning. However, not all Americans equally benefited from the economic growth of this period of time. In addition to Jim Crow laws and unequal economic opportunities, America’s society became further segregated as many whites moved to the suburbs while blacks remained in run-down city neighborhoods. These many inequalities sparked the civil rights movement, where African Americans stood up and fought for their rights using nonviolent methods. The movement influenced the emergence of many prominent figures including Martin Luther King Jr. and Rosa Parks. The civil rights movement of the 1950s and 1960s was successful in achieving equal rights for African Americans through nonviolent protests such as the Montgomery bus boycott, sit-ins, and marches.

Throughout history African Americans have always fought for true equality. Whether it be slave revolts or sitting in the reserved section for whites on a segregated bus, African Americans have stood up for their rights and demanded change in society. One way they fostered a change in society is through the development of music. Historically, African American musicians have uniquely expressed their ideals of the American Dream through musical periods such as jazz, rock, and rap and the historical movements behind them by utilizing their elevated platform to speak about the plight of African Americans and fight for equality through historical protests, music, and speeches.

The 50s, 60s and 70s were a tumultuous time in American society. Roles were constantly being redefined. Events like the war created upheaval in the lives of many individuals and everyone was scrambling to find his or her place in society. The same was profoundly true for blacks in America. No societal movement had a more profound effect on the lives of Black Americans than did the Civil Rights Movement. The status of Black Americans would be redefined to a revolutionary degree. Civil rights leaders including Martin Luther King Jr., Rosa Parks, and Malcolm X would bring the cause to the national stage. Although the movement was plagued with violence and death, it was eventually successful. The South was radically changed from a society of

Often in many films that undermine African Americans, they are depicted as thief's, murders, or unintelligent. These images are used to show that African Americans are unlike their white counterparts. According to Friedman, "This formulation undermines the racially and sexually based violence toward African Americans, wiping out the memory of rape, castration, and lynching of slaves that occurred in the past" (Friedman). The development of African American films, or films that truly put African Americans in any type of positive light did not really start to occur until the 1970's or 1980's. Before then films were often negative in spirit. Paula Massood describes the Hollywood depictions of African Americans in the previous era as, "failing to recognize the sociopolitical changes in the American landscape. African American characters most often appeared within a southern setting, largely ignoring the black city space and culture that figured in the lives and the imaginations of a vast majority of African Americans" (Massood). However, in the following years the development and progression of African American films was able to be seen.

The growing momentum of the Civil Rights Movement brought more changes in Hollywood around the 1950s black were beginning to gain more screen time. The 1970s was the Blaxploitation era this films were originally made specifically for an urban black audience, starring black actors in key

Film is one of the most influential means of communication and a powerful medium of

Growing up in the 90s, watching movies were essential components of life. Specifically, comedies were the heart of interest until teenage years. The notion of wanting to watch a film that resonated with self and culture seemed right. Classic lines such as "I hate you Jody", "Bye, Felecia", or "Eat the cake Anna Mae" were jocular moments that had deeper meanings after years of pondering on how African American women are showcased in Hollywood films. After analyzing the depth of the roles in which African American women in classical Hollywood are depicted, there are three basic roles in which they are giving: the help, the hoodlum, and/ or the

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

The only thing more powerful in mobilizing symbols, sentiments, and sensibilities than popular culture, is personal and shared experiences. What is so potent about pop culture however, is the ability of its participants to share their personal experiences to audiences than can both empathize and relate to the realities these artists present. This extended period of the civil rights and black power era can arguably be defined as the mobilization of the larger public by popular black figures whose individual charismas and drive inspired collective action. Some of these figures were exclusively political, many of which prominent intellects of race academia and/or known for their discourses that captivated thousands. And then there were figures that used their influence as musicians or writers who, with access beyond those with a conscious interest in politics, could incite people to think and reevaluate their lived realities through song and performance. Nina Simone is perhaps the most politically significant figure of the latter group, as she not only actively participated as a proponent of civil rights efforts, but became a pioneer in black power and feminist ideology.

Since the 60’s america has come along way with civil rights. The racial unjust between white and black people have almost diminished completely. African americans now have the same rights as a white man, leading to higher employment rates, and enrollment rates into school.

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

However, according to African American film scholar Thomas Cripps, these early films were not truly Black because their function, more or less, were to enlighten and mollify White people’s curiosity concerning Black culture. The argument presented by Cripps creates an opportunity for speculation on how to categorize a well-known group of films about Black people that in most cases included the participation of White filmmakers. How do we define the term “race film”? Moreover, can these films be considered a “genre” or are they imitations of similar narratives produced by White filmmakers such as comedies,