African Art Essay

Africans took stuff from the home lade to remind them of where they lived. The africans made drums to use on plantations so they could always remember where they came from. These drums were banned do to they could sent messages with the drums. The only instrument they were allowed to have banjo’s.

Masks gave life to various mythological, primitive, bird and animal figures which the tribal members claimed as their ancestors from long ago and were to believe to invoke supernatural powers. These mythical beings gave way for privileges and special powers to individual tribal families and helped to form a family's crest, song or dance. The family would then personify distinct mythological figures as part of their heritage. The animals and mythological creatures represented in the masks and a host of other carvings derive from the Northwest Coast's rich oral tradition and celebrate the mythological origins and inherited privileges of high-ranking families (Gardners, 864). The majority of the masks displayed intricate and mastered use of line in their smooth concave and convex curves, with crisp sharp lines used to bring focus on a specific feature of the mask. The features usually being brought to the forefront were delineated nostrils, eyes and lips that were accentuated by deep cut carving and the use of contrasting color which helped to add form and realism to the mask. Geometric and organic lines were used to contrast between the parallel lines which would help create to enhance the features of the mask. The paint colors typically used by the

The Nok heads and sculptures of Nigeria are made hallow, life-sized terra-cotta figures with a coiling technique commonly used to make pottery vessels (Thames & Hudson, 2015, pg.451). Nok heads were made with clay and although clay is very durable it is also breakable. However, very few sculpture have been found undamaged. The head of the figures was larger than the bodies because the artists wanted to emphasize the association between the head with knowledge and identity. The Nok head below is from Rafin Kura, sculpted in c. 500 BCE-200 CE. Like many Nok heads, this sculpture has a unique hairstyle, with three buns on top. It also has triangular- shaped eyes with holes in the pupils, nostrils, mouth, and

What are masks? One usually thinks it is an object the individual puts on and takes off.

African masks range from small and plain to being decorated with bright colours and intricate detail that cover the face of the wearer, or be large enough to conceal the entire body. Many tribes believed the person that donned the mask took on the spirit it represented. Different masks that mix human and animal forms also celebrated the bond between the animal and human worlds. Conversely, this same mix and reverence are also evident in Native American culture and ceremonies as well as other cultures worldwide.

Masks have held countless uses and meanings throughout history. Masks have been used in plays, like those of Shakespeare, traditional dances, social gatherings, even as a form of casual or corporal punishment. Although masks have several different uses in different cultural situations, the meaning of the masks is generally the same. Masks are used to conceal an appearance and assume the identity of another. Metaphorically, masks can be used to hide feelings, to protect oneself, and to block out the outside world. Many of these examples are shown in Art Speigelman 's Maus.

There are numerous types of masks that come from the West African region, each represent a specific personality trait. Masks from Burkina Faso, Ivory Coast, Liberia, Ghana, Senegal, Mali, Guinea Bissau, Guinea, Gambia, and Sierra Leone all symbolize the various characteristics that can found in people. To find a mask that best fit my personality, I researched the various amount of masks that can be found in Ghana. Birds have been an important part in ancient animist cultures, whose tribal people believed that birds had spirits and played special roles in many aspects of life. Several African masks depict a bird on or above a human forehead, signifying a range of personalities from courage to intelligence. One of these masks is the Sonu Bird

Furthermore, Masks is another great example used by Sam Gill. He clearly reveals that often times we misinterpret the meaning of mask: that they only hold a space on a shelf among others like itself, otherwise known as a collection. However, masks hold a bigger significance than that. To the Natives, masks are living and when masked performances take place, the deities are present. To view mask as art alone is to minimize the actual beauty and value behind the entire mask and its' function. There is a reason for its existence and it's not just to be creative and productive. Typically, we consider masks as objects that hide or conceal something. In the Native Americans' case, this is the furthest from the truth. Performing a mask in a ritual is

The third mask also deals with a secret society. This carved wood “Helmet Mask” (inventory # 5-13259) is thought to be from the Bamileke society of Cameroon and is dated to about 1976. Used in a men’s secret society known as the Kwifo (“night”), masks in this style disguised the members identities as they acted as a police force for the king. The Kwifo mediated conflicts, pronounced legal sentences, and carried out the resulting punishments. Different masks represented the various powers of the group and the carved headdress of this mask mirrors the prestige caps worn by elites and kings. The intertwined “legs” represent the earth spider, which, because it lived underground was thought to unite the world of the ancestors and spirits, who live in the earth, with that of humans. Revered for its supernatural wisdom and power it is often consulted

The theme of masks is a significant theme throughout the book through the book. In all war people use

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.

The sculpture to the far left is from the archaic period. Archaic art is famous for the establishment of the human figure as the central image and the law of frontality. As seen above, archaic sculptures are famous for their “archaic smile” that is present during any occasion. Therefore, pain or sorrow is never depicted. With all sculptures having the same facial expression, it leaves no opportunity for interpretation or individuality. This was a pattern among archaic art because it was meant to represent order.

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art

     Art is very important to the Africans. In fact it is part of their everyday life (Fetzer 106). South African artists are active in many areas of art including sculpture, pottery, mask making, and many more (African Arts Information).