African Art Essay

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but

Masks have held countless uses and meanings throughout history. Masks have been used in plays, like those of Shakespeare, traditional dances, social gatherings, even as a form of casual or corporal punishment. Although masks have several different uses in different cultural situations, the meaning of the masks is generally the same. Masks are used to conceal an appearance and assume the identity of another. Metaphorically, masks can be used to hide feelings, to protect oneself, and to block out the outside world. Many of these examples are shown in Art Speigelman 's Maus.

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

Masks gave life to various mythological, primitive, bird and animal figures which the tribal members claimed as their ancestors from long ago and were to believe to invoke supernatural powers. These mythical beings gave way for privileges and special powers to individual tribal families and helped to form a family's crest, song or dance. The family would then personify distinct mythological figures as part of their heritage. The animals and mythological creatures represented in the masks and a host of other carvings derive from the Northwest Coast's rich oral tradition and celebrate the mythological origins and inherited privileges of high-ranking families (Gardners, 864). The majority of the masks displayed intricate and mastered use of line in their smooth concave and convex curves, with crisp sharp lines used to bring focus on a specific feature of the mask. The features usually being brought to the forefront were delineated nostrils, eyes and lips that were accentuated by deep cut carving and the use of contrasting color which helped to add form and realism to the mask. Geometric and organic lines were used to contrast between the parallel lines which would help create to enhance the features of the mask. The paint colors typically used by the

What are masks? One usually thinks it is an object the individual puts on and takes off.

Consider how Africa’s geography has changed over time. What positive and negative effects would these changes have had on human populations on the continent? As their new homes changed they were able to adapt due to their innovative mindset. This can be attributed to the new found organization thanks to language. Allowing Africans to grow and expand throughout the entire continent. Other factors that can be attributed are the change in geography for some parts such as the Sahara drying out and swamps and lakes disappeared.

Furthermore, Masks is another great example used by Sam Gill. He clearly reveals that often times we misinterpret the meaning of mask: that they only hold a space on a shelf among others like itself, otherwise known as a collection. However, masks hold a bigger significance than that. To the Natives, masks are living and when masked performances take place, the deities are present. To view mask as art alone is to minimize the actual beauty and value behind the entire mask and its' function. There is a reason for its existence and it's not just to be creative and productive. Typically, we consider masks as objects that hide or conceal something. In the Native Americans' case, this is the furthest from the truth. Performing a mask in a ritual is

It is proposed to show that the ethos of European colonial expansion largely defined and classified Benin art and dictated how it should be interpreted and displayed when first seen in European

African masks were to establish a different identity for the wearer in order to amuse, teach, or sacrifice.

Their masks hide the evil dwelling within their innocent souls, waiting to be set free. It emits human personalities and behaviors, allowing it to be impenetrable by visual perception. With these masks as a cover, Jack and his tribe members interact nicely; chaos rips through their society when they allowed their masks to fall off throughout many sequences of events.

In simple terms, the Diaspora as a concept, describes groups of people who currently live or reside outside the original homelands. We will approach the Diaspora from the lenses of migration; that the migration of people through out of the African continent has different points of origin, different patterns and results in different identity formations. Yet, all of these patterns of dispersion and germination/ assimilation represent formations of the Diaspora. My paper will focus on the complexities of the question of whether or not Africans in the Diaspora should return to Africa. This will be focused through the lenses of the different phases in the Diaspora.

Masks are one of the most spiritually important art forms developed in Africa. Among the masks many uses were; communicating with spirits and ancestors, serving as teaching aids in gender specific initiation ceremonies, tools for maintaining order, enhancements for reenacted stories and myths, symbols of rank and power, and a record for past leaders. I will be focussing on masks from the first three categories. The masks, which are all Helmet style masks from West and Central Africa, illustrate how artists from different tribes approached symbolism and visual storytelling. They also show what was considered ideally beautiful for each clan.

     Masks were created to be placed over the face, on the top of the head, or even over the head. Most masks represent spirits of ancestors (Fetzer 106). Some villages make masks with full costumes and use them with music to dance in ritual performances. They used masks for social control,

During the mid 19th century up until the Great War of 1914, European countries began to heavily colonize and come into contact with African nations. This was called "new imperialism". During this contact, European culture was influenced by Africa. The influence of the African people can be seen in the European society of the time. In the 19th and 20th centuries, modern artists embraced African art for its lack of pretension or formal qualities.