African Cover History

The main topic of this text is the veil in North African and Middle-Eastern regions. Western people and Middle-Eastern people do not share the same opinion about its use, while the occidental region considers it as a simple cloth, sometimes it is even considered as humiliating, the Middle-Eastern region gives an important value to it due to its religious and historical significance. Many authors from different countries debated about the pros and cons of wearing

Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar

Achebe also expands on the reflection of the Ibo peoples of being civil, depicting the civilised aspects of the Ibo religion. Another example similar to the peaceful reparation, previously

The history of West Africa has its inhabitant traces is almost 6000 years ancient, but the earliest human beings who came here first were almost 12000 BCE. The enhancement in the farming took place after the arrival of a modern ancestor in the fifth millennium. After making connections with other civilizations like Mediterranean ones, the development of iron industry took place in every use of daily life. The common or traditional business of trade for them consisted of cotton, leather, metals, gold against horses, clothes, copper, salt, etc. They were modifying their lifestyles and politics as more as they were coming closer to other communities of the world (Ajayi, 1970).

The documentary Tree of Iron presents the quest of Peter Schmidt, an ethno-archeologist, to discover and recreate the ancient African process of iron smelting. Schmidt hypothesizes that ancient east African technology was not as primitive as other scientists might of thought. Therefore, he travelled to a village in Tanzania called Nyungwe, where the Haya people reside, to try to witness the process of forging iron first hand. Because this ancient African tradition is not written down, Schmidt joins village elders Norbert Kajuna and Herman Kariba, who both remember the iron smelting process, in making an iron furnace in the same way their ancestors did several years ago.

Once we arrived, we looked up possible exhibitions that we could attend. A museum employee recommended African textiles. After hearing the title, I immediately expected this exhibition to have complicated and precise components to the tiles. African textiles are, in fact, made of wool or fine animal hair in a weave patterns. Although the exhibit was interesting, it wasn’t what peaked my interest.

The view from Victorians concerning the artwork was that they were obtained from” brutal and unruly savages from Benin” (The Times, 25th September 1897, p12) but it was also thought that the quality and workmanship of the pieces was exceptional.

The art of visually being able to express an understanding through the use of physical and mental creation is nothing but remarkable. Metalwork is not an easy task and I believe was a stepping-stone into a new way of design. I love looking at textile and texture pieces because of the way it is all layered together. There is a particular way needed to map out where and how each jewel and figure will be placed. These steps seem to be challenging but is all-apart of mastering the art of building a piece. I think that the challenge of design is half the battle but when something beautiful such as The Lindau Gospels cover is created, the dedication and time is all much worth it.

Modern figurines of art stem directly from the hands of the ancient’s. The organic forms of modernly sculpted artifacts can most likely be directly referenced to the movements of prehistoric artworks. There seems to be an ongoing transition on how cultures no matter how stretched apart through time, contrasted by ethnicity or religious views; can all be somewhat related to each other by the methods or principles portrayed through their artworks. In fact, I saw that very transition; within two works in which are extremely different in meaning, craftsmanship, time, culture and so on. However, I was still able to find similarities within the artifacts. In this paper I will examine Venus of Willendorf, a Paleolithic carving in limestone; which can fit in the palm of one’s hand. As well as, The Sacrifice of Chacmool, which are a plethora of Mesoamerican statues emulating rituals of sacrifice.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s

When it comes to the existence of objects that have morphed and changed, in part due to their perception throughout the course of history, it does not take long before one begins to consider objects of exceedingly long, cylindrical, and rounded nature. The reader has but to consider the iconically Ionic columns of the Parthenon, the obelisks of ancient Egypt, or the steles of Persia before realizing the true extent to which such objects have been the focus of ancient, and present, attention.

For this essay, I decided to analyze the art collections of the Fowler Museum at UCLA, more specifically in the Jerome LioMel Joss Gallery. The Jermone LioMel Gallery contains the arts works of Africa, and the Pacific Islands so I will be analyzing arts from the two areas from Papua New Guinea and Nigeria. These arts pieces are the Veranda posts (opo), and the ornament for a sacred flute.

he ivory mask, comprised of ivory, iron, and copper, is 9 inches high, 5 inches wide, and 3 inches deep. Located near the top of the mask, heads representing the Portuguese exemplifies the control Benin had over Europeans. Creating a trend, the Portuguese continued to appear in many Benin art pieces throughout time. The Portuguese were so often found being referred to in the art pieces of the Benin because “the Edos thought they were from the world of the dead because of their white skin.” The distinguishing feature in the ivory mask is high coral crown which depicts a coiffure, a hairstyle commonly worn during those times by high ranking Edo women.

The wearing of a hijab or also known as a veil has lately become a problematic issue in numerous locations around the world, in particularly the Western part of the world. Hijab or veil is a headscarf that is regularly worn by Muslim women. Muslim women will wear a veil as a sign of favor to their faith. On the opposite side, others will wear it because they have no other choice from the pressure of their family members and religion. Individuals will even argue that the wearing of a hijab is a spiritual liberation. Other individuals will have a difference in opinion by saying that by wearing a hijab is an unjust to women, they believe that the wearing of a hijab is part of a Muslim system that brings women under command and control.