African Oral Literature: The Contributions Of African Oral Literature

In Chinua Achebe's Things Fall Apart, it is shown that the African people had their own complex culture before the Europeans decided to "pacify" them. The idea that the dignity of these people has been greatly compromised is acknowledged in the essay "The Role of the Writer," which is explanatory of Achebe's novels. A writer trying to capture the truth of a situation that his readers may know little or nothing about needs a sense of history in order to appropriately address the topic. It is not enough "to beat" another writer to the issue. Writers should make the attempt to express a deeper understanding. Without proper mental investment in a written work, the

The Interesting Narrative conveys the first-hand experiences of an African who is stripped of the basic rights given to humans and is forced into slavery, while at the same this individual fights for freedom. This autobiography is a reliable source for historians, educators, and students. After analyzing the literature, I concluded that the autobiography’s main criteria included content, tone, perspective, and the structure of his writing. The authors ability to manipulate this criterion, allows for the successful creation of an environment that builds a connection between the audience and his journey.

“African Perspectives on Colonialism” is a book written by A. Adu Boahen. This book classifies the African responses to European colonialism in the 19th century. Boahen begins with the status of Africa in the last quarter of the 19th century and follows through the first years of African independence. This book deals with a twenty year time period between 1880 and 1900. Boahen talks about when Africa was seized and occupied by the Imperial Powers of Europe. Eurocentric points of view dominated the study of this era but Boahen gives us the African perspective. There are always two sides of the story and Boehen tells us the side less talked about informing us of what he knows.

The West African bardic tradition refers to the passing on of empirical knowledge from elders, known as griot, via a media of rapping, which occurs as a tradition where “the grandfather...bring[s] all the immediate children around him to rap.” This tradition is the expression of historical culture and lessons via a media of poetry, rhythm, and music. The role of

From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art

My room-mate had a single story of Africa; a single story of catastrophe”. Adichie also tells how growing up in Nigeria reading only American and English children’s books made her deaf to her authentic voice. As a child, she wrote about such things as blue-eyed white children easting apples, thinking brown skin and mangos had no place in Literature. That changed as she discovered African writers.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

Watching the TED talk that Chimamanda Ngozi Adichie gave on “The Danger of a Single Story” was powerful. A single story has insufficient primary sources to have the full comprehension of the real story. Seeing Adichie verbalize issues that I have discovered in myself allowed me to reflect deeply regarding my perception of others. Adichie spoke on how her childhood was filled with English stories and how she gained a perspective on their culture through books. Books are truly powerful storytellers and is often forgotten about in a society where books are taken for granite. A book in another one of my classes was based on Adichie’s idea of how English stories only told one side of the story; this book explored the lives an Igbo society and how English stories portrayed them differently than who they actually were. This proved that I am not alone in making a single story, furthermore

In Sundiata: An Epic of Mali and The Interesting Narrative of the Life of Olaudah Equiano, the importance of storytelling and recording history is prevalent throughout both stories. In Sundiata, the griot serves as the narrator of the story recounting the tale of Sundiata told to him by his father who learned it from his father and so on for countless generations. Griots travel amongst their people using oral history as a way of preserving African culture and heritage throughout generations. They treasure the superiority of oral history above written history because the written word “lacks the warmth of the human voice.” Conversely, Olaudah Equiano explores the written word as a method of spreading his story throughout the world. He writes a biography because it can be translated into countless different languages because his purpose is to educate as many people about his story in an effort to end the atrocities of the slave trade. While the function of the griot is to connect Sundiata with his ancestry via oral storytelling and music, Equiano’s written testimony distances himself from his indigenous African heritage.

Now, there are several salient points that can be made about Symoné’s comments. Symoné’s concern with her inability to accurately trace her African roots is reminiscent of the Pan-Africanist point of view. In this interview, Raven is privileging the Pan- African point of view, deciding that her blackness cannot be validated unless she can show a clear connection to Africa. The Pan-Africanist point of view came about during the time of 18th century slave revolts and continued throughout the 19th century abolitionist movements and the rise of new antisystemic movements in the 1960s (Lao-Montes 311).

“Ghana’s history is a metaphor for what occurred in the immediate aftermath of independence in Africa,” is a quote by Kofi Awoonor, Ghana’s leading literary figure and one of Africa’s most acclaimed authors. Three of his poems illustrate the hardships and trials that the Africans faced after their claim of independence from Britain. As said by Awoonor himself, “...high hopes were crushed by the greed, corruption, and lust for power…”. The author uses multiple literary devices as a way to emphasize the adversities they faced. Kofi Awoonor symbolizes the downfall of Ghana after independence through the use of theme, mood, and symbolism in his Three Poems.

Positively, it has led Africa to create the phenomena of oral literature, highlighting oral history and its narratives. Negatively, however, the quality has been in a way distorted of impression because that is what Africa mainly known for, often leaving the fact that Africa can be great at literary, just like Europe. Ong explored orality and literacy, including their twin concepts of spoken expression and written expression with their nature and consequences. He presses about the major significance of oral expression in cultures and the increasing appreciation for expressions, such as epic poetry and performances. Merolla talks about the great divide between orality and literally, including their achievements in different cultures. “orality enabled shared decision-making in collective gatherings while literacy could lead to manipulation and authoritarianism as shown by the coercive use of the press and schools in dictatorial regimes,” (Merolla) Jada points out that although Aidoo’s combination of traditional Ghanaian and western conventional format drove most Western critics to consider the play as an inferior text, it is popular in the West African community because of its intense and detailed reflection of postcolonial Ghanaian family, leading many Africans to relate to its events. The play both entangles

Imagine being able to tell stories for generations to come without ever having to write down a single word. Oral tradition is used to pass stories down from generation to generation through different forms of communication without any writing system. Oral tradition stories are told by word of mouth, riddles, storytelling, and songs. It cannot be changed although the narrator might embellish it. Oral tradition is how Africans perceived the past. The significance of oral Tradition is due to the stories holding so much information and knowledge. Oral tradition contributed to understanding pre-colonial history because the pre-colonial Africa was influenced by two major movements which are the expansion of islam and the dispersion of the bantu. Oral tradition gave us the perspective as to why the expansion and dispersion took place. Oral tradition has its strengths and weaknesses. A strength of oral tradition is that it is being told from word of mouth and more people will listen to a good storyteller than to go read a book about the history. However, a weakness of oral tradition is that many of the stories get forgotten, left out, or embellished. With each re-telling the story gets further and further away from the original. Oral tradition is a primary way of conveying culture and is a way of life in African history.

These strong, and independent African women authors use insightful and educational language, which invites the western world to be a part of their world through the power of literature. One of the

Elisabeth says then there will never be any solution to the problem of novel in Africa if the Africans wanted a ‘living voice’. The main problem faced by them was because the African writers unlike the French and the English were not acting as writers but were actually behaving like interpreters of their exotic cultures and that the root of their problem was ‘ Having to perform your Africanness at the same time as you write.’