Essay on African theatre

Like many other continents in the world Africa has a lot of differences in itself for example there are differences in geography ,language, politics, religion and other things in life due to Africa’s lack of political government over an extended period of time.

Black theater is as old as the first tribes in Africa who would dance with wooden masks to represent gods or legends (Kerr, p3). The playwrights of this time were the Griots, who were known as the keepers of history in African tribes and mark the beginning of African literary tradition (Freeman.) But when does the development of black playwright actually take off?

The article is about black creative production (theater) since the play is directed by African American playwright Richard Wesley. In addition, the predominantly black casts are spectacular and deliver a strong performance. The ability to be multi-skilled in your craft displays creativity and versatility where the actors can utilize their many talents.

Preconceived ideas about one’s culture often arises from stereotypes passed down from generation to generation. It is those stereotypes which shape one’s way of thinking, without being educated properly. In the novel Things Fall Apart, by Chinua Achebe, misunderstood culture is what drives the story of a small African clan called the Umuofia and the life story of Okonkwo, a fearless warrior and farmer. An in-depth look into pre-colonial African culture helps the reader discover and understand an unbiased point of view of a world one may not understand. In doing so, Achebe uses imagery as well as strong narration to describe the cultural norms and activities that the Nigerian tribe undergoes in everyday life. Through this he offers a nonbiased point of view, and communicates and accurate picture of pre-colonial African culture to a western reader.

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

June 1st, 1921 will forever be remembered as a day of great loss and devastation. It was on this day that America experienced the deadliest race riot in the small town of Tulsa, Oklahoma. Ninety-four years later, that neighborhood is still recognized as one of the most prosperous African American neighborhoods to date. With hundreds of successful black-owned businesses lining Greenwood Avenue, it became a standard that African Americans are still trying to rebuild. The attack that took place in 1921 tore the community apart, claiming hundreds of lives and sending the once prosperous neighborhood up in smoke.

"A Philosophy of Theater « " East of Mina. N.p., n.d. Web. 19 Jan. 2011.

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

Consider how Africa’s geography has changed over time. What positive and negative effects would these changes have had on human populations on the continent? As their new homes changed they were able to adapt due to their innovative mindset. This can be attributed to the new found organization thanks to language. Allowing Africans to grow and expand throughout the entire continent. Other factors that can be attributed are the change in geography for some parts such as the Sahara drying out and swamps and lakes disappeared.

August Wilson discussed the struggles African Americans went through as slaves, how they have to stay strong to survive and how the history relates to today’s society and in theatre. He discussed on the grounds he stand meaning of what he respect in the growing life of theatre. The infamous ancient Greek dramatists who are Sophocles, Euripides and Aeschylus. William Shakespeare, Shaw and Ibsen, the Americans dramatists were Eugene O’Neill, Arthur Miller and Tennessee Williams. Another group of individuals who pave the way were the black theatre writers such as Nat Turner, Denmark Vesey, Marcus Garvey and Elijah Muhammad. He discussed that the “black theatre” was growing into two different black arts that was developed in the past and that it is still considered the same in today’s society such as theatre that entertain white society and art that uplift the black culture in strategies that deliver survival and prosperity. Black theatre is the best theatre; Wilson considered it vibrant and vital. Wilson wants black theatre to be funded and recognized. “Black theatre doesn’t share in the economic that would allow it to support its

Chinua Achebe was a Nigerian novelist, poet, professor and critic. He is mainly known for his trilogy that investigates, using fiction, the history of Nigeria. The trilogy begins with Things Fall Apart, followed by No Longer at Ease and ended with Arrow of God. Furthermore, in this critically analytical essay, through a feminist perspective, a chapter of his second novel, No Longer at Ease, published in 1960, will be discussed. The setting of the novel is Lagos, Nigeria and Umuofia, Nigeria during the 1950s, before Nigeria attained independence from Great Britain. The novel, No Longer at Ease begins with Obi Okonkwo on trial, charged for accepting a bribe. However, using flashback, the author takes us back to the point before Obi’s departure

Nwoye’s betrayal in the novel is the same level of betrayal that Achebe is condemned with in his lifetime. African literary theorists who vie for the purity of African literature for African languages defy Achebe as a European traitor, writing his stories with his back turned to his native homeland. Yet this thesis argues for a reevaluation of that criticism. Achebe does not in fact deny his beliefs, his country, or his heritage. He rather aligns himself in a tragically ironic way with the hero of Things Fall Apart. Achebe writes his own struggle with colonialism into the life and death of Okonkwo. It is interesting to note that Achebe’s father was in many ways very similar to Nwoye. His father, Isaiah Achebe, was orphaned early in life and spent most of his childhood with his uncle, Udoh. Udoh was a man of the land; he prided himself on tradition and leadership. Chinua writes in his essay, “My Dad and Me,” that the differences between Isaiah and Udoh were seen early through the eyes of Chinua, a questioning child who was placed in the middle

Elisabeth says then there will never be any solution to the problem of novel in Africa if the Africans wanted a ‘living voice’. The main problem faced by them was because the African writers unlike the French and the English were not acting as writers but were actually behaving like interpreters of their exotic cultures and that the root of their problem was ‘ Having to perform your Africanness at the same time as you write.’

More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart.  The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will

Wole Soyinka (1934), Nobel Prize winner in literature, in his novels such as ‘King’s Horseman’ and ‘The Years of Childhood and Death’ portrays his life experiences and thoughts about Africa as well as Nigeria.