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After Montaigne

Decent Essays

Marketing This book is aimed at two groups of people. The first are readers who are familiar and intrigued by the history of the essay. Interest in this genre is surely seen in contemporary and best-selling practitioners such as Leslie Jamison, Charles D'Ambrosio, Roxane Gay, Eula Biss, John D’Agata, David Lazar, and Patrick Madden. The University of Georgia Press has helped foster this genre with the publication of After Montaigne: Contemporary Essayists Cover the Essays (University of Georgia Press 2015). Though my book is topical and the chapters connect in theme, voice, and content, pulled apart, each is a stand-alone inquiry. The chapters fall within the Montaigne-like essay history of a narrator, through nonfiction material, making …show more content…

Few books, however, have covered unwanted, misfit species in an essayistic way, despite the fact that many of them are thriving and can help us paint a clearer picture of the world’s present. Underrepresented, yet these creatures do seem to be getting more credit lately, a sign of growing interest. Robert Sullivan’s richly engaging, best-selling book, Rats (Bloomsbury USA 2005), remains popular but only profiles one of the creatures in my book. Richard Mabey’s much beloved Weeds (Ecco 2012) profiles and defends what you might expect, leaving the rest of misfit-kind to another author’s thorough engagement. Jim Sterba’s fascinating Nature Wars (Broadway Books 2012) examines human-species conflicts but focuses narrowly on the phenomenon of creatures invading suburbs. Dawn Day Biehler’s book Pests in the City ( University of Washington Press 2013) is an informative investigation but much more scholarly than Pandora’s Garden. Trash Animals (University Of Minnesota Press 2013), edited by Kelsi Nagy, is a fascinating collaboration but also scholarly. House Guests, House Pests (Bloomsbury USA 2015) by Richard Jones focuses mostly on bugs in the United Kingdom and does not cover the species nor geography of Pandora’s Garden. Fred Pearce’s The New Wild (Beacon Press 2015) and Ken Thompson’s Where Do Camels Belong? (Greystone Books 2014) bravely defend invasive species, though if with the single-minded intent to overturn ideas of invasiveness. Gordon Grice’s series of predator profiles, The Red Hour Glass (Delta 1998), The Book of Deadly Animals (Penguin Books 2011), and The Deadly Kingdom (The Dial Press 2010) investigate fearsome creatures but ignore almost all of the misfit species in this book and have a completely different

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