Agamemnon, Hamlet and ALfred prufrock compasion essay

In Shakespeare’s Hamlet, Prince Hamlet serves as one of the most multi-faceted characters in the entire play with critics often deeming his personality “paradoxical”. Ultimately, Hamlet provides the audience with the epitomy of internal contrast and instability by rapidly transitioning through periods of caution and rash action, introversion and extroversion and calculation and spontaneity.

The reader can find the speaker relatable; Prufrock shows multiple sides to his character. In one way, Prufrock is trying to seem cool, calm, and collected; he wants the reader to think that he knows everything; however, the reader can tell that Prufrock is trying to be somebody he is not. Prufrock later lets his walls drop and he says that he has let “the moment of greatness flicker…” He is talking about his greatness; Prufrock wants his life to be stagnant, and with very little struggle. This means that his life will be complete boredom. I believe that people should take Prufrock’s life as a lesson of how not to live; his emotional distance reveals that he is a sad man and that life should not be motionless and focused on maintaining the status quo.

One of the best known pieces of literature throughout the world, Hamlet is also granted a position of excellence as a work of art. One of the elements which makes this play one of such prestige is the manner in which the story unfolds. Throughout time, Shakespeare has been renowned for writing excellent superlative opening scenes for his plays. By reviewing Act 1, Scene 1 of Hamlet, the reader is able to establish a clear understanding of events to come. This scene effectively sets a strong mood for the events to come, gives important background information, and introduces the main characters. With the use of this information, it is simple to see how Shakespeare manages to create stories with such everlasting appeal.

Shakespeare’s character, Hamlet, is known for his indecisive personality. It is a trait that humanizes Hamlet in the sense that every man is flawed. However, this feature is Hamlet’s main

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

J Alfred Prufrock and Prince Hamlet overcome obstacles of the want and desire for happiness. Their pursuit of this shows how interrelated their two backgrounds are. It’s full of love, important decisions, and secrets and hidden things. William Shakespeare’s “Hamlet”, and T.S Eliot’s “The Love Song of J Alfred Prufrock” shows how reciprocally connected two stories with different backgrounds can

Throughout the entirety of the poem, Prufrock struggles with paralyzing inaction stemming from his self-doubt. This holds a large portion of Prufrock’s inability to gain clarity. An example of this self doubt is expressed when he stated, “[They will say; ‘how his hair is growing thin!’]... [They will say: ‘But

'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).

The characters within each literary work and film exhibit diverse responses to their summoning. For instance, Prufrock refuses the call to undertake a future with his compelling woman. His cowardly personality causes him to avoid telling the lady his true infatuation for her. Also, Eliot compares Prufrock to Hamlet, “[a]t times… almost ridiculous…. At times, the Fool” (Eliot 118-119). The inability to make a choice characterizes Hamlet, similar to how Prufrock cannot decide if his words are worth the risk of losing his lover because of his bad reputation. Furthermore, Plath explains how the woman accepts her call by allowing herself to enter her subconscious. The author writes “Now I am a lake” (Plath 10). Water represents an archetype for

Another clear resemblance to hamlet is Prufrock’s love song. Throughout the poem, Prufrock indecisiveness is clearly seen. This is a lot like Hamlet, where he struggles to make a decision and take action. In lines 111-119 of the love song, Prufrock compares himself to prince Hamlet but then he decides that even indecision is too decisive for him. He quickly however rejects the idea, claiming that he is nowhere important enough to be compared to Hamlet. However, Prufrock's denial in being similar to Hamlet is somewhat more ironic than true because he does, in fact, resemble him. Similar to Hamlet, Prufrock's greatest flaw is his indecisiveness as well as his self-deprecation. Although Hamlet and Prufrock have completely different situations

Prufrock is a well educated and shy man, but he is also able to notice the flaws in society. He is able to realize how people are materialistic and focus too much on what they have, rather than the bare necessities of human interaction. Everyone must learn to communicate effectively, but people are too cruel to see past just what they see on the surface. Prufrock’s able to witness distinctions between society and himself, but at the same time he is only setting himself apart from everyone else. His looks and thoughts set him apart from society, but he realizes that he will never really fit in, so he does not bother trying to be someone he is not. The idea of fear from what others have to say about Prufrock and what the woman might say is what, in the end, causes him to keep to himself, while at the same time remaining his true

The Story of Prufrock starts out with him deciphering with himself if he should make this “change” in his life; he has always been a loner who only observes the world, instead of joining it, but

This lack of willpower is displayed in line 111 where Prufrock states: "I am not Prince Hamlet." He will not, like Shakespeare's famous character, shake off his doubts and "force the moment to its crisis" (80). Prufrock feels more like the character Polonius from the same Shakespearian work. He feels that he is only able to dream of romance, and never truly experience it for himself. Instead he will have his trousers rolled at the bottom as a statement of fashion and "walk upon the beach" (123). He follows up with a romantic vision of mermaids singing to him from the sea, but deep down he knows they will not sing to him. Prufrock is caught in a sort of paralysis where no matter how much he wishes to, he finds himself unable to act on his own impulses and desires. Because of this affliction, Prufrock will continue living in a world with daydreams of romance until he finds himself awakened by the human voices of real life in which, as very grimly states in the final line of the poem, he will drown.

If one applies the Freudian concepts of id, ego, and super ego to Prufrock’s troubled mind, a clear delineation of three sections is made in the poem. A short explanation of id ego and super ego is necessary in connecting them to the spaces in the text. Freud’s theory stemmed from a need to classify the parts of the ‘mind’. From this stems the organization of personality into three parts all of which are demonstrated in the “Love Song of J. Alfred Prufrock”. The id is the impulsively and instinctually driven section of Freud’s personality complex and is based on seeking pleasure. An especially important factor for “Prufrock” is that the id encompasses is sexual desire. It is largely accountable for the unconscious mind. The ego is the most rationalized and outward facing of the personalities that creates a practical approach in

William Shakespeare’s Hamlet is one of the world’s most renowned plays, one which has stood the test of time over the course of 400 years, finding relevance even today. A complex and sophisticated work, Hamlet is a masterful weaving of the myriad of components that make up the human experience; it delicately touches upon such topics as death, romance, vengeance, and mania, among several others. Being so intricate and involuted, Hamlet has been interpreted in countless fashions since its conception, with each reader construing it through their own subjectivity. Some of the most popular and accredited methods of analyzing the work are the Traditional Revenge Tragedy, Existentialist, Psychoanalytic, Romantic, and Act of Mourning approaches.