Agamemnon, Symbolism Of Darkne Essays

In my opinion this exemplifies the most the theme of the play. Evil in power? Evil within oneself or evil within tragedy? All questions I asked myself when chosing this chorus. And have come to the conclusion that there isn’t one answer that’s right or wrong. The quaote incompasses all evil. To me “if any profit lies in evil, your advice holds profit” goes along the lines of ethics. Ethics is a set of moral principles that are fundamental for guiding someone to make an internal decision about whats right and what swrong in all aspects of ones life. Ethics is all about action and we find ourselves ethically challeneged when in comes into

Euripides’ Iphigenia at Aulis provides important context regarding the sacrifice of Iphigenia and Clytemnestra’s past with Agamemnon. Clytemnestra is ashamed after talking to Achilles about the wedding between him and Iphigenia that he is unaware of. After discovering Agamemnon 's true intentions, she decides that she will no longer “let shame prevent” her from seeking Achilles’ help to stop Agamemnon because “whose interests should [she] consult before [her] child’s?” (Iphigenia at Aulis 24). Her concern for Iphigenia overpowers the indignity she feels because her child’s well being is greater than her own. Both women’s anger and desire for vengeance grow as their children are endangered or harmed as “vengeance makes grief bearable” (Medea 2.55). The playwrights show each as either a good or bad woman based on if their vengeful actions are ultimately in favor of their children or not.

The female characters portrayed in Aeschylus and Sophocles’ works have considerably different personalities and roles, yet those females all have the common weaknesses of being short-sighted and stubborn. They intensify the conflicts within their families while being inconsiderate of the impacts that they may bring to their nations and societies, which leads to consequences that they are incapable of taking responsibilities for. Clytemnestra and Antigone, two major characters in their respective author’s works, possess different motivations for their deeds in the stories. While Clytemnestra is driven by the desire of revenge to murder her husband Agamemnon, Antigone acts against Creon’s will and strives to properly bury her brother. Despite having different motivations and personalities, Clytemnestra and Antigone both commit

Agamemnon in the realm of Hades goes on to reveal how, “ There is no being more fell, more bestial than a wife in such an action, and what an action that one planned! The murder of her husband and her lord. Great god, I thought my children and my slaves at least would give me welcome. But that woman, plotting a thing so low, defiled herself and all her sex, all women yet to come, even those few who may be virtuous,” (Homer 6.496-504). This had been spoken by Agamemnon to Odysseus in the Underworld after his wife had plotted his murder along with one of her servants. Readers had been past exposed with Telemachus to this situation , “ But the Lady Klytaimnestra, in the first days, rebuffed him, being faithful still; then, too, she had at hand as her companion a minstrel Agamemnon left attending her, charged with her care, when he took ship for Troy,”(Homer 3.285-289). This had been discussed by Nestor to Telemachus when he inquired about the events after the Trojan War. While Agamemnon was revealed as an honorable man his wife was portrayed as a scheming backstabber or adding to the foil between husband and wife The Odyssey experiences.

Clytemnestra is Agamemnon’s wife and has been ruling Argos while he was away fighting. With help from Aegisthus, Clytemnestra made a plan to kill Agamemnon. She killed Agamemnon for the political power, for the ruthless revenge and for the curses blame. (Core 22: Series of introductory phrases using the same preposition – phrases must have balance.) Clytemnestra murdered Agamemnon to avenge their daughter Iphigeneia. Agamemnon sacrifice her in order to have success in the war, but never told Clytemnestra. Clytemnestra, feeling fake sadness over her daughter’s death, felt that she was wronged and had to get back at her husband. Not only did she kill him, but she had an affair while he was away. The sacrifice is why she had the affair with Aegisthus.

Everyone is going to die. This is no secret to the audience of the Greek play Agamemnon. Rather than surprising us with the murders that befall at the hands of vengeance, the Greek playwright uses this common story to display the underlying theme that one must first suffer before they can reach the truth. To understand the significance behind the story of Agamemnon, one must understand the passions and how they relate to the human person, Zeus’s law of suffering into truth, and Aeschylus’s motives for writing Agamemnon and how he reflects Catholic teaching.

Agamemnon is the first book in the Orestiean Trilogy written by the famous Greek tragedy writer, Aeschylus. Agamemnon is a story of justice and revenge. The story takes place in a city called Argos. It starts with Agamemnon, the king of Argos, away at the Trojan War. The city is eagerly awaiting the news of their king’s welfare and the outcome of the war. Watchmen are posted in the city, watching for the beacon that would report the capture of Troy and Agamemnon’s return. Beacons are set up from Troy to Argos; when one beacon is lit, the next one will be lit, until the last. The play starts when a palace watchman discovers the beacon and tells Agamemnon’s wife, Clytemnestra, the good news.

Agamemnon in the realm of Hades goes on to reveal how, “ There is no being more fell, more bestial than a wife in such an action, and what an action that one planned! The murder of her husband and her lord. Great god, I thought my children and my slaves at least would give me welcome. But that woman, plotting a thing so low, defiled herself and all her sex, all women yet to come, even those few who may be virtuous,” (Homer 6.496-504). This had been spoken by Agamemnon to Odysseus in the Underworld after his wife had plotted his murder along with one of her servants. Readers had been past exposed with Telemachus to this situation , “ But the Lady Klytaimnestra, in the first days, rebuffed him, being faithful still; then, too, she had at hand as her companion a minstrel Agamemnon left attending her, charged with her care, when he took ship for Troy,”(Homer 3.285-289). This had been discussed by Nestor to Telemachus when he inquired about the events after the Trojan War. While Agamemnon was revealed as a honorable man his wife was portrayed as a scheming backstabber or adding to the foil between husband and wife The Odyssey experiences.

Clytaemestra, whose infidelity and Agamemnon`s murder create a domino effect, which in turn brings a reign of chaos and killing begins as conspiracies and family secrets are reveled. Clytaemestra can be viewed as the unethical, evil character, nevertheless, her independed will and ability to murder, translate into strength and intellect. Clytaemestra drives the plot into "the complicated" which forms the majority of the tragedy itself.

Clytemnestra’s overwhelming hate for her husband deepens because Agamemnon shows no feelings of remorse and believes that Iphigenia’s sacrifice “[is] for the best” (216-224). Aeschylus recalls the final moments of Iphigenia’s sacrifice: “her pleading, her terrified cries of “Father”!/[…]/ Her eyes threw a last pitiful glace at her sacrificers,/ but like a figure in a painting,/she could not call to them for help” (228-242). Consequently, Iphigenia’s heartbreaking sacrifice motivates Clytemnestra’s “unforgiving child-avenging Rage” (155) upon her husband, Agamemnon. Clytemnestra’s maternal instinct implores her to take revenge against Agamemnon for his mistreatment of their daughter. Furthermore, Clytemnestra views Agamemnon’s sacrifice of Iphigenia as a betrayal of their marital love. Clytemnestra believes her husband deserves the same fate as Iphigenia because Agamemnon “[has] sacrificed [their] own child, [Clytemnestra’s] labour of love, to charm away the cruel storm-winds of Thrace” (1417-1417). To Clytemnestra, Agamemnon must “suffer, deed for deed,/ for what he [has] [done] to [their] daughter,/Iphigenia, his own flesh and blood!”

Night occurs when suffering is at its worst, when God's presence cannot be found. The novel Night by Elie Wiesel has many examples of symbolism in it. Today I will be showing different pieces of symbolism such as how fire is viewed. Death, darkness, and corpses can all be viewed with meaning and different descriptions, in the end they all connect.

In the first play, Agamemnon, Clytemnestra murders Agamemnon to retaliate for the sacrifice he made of their daughter, Iphigenia. Clytemnestra did this out of revenge, since the code of getting even demanded that someone’s murder must be avenged by their close blood relative. This called for torment at the hands of the Furies, who were female divinities of a terrible frightening aspect, that came upon anyone who murdered a close blood relative. In the second play, The Libation Bearers, Orestes kills Clytemnestra to avenge the murder of Agamemnon. This act is still maintaining the revenge principle, but it is committed primarily at the instigation of Apollo. Apollo takes center-stage in the third play, The Furies, to argue in defense of Orestes in a trial supervised by Athena. This ultimately leads to the end of revenge killing and the establishment of a new order of justice based on the laws of the

We learn why Clytaemnstra must kill her husband, therefore the actions are not clear. There is no clear recognition for the hero, Agamemnon’s death is unwitting, but Casandra recognises the impending slaughter and tells the audience and the chorus why we cannot understand

The first play, Agamemnon, tells about the return of the King from the Trojan wars and how his wife has chosen to react to the reunion. Clytemnestra is the queen who was angered by the fact that Agamemnon was away for a decade and that the King sacrificed their daughter Iphigenia to one of the gods. In one part of the play, the Chorus of Elders chants "Zeus who hath paved a way for human thought, by ordaining this firm law 'He who learns, suffers'" (Aeschylus, trans. 1893, 1.176-179) which speaks to the law that was formed by the words. The people of Greece followed the law that a person who commits a crime, whether that be a recognized law or one that the punisher deemed appropriate, is subject to some form of punishment. In Agamemnon's case, Clytemnestra believed that his actions justified his death. She did not believe that it was murder because his actions justified her actions.

The theme of “Justice and Judgment” from Agamemnon relates to that of “Wisdom and Knowledge” because the characters try to justify their actions as