Ai Weiweei Research Paper

Ai Weiwei was born during the Cultural Revolution in China of 1950s, he inherited a lot of his political knowledge from his father who was a poet called Ai Quig. Ai Quig was then later exiled with his family to re-education camps on the out reaches of a desert in 1958 for questioning government authority. After the Cultural Revolution, Chinese citizens were allowed to travel outside their borders again in 1970s. As a young man, the place that Ai Weiwei dreamed about going to was New York. He went to New York and was exposed to its western influences, its liberty and freedom of expression (Springford, 2011).Using photography Weiwei recorded and documented everything that inspired him. Weiwei visited galleries and art museums that exposed

Ai Weiwei is a famous international artist and a most outspoken regional critic in China. Ai express his opinions though social media, visual arts and performing arts. In order to stop Ai’s criticism，Chinese authorities have shut down Ai’s blog, beat him, and take him to secret detention centers.

It can help by making a nicer place to live. Crime rate can go down, pollution can go down, and people are a lot more friendly.

Activism: The policy or action of vigorous campaigning to bring about political or social change. That is what activism is. Many things go into activism such as social media, vocal power, purpose, evidence & opinion, and finally knowledge on the topic. At the moment I am going to talk about the social media portion. Before you ask why I named this essay “Silent” Activism, let me tell you. Activism is nowhere near silent. In order to be a real activist you have to be loud for your cause. What I mean by “silent” activism is that social media is quiet. When you use social media you are behind a screen. You’re not actually talking to someone personally, yet you can make a big difference with followers, news, businesses, etc. Many activists have

China is one of the worlds superpowers, but still maintains itself as one of the most restrictive governments in existence. Never Sorry is a film, directed by Alison Clayman, released June 14, 2012, which depicts the activism by Chinese intellectuals, especially Ai Weiwei. Never Sorry does an exceptional job showing how art is the path for new ideas and freedom of expression, and does this through use of primary source interviews, live-action depictions, and music as an appeal to emotion. Alison Clayman’s film depicts the activism in China, showing the true thinking of Chinese intellectuals and the craving for democracy. Ai Weiwei’s activism, alone, is enough to inspire some sort of resistance in China.

Art is used in mass media to influence people, especially people in the generation and culture we live in today. The majority of art young people receive in our culture is through television and in particularly popular culture networks, like MTV. The television show on MTV called The Hills is an example of a show that promotes dominant ideology to young children/ teenagers. Slightly opposite of that would be another show on MTV called Jersey Shore, which is an example of a show that partly reinforces and partly challenges dominant ideology to the same type of audience. The two shows are looking at people who are in their 20s and there life as they live it in their current situation, they both claim to be reality television with no scripts.

Second year approaches in a flurry of unbridled excitement to welcome Akaashi to the wondrous experience commonly known as high school. You feel good about second year, you’re a regular on the team, and the comfort of having someone you know to walk the halls and play alongside with adds an extra bounce to your step. There’s a surge of pleasant certainty in your chest, the warm spring air filters in through the open gym doors as you receive a flying ball. It soars back over the net in a streamline, connecting with the person on the other side.

One of the first African arts I was introduced to was the Chi Wara by the Bamana people in Mali. The Chi Wara has a big impact on the Bamana people who have deep ancestor in farming, their God the Chi Wara bring them a tilling land for harvest. After watching this BBC film, African Art: through African Eyes the Bamana tribe created headpieces from a single pieces of wood, and differs how they make the Chi Wara there is some freedom of expression some are Anteater or female animals. The most common Chi Wara is antelope with two long horns able to dig into the earth, the zing-sag patterns on the back side the powerful sun, the infant may appear on the back on female Chi Wara is an embodiment of humanity, and last the female is the nurturing

Ai Weiwei, a Chinese contemporary artist as well as a political activist was born in Beijing on May 18, 1957. When Ai was only one year old him and his family were sent to a labor camp. It was not for sixteen years later at the end of the Cultural Revolution until his family moved back to Beijing. He studied animation at the Beijing Film Academy in 1978. After his studies he spent about twelve years in the United States and studied at the Parsons School of Design where he soon dropped out. For income he became a street artist, doing drawings on the side. When his father had become sick in 1993, Ai returned to Beijing from New York City. He then became the artist director and co-founder of the China Art Achieves and Warehouse. This is about the time when some controversial pieces are now starting to come about. In 1993, Ai Weiwei then had moved to the North side of China in a town called Coachanghdi, this is where he started to do architectural work, including his studio house. This is when he founded the FAKE design, which is an architectural studio. Ai’s biggest controversial issue is when he was arrested on false tax evasions and detained for three months. After his arrest Ai Weiwei is no longer permitted to leave China and is under tight security by the Chinese government. He is not allowed to leave the country because he is under other criminal investigations, which include pornography, illegal exchange of foreign currency, and bigamy. Everyone in support of him is

Much of Cui Jian’s album, like any other artist, is a reflection of how he felt with the government trying to dictate what music and media were released to the public, including his frustrations with his life and society. A good example of this is in Cui Jian’s song “Rock’N’Roll On The Long March,” one of my favorites, because Jian sends the message of people never releasing or performing rock’n’roll music, but he continued with his music and to bring a new genre of music to China; “Walking along and singing about our great leader Chairman Mao” describes how he will proceed with the music he is pursuing, but he is also finding himself, “What to say? What to do? To find the real me?” However, Cui Jian had a good relationship with the government, like performing benefit concerts, and some would say Jian had “a certain control over the government due to his financial worth and his popularity” (Brace, Friedlander, 122). While Jian had a friendly relationship with government, he was “undoubtedly anti-government” (Brace, Friedlander, 124) Another one of his songs, “Let Me Sleep,” he directly says, “the truth is that I'm really

Your experience of failure is actually very common in many professional environments. Some efforts or programs are more effective, some get phased-out and lose traction; similar to your situation. The most important part is that you took responsibility and accepted the challenge. At this point, it sounds like you have learned your lesson. For sure, your next review release will become a huge success.

Tiananmen has had very little effect on China in 2017, but in the years following 1989, China was in turmoil. As factions began to rise within the CCP and the thought of their lost loved ones are still fresh in people's minds, a threat of yet another movement was growing. Fueled by their fear of revolution, China’s government unifies its members under a single mission, to eliminate and destroy all information on Tiananmen. A purge begins of all documents and articles of Tiananmen. Over the decades, China has hidden and censored many articles, websites, media, etc about Tiananmen from its people and has killed many who dared to talk of the “June Fourth Incident” and anything else the CCP sees as undesirable. For example, in 1996 Falun Gong, a popular buddhist practice that embodies the ideals of peace, balance and harmony, grew extremely popular. Falun Gong was mainly practiced through meditation and involved peaceful practices, but the CCP feared that it would grow too popular and eventually turn into a political rival. To prevent being overthrown, the CCP punished anyone who dare to practice Falun Gong within the People’s Republic of China (PRC) by beating them and torturing them. The photos of the victims of this brutal persecution caused fear to spark in the country and as a result of this terror, not one person of the 1.381 billion people that inhabit Chinese soil talk about the protests or anything that the CCP dislikes as the sword of death is always hanging precariously above their

Ai Weiwei held a campaign sought to expose the Chinese government attempt to cover up a tragedy after an Earthquake of 2008. He recorded, related information through social sites about the police actions towards him about his concern. He was beaten by police and harassed by the government for his “art” and public statements through photographs he took. Weiwei’s artwork is an example of how the economy and political system shapes the art world in ways of support, challenging and promoting them. Governments will at times suppress art and artists who challenge them, as we have seen with the Chinese government and Weiwei. Since art is a powerful medium of communication, it critiques society of political and economic institutions.

These artwork makes us realized that individual life, media, and the lives of the students are serving very different purposes. Weiwei can also be our inspiration to fight what is right without considering the possible consequences.

Ai Weiwei is known to be a rebellious conceptual artist. He certainly has oppositional political views and refuses to conform to Chinese government pressures. He is against government and corporate structures that undermine the freedom and integrity of cultural life.