Ai Weiwei Analysis

Since early dynastic governments, China has monitored and controlled media to avoid the undermining of its authority. Some reasons for this censorship are well known by Westerners, others less so. In 221 B.C, Emperor Qin Shi Huang burned Confucian and Taoist books in order to rid the dynasty of different political perspectives. He did this not only to maintain order and unity, but also because he was impelled by other ancient Chinese values. Values that included a belief in state’s rights over human rights and the preservation of the dynasty at all costs. The more complex models of censorship used in China today were first used in the Soviet Union from 1922-1991 and are rooted in Marxist- Leninist thought. Westerners would be wise to consider China’s political history and deeply held social

University of Queensland ORGANISATIONAL BEHAVIOUR Course Code: MGTS 1601 Employee Resistance to Change Student Name: Yuanli Zhang (Phil) Student Number: 43401163 Course Tutor: Marissa Edwards Yuanli Zhang 43401163 Table of Content Introduction ------------------------------------------------------------------------ 2 Description of Problem ----------------------------------------------------------- 2 Propose Intervention ---------------------------------------------------------------4 Conclusion -------------------------------------------------------------------------- 7 1|Page Organisation Behaviour; MGTS 1601; Individual Essay; Employee resistance to change Yuanli Zhang 43401163 Contemporary business dynamics are pressuring

Ai WeiWei studied at the Beijing Film Academy. He was also part of the first generation to study abroad as part of China's Reform and Opening Up Policy. He came to New York in 1983 and photographed protests so he could be apart of democracy. In 1993, his dad was sick so he returned to China. Once there, Ai Weiwei went to antique stores so he could see and feel the past. Once back in China, he decided that he was going to protest because he knew what freedom and democracy was like and never wants to go back. This inspired him to beginning protesting and hoping he can help make China a better place.

No one wants to watch a video of people getting hurt and be manipulated into doing others work. That is why there are rules in place and why censorship exist, to keep the internet safe from such videos or pictures. A great example of why we need censorship is cyberbullying or cyberterrorism. If we did not have censorship in place this would get out of control and cause chaos. However, censoring to the point where people have no right to the freedom of speech is taking it to far. China has almost done this by removing almost all forms of communication besides texting, calling, and e-mailing. Their lastest move was the removal of the WhatsApp, it was a very popular app in China because of how well it was for communication and sending out information for others to see. While they did not fully remove the app from its place, they did however, reduce the usage by disrupting the videos, video chat, and picture function to the point of the app not being useful. WhatsApp is an app that was founded by Facebook and is now being censored by the Chinese. WhatsApp was Facebooks way in getting back into China, but because of government trying to get rid of it, the company has taken a major blow. Facebook only stake in the country is the Colorful Balloons app. This event has many featured articles that are relevant to the issue such as the “China Blocks WhatsApp, Broadening Online Censorship.” At first, users of the app were having disruptions when sending voice

However, the amount of censorship on arts and media has been recently declining, “it’s ben glacial, but it’s happening” (Sterngold 8). Individuals who disagreed with the amount of censorship and the ideas or values being censored stood up and spoke what they believed. With the years of struggle, the pressure groups and individuals eventually won, resulting in less censorship in media. With less censorship, it allows people to speak what they believe, without fearing how society will react.

The Han China and Classical Athens’ culture also had a huge different to how the arts were created. The arts of the Athenians were more focus on themselves, the human body. For example, on the front cover page, there is a drawing or statue of a Greek man, the Greek man is standing in a weird position with his arms pointing down, there are a few lines emphasizing his muscles, torso, biceps, etc. (Front Cover). While the art of the Han China were more focus on the landscapes and scenes surround them, along with the serenity and balance of the world drawn on to canvases in great details (document L). In most paintings, the five Chinese elements called Wu Xing will most likely be included in the paintings; the five elements are wood, fire, earth, metal, and water. Looking at Ch’iu Ying’s painting, you can clearly see the how Wu Xing is being presented in the painting, how the trees and mountains were presented in the background (document L). However, as you can see in the painting, there are only two men in the painting, this could mean that humans were inconsiderable in their arts (document L). As a conclusion, the two artistic styles were complete different from each other, the Han’s arts were more focus on nature in great details, while the Athenians’ art were more focus on the human body.

Systems of government have a major influence on the development and success of a civilization and culture. This can be said about Athens during its Golden Age and about China during the Han dynasty. Han China was ruled by an imperial bureaucracy based upon the teachings of Confucius which allowed only a tiny part of its population to participate in government. In contrast, 5th Century Athens was a direct democracy which allowed a greater number of its inhabitants to take part in governing. These civilizations differed greatly in geography, population and size which influenced their development. They also held contrasting beliefs regarding the source of political authority and how it was maintained. However, these civilizations also shared

Alex is a 17 year old teenager from Canada, who is a protagonist in the Young-adult fiction book Forbidden City by William.E.Bell. He and his father who works as a journalist travel to China in 1989 to record events and report them back to Canada. Then a protest stirs up and the Tiananmen Square massacre begins. Alex’s father is captured recording the “illegal” events and is arrested. Alex fights back and barely escapes with a few tapes of the protest. He is reunited with his dad, and they return to Canada with tapes of the horrifying events.

In “The Chinese in All of Us,” Richard Rodriguez describes multiculturalism in America in the 1950’s and how people of different cultures reacted to it. Rodriguez was born of Mexican descent from immigrants who moved to California in an attempt to find a better life. Being raised in America, Rodriguez was exposed and influenced by the various amounts of cultures surrounding him; he explored and developed as a person with a culture that went beyond his Mexican roots. Due to his embrace of multiculturalism, critics and people in general mocked and defamed him by saying to him “you have lost your culture” (Rodriguez 729). In “The Chinese in All of Us,” Rodriguez makes claims about the definition of culture and about how people reject multiculturalism in order to preserve their own culture.

“The mind changes, the word changes, time doesn't stay still, history is a verb, it is ongoing, there is no past tense, future tense, history is constant” Hung Liu told interviewer Rachelle Riechart (Riechart). Hung Liu is a Chinese woman who was born in Changchun, China in 1948. She was born during the age which we call the Chinese Cultural Revolution, which heavily impacted her life. She lived in China for 36 years and then left for the United States. She now resides in Oakland, CA, where she teaches art at Mills College (“A World of Art”). A lot of her artwork is based on photographs and memories she has from China and photographs she’s taken in the United

Mckissick, Floyd. “CORE Endorses Black Power.” In Let Nobody Turn Us Around: Voices of Resistance, Reform and Renewal: An African American Anthology, edited by Marable, Manning, and Leith Mullings. Rowman & Littlefield, 2003.

Klayman show a interesting relationship between Ai and his son in the film, “AI WEIWEI: NEVER SORRY” describe Ai’s creation and show his political critical work, In Ai’s work, we can think about the background of the work. One of the political criticizing of creative subject is schools collapsed because of "tofu dreg construction" which cause thousands students deaths.

Now, many Chinese citizens are attempting to access these applications and searches without censorship by “connect[ing] to virtual private networks that provide them with communications channels to servers outside the Chinese mainland” (Bradsher 4). Though, many citizens have found loopholes in order to post their messages to these websites. For example, on Weibo (the Chinese version of twitter), if a user were to post using a specific keyword, the post would automatically be deleted, if not manually by a superior on the site if it slipped through the system. However, because the use of “abbreviations, neologisms, homophones, and homographs” by users, many political satirists, revolutionists, or regular citizens find themselves sliding through the cracks thus escaping the censoring governments reach (Wang and Mark 5). In addition, because the government also changes from time to time, a man named Yu Jia, a government critic stated that “Today's China is very different from Chairman Mao's China. I think then, it used to be like an iron slab, and there was only really one idea. It was completely impermeable. But now, it's more like a fishnet, and there are holes” (Jia, Han and Fu 4). This further proves the argument that legislation in regard to behavior online is too varied in

“Untitled” by Paul Kuczynski also contains satire, however the author of this portrait uses satire to depict the theme of isolation, instead of misery, poverty, ruin and neglect. This simple, yet thought provoking picture, shows a man looking through a periscope that is shaped like the Facebook symbol, to see through a window above an open door. The door is not barricaded in any way, shape or form, so the man is able to walk outside and see what is going on in the world first hand. Instead, he chooses to stay inside by himself and view the world through Facebook. Through “Untitled,” Kuczynski conveys the message that social media interaction is overtaking physical interaction. People are more likely to go on social media to find out what is happening than to go out and experience it themselves. Kuczynski’s painting greatly showcases that even in its simplicity.