The passage from the book, “An Invisible Sigh of My Own” by Aimee Bender; tells us that Mona, a 19 year old women, is willing to move out of her parents’ house by her Mum on her Birthday. The book is a Drama book and its purpose to entertain the reader. The author uses simple but yet fluid language, for example, “Sloppy”, “Sidled” and “Sparkled”. This gives the passage a childish tone. Indicating the character, Mona, to be childish and naive by heart even though the irony is that she has just turned 19,for example, “19…The amount of time alive of my chin, my toes, my brain.” This give an impression to the reader that she is a child trapped in a 19 year old body waiting to grow up. Another use of language Bender uses is exaggeration at the starting sentence, for example, “my mother threw me out of the house” which gives us a dramatic effect …show more content…
Another use of exaggeration was when she went “apartment haunting”, making a simple task sound so
When living with his grandmother, Suina describes his memories during the frigid winter. During those cold months, “a warm fire crackled and danced brightly in the fireplace, and the aroma of delicious stew filled our one room house.” Suina’s description illustrates his grandmother’s house as a nurturing environment. It is a setting in which his grandmother clearly cares for him. He remembers enduring the long freezing winter nights when “the thick adobe walls wrapped around the two of us protectingly.” The characteristics of the house showcase a sense of connectedness between Suina and his grandmother. Living with his grandmother clearly give Suina several reasons to be happy. It is not only a place that cares for and protects him, but it is also a place that “was just right.” Suina’s grandmother’s house provides him with a tremendous amount of self-confidence. Unfortunately, all of that self confidence is lose when he goes to school. School leaves Suina utterly bewildered. He begins to realize how different the two settings are. He starts to lose sight of the essential aspects of life with his grandmother that once made him so
The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.
The lesson of independence, taught from swimming, taught Jeannette not to rely on her parents. Unlike Maureen who did not grasp the lesson, Jeannette knew not to rely on them and to instead go away from the trouble. She resulted in moving to New York, to follow her ambitions and not get entangled in her parent’s tide, as unfortunately, Maureen did get caught and therefore not become independent. Also, Jeannette used the advice to prevent her from taking in her homeless family when they asked for a lot. For example, Jeannette’s mom asks for a wholesome of money, for art purposes. However, since Jeannette learned independence, she denied her mom and that helped prevent Jeannette and her mom from wasting money. Jeannette had many applications of how to live independently, which helped her
In the story “Marigolds”, by Eugenia Collier, the theme consists of accepting who you are- because if you put it off, you may do something you may regret. The main character, Lizabeth, is on a path to adulthood, which is greatly treacherous and is a journey full of many challenges. Lizabeth quotes in many parts of the story that she feels conflicted in whatever she does, making her very emotionally frustrated. “The child in me sulked and said it was all in fun but the woman in me flinched at the thought of the malicious attack we led.” (Collier 124). Lizabeth’s statement proves that she feels very split on what to do, because of the emotions interfering with her. Her statement proves that the path to adulthood is not as easy
an “A” upon her bosom, and she is forced to live alone with her daughter, isolated from the rest
wealthy and feels like she is in a unhappy marriage. In the novel, she really embraces how
She collectively remembered, “Money was very tight, and as I grew up, it initially consumed the lives of my parents.” It wasn’t long before her father made a decision to leave the family where he’d be far from any financial worries. When she put this into words, she brought her hands up to her eyes, shaking. Pools of thin, salty, perspiration were undeniably forming in the crevices of her eyes. I had only seen my mom cry once before and although she didn’t cry that night, it was evident that she was holding back a stream. Remembering that I was watching, she recollected herself by taking in a breath of the stale air. In Charisse's perspective, “trying to block out,” the fact she had just lost her a father figure, was causing her to “become abnormal.” The sudden change was definitely a struggle for Charisse and her fifteen siblings, all striving to comfort their mom and underpin the family’s needs. However, out from these burdensome times, she developed into a remarkable woman, obtaining the maturity and the attentive care of an
Another characteristic the author exhibits is forgiveness. The struggles her parents cause her display this trait. For instance, Ma constantly neglects Murray as a child. Drugs and alcohol consume the parent’s lives, so Murray and her older sister do not receive the proper care they need. Also, Ma frequently spent her daughter’s money or sold their items without their consent. The readers are astonished when the author says many times that she forgives Ma and just moves on. An important scene in the story occurs when Murray looks back on her childhood and forgives her mom for all of her wrongs, and concludes her mom did the best that she could do. Many people would resent their parents after all the hardships they caused, and so does the author at first. But she finds it in her heart to forgive which shows her kindness and really displays how mature of a person she is.
This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had
While the narrator recognizes the great care with which her husband is treating her she seems to constantly feel that she is being ungrateful. She calls herself out in her journal for being a “comparative burden” (Gilman) The room in which the narrator resides has a sturdy bed that is nailed to the floor. The narrator notes that there are bars on the windows and rings hooked into the wall. She wrongly assumes that this room was used as a nursery or gymnasium by the previous owners. As the reader, we are able to instill our own thoughts that this room was in fact built to house someone with a mental disorder. This begs the question of what the house really is, to contain such a room away from decent society.
We hear of her moving to New York to escape her life as a child bride after being orphaned at a young age. This story allows the audience to gain a sense of sympathy for Holly, and enhances the pathos of the story. This pathos puts the audience into the shoes of Holly and enables them to understand the reasoning behind her escape. The use of language features like pathos and literary allusion allow the authors of both texts to convey the theme of escapism.
When she enters the bedroom, her voice changes from present to past tense and she starts to reminisce and begins to talk about her mother and aunts. She seems happy to remember her mother’s room and introduces her aunts to the audiences. Mary delivers her dialogue saying that the dressing table and the small elephant statue figures are all same. When Mary gently touches her mother’s photo, she delivers a sad tone. Her performance conveys to the audiences that she misses her mother. The tone of her voice represents that she is a gentle, innocent and a loving child. Her verbal and non-verbal interactions conveyed the viewers with a message that she is an orphan.
The girl distrusts her mother and believes her to be out of touch, while helping her father in "his real work" (468). Surprisingly, the girl's desire to avoid the manifestation of her femininity in womanly tasks, such as cooking and cleaning, influences her into feeling that her mother is "plotting now to get [her] to stay in the house [. . ]. and keep [her] from working for [her] father" (469). The girl chooses to dismiss her mother, thereby dismissing her own future role as a housewife.
She looks forward to moving away like others in her town. She admits she will not be missed at her job and at nineteen, without the former protection of her older brothers, she is beginning to feel "herself in danger of her father's violence.” This danger she sees is taken away when she meets her suitor, the sailor, Frank who promises her a better life away from these hardships she has faced.
Initially, Marina is isolated and detached from the world she once knew. She begins in a tone harsh and cold. “It would stay a cold and empty book, with no secrets.” Her tone is blunt as she describes herself as the “nut case, the psycho with the deformed face” and the “silent freak” suffering from “anorexia of speech”. The main aspect isolating Marina from growing and