Aimee Bender's The Rememberer and Franz Kafka's The Metamorphosis

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

Isolation not only changes the personalities of Gregor and his family, but also it changes the role and duties Gregor plays in his family. Before the metamorphosis, Gregor worked alone to provide for the entire family. For example, in the beginning, before the transformation, he says, “But besides that, the money Gregor had brought home every month he had kept only a few dollars for himself” (4). This shows Gregor’s selfishness and his family’s heavy dependency on his income. It establishes the fact that Gregor’s family’s loyalty to Gregor was strong because the family depended on Gregor for their own survival, and shows how they betrayed him by disregarding him after he became an insect. The isolation of Gregor caused by the transformation not only affects Gregor’s role in the family, but also changes the role of Mr. Samsa. Mr. Samsa originally told by Gregor: ”Now his father was still healthy, certainly. But he was an old man who had not worked for the past five years and who in any case could not be expected to undertake that much” (17). This shows how irresponsible Mr. Samsa acted for his family in the beginning. Mr. Samsa, a man in his 50s, blamed his unemployment on anxiety and depression from a past failed business. Mr. Samsa changes his role as the useless drag to the provider of the family, and even obtains a new job as a bank manager.

He supported his mother, father and Grete. Now that he cannot work, his family is desperate for money. The father decides to go back to work to bring home money. To make some more money on the side, they rent their apartment out to three lodgers. One night while the lodgers were there, Gregor was seen, which made the lodgers freak out and leave. This marks a turning point in how Grete feels about Gregor. She comes to realize that he has no humanity left. The reader sees this when Grete explains to her father, “It has to go,’ cried his sister. ‘That’s the only answer, Father. You just have to try to get rid of the idea that it’s Gregor. Believing it for so long, that is our real misfortune” (Kafka 1107). Grete no longer thinks of him as Gregor, but refers to him as “it”, showing that she really has no regards for him. This ultimately adds to the decision that they should get rid of

Gregor’s metamorphosis brings many positive and negative changes in himself as well as his family. His family used to rely on him for his income as he was the only source of money in the family, but now they all worked and earned money themselves that is a very big positive change in the family. The negative change was bad for the Gregor himself as he couldn’t face the world with his new appearance,

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

So concerned with ensuring his parents and sister were taken care of, he forgot his own needs. It was apparent to everyone that he was no longer thought of as a son or an extension of the family, but merely as a "support system." The tragic fact is that "everyone had grown accustomed to it, his family as much as himself; they took the money gratefully, he gave it willingly but the act was accompanied by no remarkable effusiveness" (Kafka 48). It appears that in the course of his hectic work schedule, he overlooks that in return for dedication to his family, he remains unloved and unappreciated. Yet Gregor still "believed he had to provide his family with a pleasant, contented, secure life" (Emrich 149), regardless of how they treated him.

Prior to the metamorphosis Gregor led a physically isolating life with little time for anything other than superficial relationships. Hinted at the beginning of the piece he longed to break free from his traveling salesman's job and shrug off the financial burden placed on his back. The metamorphosis was equally as mentally imprisoning as to what it was physically. Gregor was unable to express his emotions or even communicate his needs to his family this ultimately led to the family’s gradual shift of resentment towards him solely because they were unable to see how much of their once family member remained.

It is the innate yearning of the human condition to belong. When we come into existence, this desire is satisfied by joining the orderly social structure of a family. Living in a moral, rational universe, leads us to believe that developing such fruitful relationships will grant us the support and resources to achieve success in other facets of life. But in an absurd reality where such beliefs are meaningless, collective pursuits are quite futile. Through an analysis of narrative perspective, character and atmosphere, the closing paragraph of Frank Kafka’s haunting novella The Metamorphosis reveals the superficial nature of the love and bond that holds a family together amidst an existential world.

His father was the typical authoritarian parent. Not only was Gregor working off his father’s debts, his father did not appreciate him. It became obvious that his father was not pleased with his metamorphosis

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

Worried about their son, his entire family urges next to the door and demands Gregor to unlock it. At that moment, his manager angrily storms to his house and demands an explanation for his delay. His mother tries to pleads his manager by complimenting Gregor’s devoted and hardworking attitude. She didn’t want her son to lose her occupation as she still perceived him as the successor of the family, and if anything were to happen, it would only disrupt the sustainability of her family. Finally, Gregor opens the door and witnesses the repulsive and scared faces of his family and manager. The horrified office manager backs away, his mother who was "already in tears...yelling" (12-13) passes out, and the father cries. Nevertheless, Gregor “[filled with] assurance and confidence” continued to see himself as his human self, and tries to protect this identity by delivering a long explanation. However, he doesn’t realize that no one saw him as Gregor, and regardless of how strongly he believed in his perception of himself, his family simply saw him as a disgusting creature. Courageously, the father shoves him back into the room and isolates the hideous Gregor into the room.

In the short story, “The Rememberer”, by Annie Bender, the devolution of a man into simpler forms is put into place. The literary theory, Disability theory, can be examined throughout the story’s theme; the theme being the concept of the “rememberer” a person who has the position to “to hang onto and recall the memories…slowly being lost…” The connection between the story and the theory involves the character, Ben, devolving into less of a man, not being able to do things on his own and relying on his lover as a caretaker and a person to remember him after he is gone.

Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice

     In the third and final chapter, the family found the new drudgery of their lives. Their “overworked and tired-out family” (p. 880) increasingly neglected Gregor. He longed for responsibility and was “often haunted by the idea that next time the door opened he would take the

First, Gregor’s Family, being the cruel hearted gremlins that they were, stole youth or enjoyment that Gregor could possibly have in the story. For example, Gregor was rarely seen in his family. The long work hours had prevented