Ajax To Sula Essay

The town unites social as they band together against Sula and her radical actions /"evil ways."

Lots of people see Sula in different lights. Their relationship with her determines what they may see above her brow. Most of her relatives and her best friend Nel see a rose. Shadrack, the town crazy, sees a tadpole. Jude first sees a copperhead snake. How her birthmark ‘shifts’ depends on the mood and notions of the person viewing it. It has nothing at all to do with the content of Sula’s character, which so many folks believe to be evil.

Sula by Toni Morrison highlights the themes and expectations that we have been discussing throughout the course. This story illustrates the community expectations for women. A strong basis for a thesis statement for the book Sula could be betrayal. Betrayal in the novel Sula is the central theme that changes the course of life for all characters involved. One example of betrayal happens when Sula sleeps with Nel’s husband. Another basis for a thesis statement could be a mother’s love. In Sula, Morrison revitalizes a theme that is explored in much of her writing: the nature and limits of a mother’s love. When you consider the character of Eva, she is an example of what a mother’s love is and the lengths a mother

Sula, however, comes from a different background.  Her grandfather leaves her grandmother with three small children.  Her father dies early and her mother chooses to have sex with any man she wanted.  Like Nel, Sula is exposed to the more conservative lifestyle by visiting Nel's home and seeing Nel's mother.  While the idea of the more conservative lifestyle appeals to her, she chooses the more independent lifestyle.  She leaves and goes to college, to come back years later and cause chaos in the bottoms.

Only two characters, Nel and Shadrack, maintain a static interpretation of Sula’s birthmark, revealing their alienation from society at large. Nel’s unchanging perception of Sula’s birthmark as a stemmed rose highlights her own need for consistency.

In Toni Morrison's Sula, the reader meets the protagonist, Sula, and her friend Nel when both girls are roughly twelve years old. Both girls are black, intelligent, and dreaming of

Because of the sexual confidence Hannah Peace has, Sula must disguise her difference, just like her grandmother Eva had too. Eva’s drastic measures were repeated by Sula an act of survival and denial of powerlessness and vulnerability. Nel and Sula are regularly picked on by the same group of boys, causing Sula to take matter into her own hands. At one point, Sula takes out a knife and cuts off part of her finger saying, “ ‘If I can do that to myself, what you suppose I’ll do to you?’ ” (54-55). This severe act if Sula’s moment of self-recognition of her connection to her grandmother Eva. Here, Sula realizes that she has to fight against her own vulnerability, and establish her identity, hereby following her grandmother Eva’s example. Though this moment shows Sula’s inner strength, it can never disguise her enough of being different from the rest of her community. Just as Eva and Hannah, Sula continues the unpreventable, mature line of breaking past the typical gender roles of the time. Eva’s overly independent attitude and removal from caring and mothering a daughter correctly, leaves her daughters with unlearned, societal caretaking skills. This results in Sula’s highly inappropriate and unnecessary act of clumsy caretaking within her relationship with Nel. Yet, it is understandable because Sula has never been taught normal and conventional means for problem solving. The denial of motherly love from

Sula as the main character in which the book is named, would be expected to have quite the character development as the story progresses, but this is not how the story progresses. Sula, as a child, receives little attention from her mother and grandmother (Reddy). This forces her to learn how to care for herself as well as become independent at young age, thus her childhood being cut short. Sula’s mother, Hannah, has a well know reputation for sleeping with all of the men of the Bottom (Reddy). Although Sula disapproves of her mother’s tendencies, her mother’s actions make their mark on Sula’s personality which we see later in the book.

So when Sourdi started dating the boy their family had hired to wash dishes at their restaurant, Duke, Nea never considered him to be a “fork in the road, dividing [Nea’s] life with Sourdi from Sourdi’s life with men” (Chai 84). Nea underestimated Sourdi and Duke’s relationship and overestimated her and Sourdi’s bond. Soon enough, their mother caught on and ended up firing Duke, but Duke and Sourdi continued to fall in love with each other. Nea wasn’t surprised that Duke, the “funny-looking white kid”, fell in love with her sister (Chai 84). Sourdi is so beautiful that she had some beauty to spare and Nea would sometimes pretend that she was beautiful too. Where Sourdi was smooth, Nea had angles; where Sourdi was soft, Nea had bone (Chai 84). Sourdi is reserved and calm in contrast to Nea who is quite outspoken and rigid. Regardless of their differences, Sourdi and Nea remained close; that was until Sourdi was arranged to be married to a much older gentleman, Mr. Chhay, at the tender age of eighteen.

Nel’s mother Helene played a large role in establishing her positive attitude and calm demeanor. "Under Helene’s hand the girl became obedient and polite. Any enthusiasms that little Nel showed were calmed by the mother until she drove her daughter’s imagination underground."(Page 18) Although this would seem lead to an extremely sad existence, it was exactly this kind of environment that lead to Nel’s calm and reasonable disposition.Nel’s "bad" traits are as well hidden as her "good traits are evident. If there were one action in particular that might blemish the otherwise flawless character of Nel it would be her selfish behavior.

Aristotle is known widely for developing his ideas on tragedy. He recorded these ideas in his Poetics in which he comments on the plot, purpose, and effect that a true tragedy must have. The structure of these tragedies has been an example for many writers including Shakespeare himself. Many of Shakespeare’s plays follow Aristotelian ideas of tragedy, for instance Macbeth does a decent job in shadowing Aristotle’s model.

Unlike all the other women in the story, Sula is tough and does not let others interfere with her. She lives her life by her own rules and standards. The people in the town notice that "except for a funny-shaped finger and that evil birthmark, she was free of any normal signs of vulnerability" (115). Again, the rose symbolized Sula's growth and carefree way of life.

Things can happen in some places and the tale of them will be interesting. The same story laid in another city would be ridiculous. Setting situates the story`s events, characters and mood through place, time and weather. Without the different dimensions of setting, a story would not have the diversity to introduce new or changed characters, define their true identities, compare societies and reveal hidden emotions. Through Morrison`s Sula, setting is used as the key factor behind every event that occurred.

Toni Morrison's Sula is a novel that has a theme about the nature of evil. The story follows the lives of two black female friends who present differing views on evil. On one hand, we have society's conventional view of evil represented by the character of Nel and also seen in the Bottom's disapproval of Sula. The other view of evil is seen through the character of Sula and through her actions, which conflict with traditional society. The friendship of Sula and Nel is how the author conveys her message about evil in the relationship. In the relationship the two different conceptions of evil mix and create an essentially neutral mixture. By looking at Nel's and Sula's friendship and the two different views of evil that they

Who was Shakespeare? Was he a man from Stratford-Upon-Avon who started with little and became the greatest English author to ever live; or was he a privileged Earl who was a favorite at Queen Elizabeth’s court? That is the great mystery. This particular mystery is difficult to solve because of the lack of documentary evidence. The Elizabethans did not believe in getting everything in writing as people do today. Therefore, the truth may never be known with certainty. However, evidence does exist to support at least two theories about the Shakespearean authorship: one that the man from Stratford wrote the works, the other that Edward de Vere the Earl of Oxford was the author. The question then becomes, which