Akbank Bunk Music Analysis

The one song that stuck out to me the most was the Peer Gynt Suite No. 1: II The Death of Ase. This score was composed by Edward Grieg and was published in 1908, a year after he died (Classic FM). One element of sound that was very apparent to me during this piece was the pitch. This is the relative highness of lowness of sound (116). In this piece there are very distinct pitches. The violins give off the higher tone, where as the cellos contribute the lower tones in the pitch. The faster the instruments play the higher

Artists that in the song Juke Jam are The creator Chance the Rapper featuring Justin Bieber and Towkio. Chance The Rapper is a ???. Justin Bieber sings Tenor and Towkio sings….

Adoff makes music with the words and space in “Street Music” by writing all the descriptive words by separating each letter of the word with spaces and the words that made a sound would be written normally, without spaces in between the letters. For example, at the beginning of the poem, the speaker describes the city and where the noise in this city is coming from. Hence, he separated his words into letters with spaces, an example from is when the speaker states that “T h i s c i t y:/ t h e / a l w a y s / n o i s e / g r i n d i n g” (1-5). Another example of this is “an o r c h e s t r a” (24). On the other hand, words that are used for the actual sounds are written normally in this poem, such as “slamming from bus tires” and “taxi horns”

From this semesters listing list my favorite piece that we learned about was definitely Peter Ilyich Tchaikovsky’s “Dance of the Reed Pipes” form The Nutcracker suite. This was my favorite for two main reasons: it is a piece from the famous ballet The Nutcracker and it has simple, interesting, and recognizable melody. I have always loved going to the ballet, especially when I was a little girl, and The Nutcracker is a classic ballet that I have seen multiple times before. This piece of music from the ballet is the song that I have always been able to recognize and connect with this certain ballet. The “Dance of the Reed Pipes” is organized in three-part (trinary) form. The main form or statement of this piece is the three flutes playing a staccato melody that is repeated multiple times.

The second piece that is discussed is Toccata in F major, by Johann Sebastian Bach. It is a solo piece that was performed in a unison and dissonant harmony. Surreal coordination and impressive pedal solo was extremely impressive and gave this particular piece a broad spectrum of dynamic change and tempo. Ascending and descending theme constantly repeated throughout this performance, alternating in crescendo and decrescendo, which brought life and movement to a classical piece.

With this song's pulsing base line and impactful voice over it, even a person who doesn't enjoy rock will find themselves unconsciously beating their head or tapping their foot to the base. The song builds up anticipation until the chorus comes, when the chorus hits it all lets loose. And then repeats the hype all over again. When the guitar solo comes around, it can gets your adrenaline pumping. Even if one of the more unpolished wrestlers made an entrance to this song it would make them seem like they’re ready for a fight. By the end of the song you can almost feel the sweat dripping down your face as the lights dim down and the screams from the crowd die down.

While reading page nine through fifteen in the Wake Tech English 111 Reader I learned new strategies and tips on how to improve my song summary essay. I learned how to implement new strategies in my song summary essay so that I could write my introduction, body paragraphs and conclusion proficiently in my paper. Mutually, before reading the Wake Tech English 111 Reader I also did not know that when writing a rough draft for an essay a conclusion, introduction or body paragraph could be written first. Similarly, Ashley I always thought that an introduction had to be written before any other part of an academic essay. Primarily, I thought that an introduction had to be written first because my previous English teachers stressed

Pauline Oliveros composed a piece titled "Sound Patterns." Some of its traditional musical techniques that we are used to is the polyphonic texture and the A Capella voices. It also uses a form that we are quite familiar with Sonata form.Milton Babbitt composed a piece titled "Ensembles For Synthesizer." We here the manipulation of tones and pitches in what is called a 12-tone technique. I believe that an artists tends to create music such as the ones listed above to expand our mind set on our belief of the musical world and its aspects. It gives them the opportunity show us a whole new world of things like dynamics, rhythm, timbre, and much more. An open-minded listener could experience this as a whole new aspect to view the world of music.

The last was the Mexican piece “Plena Con Sabor” written by Oscar Hernandez. This piece was different from others in that Beatriz Figueroa-Chavez sang solo and danced. I really liked her voice. During the composition, it was possible to observe how the sound changed because someone from the musicians fell silent and then joined again. The tempo was fast throughout the piece and did not change. The end of composition was played by all instruments and it sounded

I loved the improvisations for this recital, especially the saxophonist from Konrad Plays Klarinet, Colin Houlihan. As a former saxophonist, the tone and constant improvisation was incredible as he put his entire soul into that instrument. Sweating, smiling and happy, anyone could tell that Colin was happy to be there. “So Dance Samba” by Antonio Carlos Jobim also had a lot of improvises. “So Dance Samba” started with the frontline playing together for a certain section before individual solos played. The clarinet improvised with long notes at a high pitch and gradually got faster in notes as the sound increased. The trombone solo had a strong forte resonance with a percussion background and electric guitar background. The pianist solo used syncopated notes and many arpeggios that were in the higher register. The electric guitar solo slowly built up his part, the clarinet played another solo and then the last solo went to the percussionist. The percussionist and the entire band made it seemed like the piece had ended, and then they would play again which made me very

A.C. (4 years, 3 months) walks over to the music shelf, she picks up a red tambourine puts it threw her right

The first composer was Liliya Ugay. Before the performance ugay talked about the number of expressions she wanted to bring out before the piece was played. From the start the main thing I noticed was the dynamic contrast.

The first piece was Bach-Siloti Prelude in B Minor, BWV 855a. This is a very slow and somber piece. This is the oldest piece written and is very different as it is the slowest most repetitive. Most of the piece was in a piano with occasional fluctuations in dynamic. The piece overall was rather simple without too many chords or complex notes. This allows the audience to hear the melody without too much distraction. The second piece was Beethoven Sonata No. 30 in E Major, op. 109 This piece is much faster and more exciting as the contrast from slow and peaceful to intense and loud with many chords. This piece didn’t repeat nearly as much as the first but still had very repetitive sections. The tempo would change

The second piece I listened to was the Concierto Madrigal by Joaquin Rodrigo. The piece was very, very long. As a listener, it was easy to tell there were many separate works or sections within this piece. The overall feel was a Spanish theme with a lot of great guitar playing. As expressed by Oxford Music Online, Joaquin Rodrigo became blind at the age of three and remained so until his death. He lived almost exactly a century later than Josef Lanner. Joaquin was born in Sagunto on the 22nd of November in the year 1901. He studied music in France and married a Turkish pianist. Soon after his first composition entitled the Concierto de Aranjuez, he became widely recognized as a leading composer in Spain. He is accredited with an estimated 170 compositions, 11 of which are concertos. Towards the end of the 60’s, Rodrigo composed the Concierto Madrigal for two guitars. It is said that the piece was based on a Renaissance love

The texture of a piece describes the harmonic interaction within a piece. It expresses the way the parts and voices are woven together and is often referred as the “fabric” of music. The four basic textures of music are monophonic, homophonic, polyphonic, and heterophonic. Monophonic refers to an unaccompanied melody line, homophonic refers to a accompanied melody, polyphonic is two contrasting melodies played together, and heterophonic refers to a single melody played by two or more musicians. Some musical techniques, such as imitation, canon, and fugal, are always polyphonic texture because there are more than one melody being played at the same time. The texture of both my pieces are mostly homophonic because