Alan Lightman 's ' Einstein 's Dreams '

Anthony Eaton’s a new kind of dreaming (2001) is a mystery novel about the nature of corruption as it lurks in the town of Port Barren and a young boy’s journey to reveal a dark and buried secret within the town. Eaton has used a variety of literary techniques such as a third-person limited point of view, setting, characterisation and imagery to position the reader to respond to the text’s characters with a specific moral mind-set. Ultimately, Eaton has used a carefully constructed the characters in a new kind of dreaming, to facilitate an empathy for those that suffer from injustice and corruption within society.

Question: Discuss how the author has positioned you to respond to the characters/ subjects in the text.

The idea that “we have all the time we have always had” is explored continually throughout the theatre performance, however this concept is more explicitly insinuated when viewing the physical and verbal actions of Marianne who frequently enforces her beliefs towards the concept of time, stating beautifully that “In the quantum multiverse, every choice, every decision you’ve ever made and never made exists in an unimaginably vast ensemble of parallel universes”. Throughout the duration of ‘Constellations’, an array of character interactions take place simultaneously, in a diverse magnitude of ‘universes’. Although each ‘universe’ maintains certain connections and similarities, each fragment reveals an altered relationship dynamic between characters Roland and Marianne, alluding towards the notion that these characters are concurrently experiencing, in each segment of time, one of the infinite forms of relationships people can experience. This presents the perception that no matter the length of the time each character believed they possessed, it was due to the simultaneous nature of their relationships in each parallel universe, that Roland and Marianne were able to experience each infinite possibility concurrently and therefore, would require no more or less time to fulfill these possibilities. These relationships,

Have you ever felt like time was running past you? That the world kept spinning while you just stood still? Time is a central theme in many of Kenneth Slessor’s poems, however it is primarily explored through ‘Out of time’ and ‘Five Bells’. Slessor has made it obvious that he is aware that time continues whether we want it to or not and this is what allows us to put into perspective the notion of humanity’s dominance.

As the late Osho believed, "And desires are never here and now -- they are non-existential. They are just mental, in the mind. And they cannot be fulfilled because their very nature is to move into the future." John Steinbeck 's novella, Of Mice and Men explores this theme of futile desire through various relationships and character complexes. This fictional story begins by introducing two men with a relationship built from the very foundations of love. As the novel progresses, we begin questioning innate truths. Steinbeck uses his literary prowess to entwine us within a story of loneliness, loss and morality. The characters ' hopes and dreams, regardless of outcome, are a mechanism of survival and a desire to lead something other than an otherwise inconsequential existence.

In Embattled Dreams, author Kevin Starr explains the decade that begins with World War II and ends with the growth of states that were part of the war, concentrating on the United States specifically California. The book speaks about the changes that the war brought into California and how it was a catalyst for major changes in the state’s economy and society. It focuses on the development of California. Many books show the major events that changed a country, but there were smaller stories within the country that demonstrated to the development as well. The author wants to show readers that California contributed much to the war cause, building machinery and such, but this book emphasizes the effects these jobs had on society. Kevin Starr

Time and the Conways (1937) and A Dream Play (1901) play with the idea of time as nonlinear. Influenced by John William Dunne, Priestley begins to investigate his own conception of time as the past, present, and future all happening at once. Strindberg, although he wrote A Dream Play ahead of Dunne and Priestley, also expounds on similar ideas linking time and dreams. Dreams can free us from viewing time’s structure as fixed and linear. Therefore, both playwrights begin to make theatre audiences aware of new ideas about how to perceive time and the use of dreams/precognitive states. Utilizing Dunne’s basic theory of non-linear time, I will talk about how we can apply this to readings of Time and the Conways and A Dream Play to explore themes of dreams and perception of time.

We live in a world where time is something that humans made in order to worship it. It makes everything in our very organized world work better and more efficiently, but that doesn’t mean it is all good. In About Time one man has the ability to travel back in time to a point in his own life. When he, Tim Lake, travels back in time he is like the people in Einstein’s Dreams who get sent back in time by debri causing a ripple. He is careful to not do anything too extreme because the slightest action could create a huge difference when he returns to the farthest point in time he has gone. For example, Tim wanted to change the fortune of his sister by not having her meet a certain guy, and by doing this he completely changed everything about

“Dreams are a series of images, ideas, emotions, and sensations occurring involuntarily in the mind during certain stages of sleep.” This is the true definition of what dreams are according to Free Dictionary.com. Although many people are unaware of how dreams actually work there are two psychologists that have been able to pinpoint the true meaning of dreams. These two men are Carl Jung and Sigmund Freud. There are many different perceptions on how people dream, what dreams mean, and why people dream.

It could argued that our common-sense notion of endurance through time is incorrect. That this mistaken self-conception lead us to experience the passage of time. If so, this would be illusory no? And if this enduring ‘me’ is an illusion then so is the passage of time.

Literature should be considered literature and should not be discriminated because of the ethnicity of the writer or how the literature is written. Richard Wright, N. Scott Momaday and Maxine Hong Kingston were all considered ethnic literature writers. Richard Wright wrote “Long Black Song” in a way to handle serious social issues. N. Scott Momaday wrote “House Made of Dreams” which is about a man named Abel who is struggling between two worlds and trying to find out where he fits in. Maxine Hong Kingston wrote “The Women Warrior” which Kingston considers a world book and a book about her. American ethnic literature is literature that is written by an American but have ties to an ethnicity. Ethnic literature is literature that contains

Inception, the act of instilling an idea into someones’ mind by entering his or her dreams (dictionary.com). In the movie Inception Dom Cobbs’ goal is to plant an idea in Robert Fichers’ mind through way of his dreams. This is because they want him to find his dads’ “other will” so that Robert will not carry on in his dads’ footsteps but choose create his own destiny. However, Robert is not really choosing this on his own free will because the idea is being planted in his mind by someone else. Because of the events in this movie the director would be considered a hard determinist. Robert believes that he made the decision when in “reality” his decision was an illusion. Another of example of not having free will is when Mal kills herself. She thinks she is choosing to do it on her own when she really did not. The reason she killed herself is because Cobb planted the idea in her mind while they were stuck in limbo. He did this to bring them both back to “reality”.

I give you the mausoleum of all hope and desire; it's rather excrutiating-ly apt that you will use it to gain the reducto absurdum of all human experience which can fit your individual needs no better than it fitted his or his father's.  I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all your breath trying to conquer it.  Because no battle is ever won he said.  They are not even fought.  The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.

The majority of us live our lives as it is in the moment now. Some us are always striving to look ahead to achieve greater things in life. But no matter what you do and how your outlook on life one thing remains the same for all which is time. You can look time as it’s a train that won 't stop moving no matter what and all on the same train whether we like it or not. So imagine this what if we could get off the train to board a slower one whereas the time moves slower. Since the time goes slower you age slower but when you re aboard the first train you’d be in the future relativity when you got off the first time; that’s the concept of time traveling. The idea of time traveling is popular among science fiction writers. You have the movie The Time Machine thanks to H.G Wells for his wonderful imagination to the famous everyone’s favorite Back to The Future. Many scientists and physicists used to get laughed and they weren’t taken serious for believing in time traveling but thanks to Einstein’s theory of relativity which opened doors to a lot of physicists trying to find ways to travel to the future. Thus, so time travel is a real possibility.

It is paradoxical to have a course, which revolves round the corrosiveness of faulted Western notions of time and its depiction through abstraction, identify itself with an abstract title but argue for the concreteness and tangibility of the portrayal of time and space. A Place Beyond Time does just that. Containing a vastly abstract title, A Place Beyond Time may at first glance appear to properly relate time as a tangent notion with space. Upon further contemplation, however, it becomes patent that A Place Beyond Time possesses a conspicuous absence present in its philosophy of aloofness from intangibility. And although the name of the course attempts to tackle and manifest the complications of abstract and concrete time, it is through its lack of definition and precision, lack of possession, and lack of sensation of repetition that A Place Beyond Time fails to properly capitalize on this dilemma.