Albee and Williams' Use of Virility in Their Plays Essay

Throughout history empowerment and marginalization has primarily been based on gender. In the play A Streetcar Named Desire, this idea of empowerment is strongly flaunted. Tennessee Williams’ characters, primarily Stanley, Blanche, Mitch, and Stella, conform the expected roles of men and women at the time. Although World War Two temporarily allowed women a place in the work force, they were dismissed from such empowerment when the war came to a close. Characters in A Streetcar Named Desire are accurate representations of the social historical context of that time. The power struggle between Stanley and Blanche conveys dominant ideas about gender such as the primitive nature, aggression, and

It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.

He likes to possess and control everything around him, he almost ‘owns’ Stella, and he has changed from her days at Belle Reve, pulling her “down off them columns and how [she] loved it”. But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. Blanche encourages her to stand up to him, and continually stresses the difference in their levels, although Stanley is not ashamed that he “was common as dirt”. Therefore, the only way that he can overcome Blanche and restore his authority is to beat her and triumph over her physically, which he eventually does. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall.

Her passivity is shown on several occasions throughout the play. Blanche constantly commands Stella, ‘I like to wait on you Blanche’ , and this shows that Stella is considered inferior to Blanche. Moreover, her submissiveness is shown when Stanley hits here at scene three, this action is shown through stage directions ‘Stanley charges after Stella (…). There is a sound of a blow’. If Stella was a strong-willed character instead of a passive and submissive one she would have left Stanley for what he had done, but she chose to continue suffering domestic violence. In addition, it may be argued that her financial dependency on her husband is also one of the reasons she continues with her husband, this is linked to the Marxist theory as this the economic class of the character affects her personality and action. In addition, her subordination is also linked to a satisfying sexual life, ‘But there are things that happen between a man and a woman in the dark – that sort of make everything else seem – unimportant.’ This is linked to the Freudian theory as it shows that sexual pleasure affects her decision to keep tolerating Stanley’s abuse. The representation of Stella as the subordinating submissive housewife is a representation of the women in the 1940s, who lived in a patriarchal society and in some occasions suffered domestic

Desire is prominent in Stella and Stanley’s relationship; Stella is drawn to Stanley because he has a strong male sexuality and he is drawn to her because of her traditional feminine sexuality. Stanley abuses Stella, and when Blanche finds out she is perplexed. Stella explains that, “there are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant.”(1.4). Stella and Stanley stay together because they use sex to smooth out their disputes. Stanley views sex as an important aspect in marriage (Panda ). He views women as sexual objects; Williams gives an insight on Stanley, he says, “[Stanley] sizes women up at a glance, with sexual classifications, crude images flashing through his mind”(1.1). Stanley ends up raping Blanche at the end of the play; thus causing Blanche to lose her sanity. Although Blanche’s husband is only mentioned a few times in the play, the audience is able to see that his own sexual desire leads to his

From the start of the play, the reader is lead to believe that Martha has the other hand and she is the most powerful in the relationship. Being mean, brutally honesty and cynical makes people to believe she is powerful. On a night similar to the night of this plays, George and Martha create a son. This is a figment of their imaginations, to hold together their failing marriage. The rules to keep the son alive with in them, is to never speak of this son to any one else. Well Martha told her guests about their son. George seeing an opportunity to get Martha back for exposing their lies decides that their son dies tonight. In a game George created to expose every ones lies, whether it be Nick marring Honey because she got pregnant and has money or Martha's fake son, No one will leave their house tonight not embarrassed and exposed. George is using his knowledge of the truth, as a power against people. He tells Martha in front of her guest

Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there.  The rape is his way of getting her there.  In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche.  What makes this scene so important to the topic is the way that the three characters react once the party has broken up.  Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner.  Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses.  Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing.  Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well.  He is a leader and instantly rises to the challenge whenever his status is threatened.

Stanley is a character in this play, whose perspective is clearly reality based. Since Blanche’s outlook on life is fantasy based, there is a lot of hostility between the two characters. Stanley is the one that always exposes the lies that Blanche is always hiding behind. He is constantly trying to get her to accept his perspective. When she finally begins to understand him, it’s too late. With such a huge change, she loses her mental state. Her personal beliefs get interchanged between fantasy and reality, to such an extent, that it seems as if she no longer realizes what is true or what is malign.

Tennessee Williams’s A Streetcar Named Desire portrays a dog-eat-dog world, in which the winner takes it all: a person not just watches out closely for his/her own interest but also preys on the weak. This portrayal is mostly embodied in the confrontation between Blanche DuBois and Stanley Kowalski, the two major characters in the play. The confrontation partly arises from difference in class, Blanche from high society while Stanley from low one. But most noteworthy is that the element that contributes the most to this confrontation is their desires for sex, money, revenge, and even survival of life. Over time, the tension between Blanche and Stanley grows to a climax and eventually goes down with Blanche, the weak, losing the battle while Stanley, the strong, standing out as the victor and taking away Blanche’s soul and body. Given this, in this dog-eat-dog showdown there exists ambiguous moments: Is the physical contact between Blanche and Stanley a rape, a date, or a rape-date? A look into this issue is in order.

In the beginning of the play A Streetcar Named Desire by Tennessee Williams, Blanche first arrives from Laurel Missouri and immediately becomes the antagonist. As the play goes on Stanley starts to go against Blanche. At the end of the play Blanche becomes the victim. In the end, Stanley sent Blanche off to a mental asylum. This plays demonstrates domestic violence. In the beginning of the play A Streetcar Named Desire, Tennessee Williams shows how society accepted it and ignored it.Stanley, one of the characters in the play, found domestic violence to be a positive and very sexual part of him and his wife, Stella's, relationship. Throughout the play, Williams shows that he believes that it is wrong.

In the play, A Streetcar Named Desire, by Tennessee Williams, Stella and Stanley Kowalski have a far from perfect marriage. In the Kowalski household ranking is set in stone; Stanley is the alpha and protects his ranking by emotionally and physically abusing Stella. Stanley is an aggressive husband but signs of a softer side peak through Stanley’s hard exterior creating two personalities. Stanley has destroyed the meaning of sex, using sex for physical satisfaction and creating a sense of desire for Stella. By using sex as a type of desire Stanley has created an animalistic need for sex. Stanley has contrived authority over Stella, creating a strained marriage. Out of panic, Stella has become Stanley’s enabler, returning to him regardless how hard the hit, Stella accepts the abuse. Stella has become so manipulated by Stanley that she believes that the abuse is a large part of marriage. Stella has grown so dependant on Stanley that Stella grows panicked by the thought of being without Stanley. The Kowalskis have become trapped in an endless cycle of domestic abuse. Stanley Kowalski’s control over Stella Kowalski creates an environment of fear.

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

Men: The ones worthy of praise whereas women are just accessories to be flaunted then left in the closet when not worn. Tennessee Williams reinforces this idea throughout the course of the play by the use of the characters Stella, Blanche, Stanley, Steve and Eunice; and their relationships with each other.

Stanley has this strive of dominance over women, especially over blanche which clearly portrays physiological realism. Stanley has a very stereotypical perception of women, he sees himself as the head of the family, he is very dominant over his wife the phrase “Stella, Baby! "conveys this and shows that he is hollering at her; he feels that a women's role is only for cooking, making the house and caring for the husband.

Violence is a motif which is prevalent throughout the text, and although it may not always be manifested in clearly violent actions such as the rape, it is often displayed through more subtle verbal aggression, or spiteful acts. Violence and aggression are usually associated with Stanley, however on occasion the other men in the play do display flashes of behavior which could be considered aggressive or violent. Violence is most commonly associated with the theme of conflict, whether between Men and Women, Upper and Lower classes, or simply Stanley and Blanche. However, the motif of violence is not confined to the conveyance of this theme, and is occasionally used in other themes including Sex and Desire, and the contrast between Blanche’s pleasant dreams and the harsh, ugly reality.