Albert Camus Dystopian

An analysis of the key literary elements in “Amaryllis” by Carrie Vaughn and “Jordon’s Water hammer” by Joe Mastroianni clearly illustrates the main characteristics and classification of the dystopian genre.

In the dystopian worlds created by the film director Andrew Niccol and renowned author George Orwell, notions of control and freedom are explored. Both worlds contain an overarching power that governs the rest of the population and restricts freedom of individuals, these powers also aid in the progression of technology, which further act to control individuals. The characterisations of the protagonists of each text portray the lack of freedom from the perspective of those that are affected. Both authors use a variety of techniques to portray themes of control and freedom in their texts.

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

The existentialism of Albert Camus is based on his view of life as the Absurd. This sense of the Absurd derives from the realization that man is destined to die, as if being punished for a crime he never committed. There is no reprieve, and this makes life absurd (Peyre). There is no God in Camus’s conception, and those who hope for an afterlife are thus to be disappointed. Camus understood that the fact that there is no God also means that there is no meaning or purpose to life outside of living life to the fullest, and that there is a destined end. The one saving grace in the world seems to be the fact that while there is no God on which man can depend, man can live as if he can depend on his fellow man, even though he and they will all die (Sprintzen). This is another absurdity, but it is based on the fact that the

A comparison of dystopian texts explores contemporary issues of society and integrates them into an alien world. The Handmaid 's Tale by Margaret Atwood illustrates the nature of society as far from ideal, and the destructive nature of oppression. Similarly, Gattaca by Andrew Niccol epitomises the characteristics of a dystopian text, by highlighting the subversion of natural processes, suppression of identity and oppression present in society. Both texts explore similar themes that reflect a society 's deepest fears to the audience- dehumanisation.

Some of the most well-known literary works depict dystopian societies. A dystopia is a community that is built on squalor, oppression, and human misery. Two of the most powerful depictions of a dystopia are Shirley Jackson’s short story “The Lottery” and Ursula K. LeGuin’s “The Ones Who Walk Away from Omelas.” Both stories are alike in which they contain a scapegoat, one who suffers to keep the town’s utopian façade intact; however, each story has a different scapegoat and the characters have different methods of torment.

On the surface, dystopian fiction is a bleak, depressing genre that offers ‘a detailed and destructive presentation of the very worst of social alternative’ , but in actuality it is a means of speculation that reveals to the audience the real threats in society. It extrapolates contemporary socio-political trends taken into extremes , which compels its audience to re-examine the values of their society, resulting in an optimistic tale that gives the audience hope to escape their pessimistic future. Anthem by Ayn Rand (1937) is a detailed portrait of a collectivist society overstated for the purpose of satire and storytelling. As a politically conscious writer, Rand writes to communicate to her audience her political perception into the destructive psychology of collectivism. This exposes the audience to the risks of conformity, along with providing means to avoid this dystopian imagination crystallising into reality.

community can be viewed as prosperous, peaceful, and the epitome of perfection; however, as time goes on, it is revealed that all is not as it seems. Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” is one such example of a place not being as peaceful as first made out. Omelas is portrayed as the most perfect place to live; however, behind the scenes, all the prosperity is the result of a single child's suffering. In a society such as this, even if a single individual is suffering, it will never truly be perfect. Dystopian communities will try to present themselves as outstandingly flawless while also trying to hide the fact that there is still suffering amongst the prosperity.

Dystopian societies are themes often used in writing. A dystopian society is the imbalance of power between certain citizens and the government exerting total control over those people. One such example is Hitler and his Nazi regime. If one were to analyze the data, one could examine decisions Adolf Hitler made in creating the dystopian society of Nazi Germany, and the impact those decisions had on the citizens at the time; additionally, a review of how authors use dystopian-themed stories as a means to educate readers about dystopia will be addressed.

After reading this novel, one will have a better idea of what a dystopian society is like. Almost all charterers except for a few,

The idea of being ruled by a totalitarian power has never ceased to scare an audience that fears of being controlled. By this case we can soon to establish from the reality today in certain countries, that we create our own story of how dystopian societies are seen. Dystopian societies in movies and novels have played a huge role in our lives, from Suzanne Collins’ The Hunger Games and Alduous Huxley’s Brave New World to Lois Lowry’s The Giver; cementing humanity's faults of suppressing power. But among those movies and novels, two have resonated in our minds, not only mimicking that of Syria and North Korea today, moreover presenting foreshadow of what is possibly to be. The film 1984 and the novel Fahrenheit 451 use fear

Camus explanations of the Myth of Sisyphus, presented the concept of the absurd by outlining the beliefs that an individuals life has worth but only his live in a world that denies such worth to survive. Therefore, the absurdity in the statement, explains the fact of a clash between the orders through which an individuals mind hard for, likewise the lack of order that we as humans find in the world.

A majority of us squander our time fantasizing about a faultless society, a place where sorrow has not meaning but is replaced with harmony, compassion, and riches. Essentially, we want a place where dreams come true. On the contrary, how often do we reflect on the worst? A place where sorrow is the only meaning and harmony, compassion and riches have no existence. Susceptibility, combat and abhorrence- the contemplation of our future. Glimpses of these are shown through demoralizing literature, where the dire stuff is an extrapolation of our world.

In 1942, Albert Camus chose this myth to illustrate his concept of the absurd man. In his essay, The Myth of Sisyphus, Camus affirms that the main character of this myth is an absurd hero because he is conscious

In Camus’s major works, ‘absurdism’ was a frequent subject. The term ‘absurdism’ refers to a feud or conflict between our expectations or ideals and reality. Among his widely praised works, the “The Stranger” and “The myth of Sisyphus” can be read as an example of the absurdism. “The Stranger” is a story of an insensitive individual man, who lives for the