Albert Camus The Stanger: The Big Mistake

At the end of the novel, Meursault is able to understand the meaning of life. He was able to do so because he was approaching death, which is an existentialist principle, death is the one certainty of life. Before, when his mother died or when he killed the Arab, he did not have any feelings. When he thought about his own life and that he was about to die, he accepted it. He realizes that one can truly enjoy their lives when they approach and accept death. The understanding of this allowed Meursault to be at peace with himself. With this being said, this novel was an unusually good book, which made me think. A majority of the book made me feel like the rest of society, which was not accepting Meursault's behavior although analyzing gave me

After putting much thought into Camus' quote, I understand him to be expressing his view on culture. Culture has many different definitions, however the few that stand out are: religion, beliefs, values, traditions, politics...etc. While many things about culture make many people different, it also makes everyone the same in a certain way, that being the relative freedom and the guidelines we live by. Culture gives everyone the opportunity to be different and to have their own personality, as long as they stay within the guidelines.

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

My purpose on earth is to bring peace and happiness. As of 2015, this world is the opposite of peaceful. Many people are being killed just to get education, kids are in poverty, and a plethora of international terrorism’s Martin

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

Albert Camus took readers into the mind of a sociopath with the novel The Stranger. In the first sentence of the novel, the reader found out that the protagonist’s mother had passed away. The son, Meursault, was first viewed as shocked of the tragic death, but as the novel progressed Meursault’s reactions were actually a result of his emotionless nature. Throughout the novel, the reader is captivated and horrified by Meursault's disconnected temperament. In the course of going through his Mother’s death, helping his friend attack a helpless woman, and feeling like he does not have anything to live for creates a tone for the entire novel that was felt right away in the first sentence on the first page of Camus’ text.

Though fascinated with Alan, as the book progresses, it strays from focus on Alan to Dysart, and more light is shone on Dysart’s own problems. Shaffer gives Dysart numerous monologues, not concerning Alan, but rather, problems and events he has experienced in his own life, though Alan has influenced these events. In his opening monologue, Dysart “keep[s] thinking about the horse! Not the boy: the horse” (Shaffer 9). Shaffer immediately confronts with Dysart’s self-centered nature, for from the beginning, Dysart’s mind would rather think about an animal. Nevertheless, the manipulation of Alan is unintentional, for Dysart does not identify with Alan in order to better himself, but rather to bring to light problems within himself, displaying further his own selfish nature. In contrast with The Stranger, the truth is brought out and presented to its entirety to the audience, but Alan never receives a true diagnosis. It remains up to the reader to decide what went wrong with Alan, and what caused him to stake out the eyes of the horses. On the other hand, all kinds of faults are presented within Dysart, like his impotence, or his inability to find something to become passionate about. Dysart begins to cross the line when asking Alan questions concerning the events leading up to the staking of the horses eyes, to the point of identification with Alan, and eventually, his own demise. His prying continues until he finds himself

The story of The Stranger by Albert Camus is quite simple. Monsieur Meursault is a simple man, leading a simple, useless life until he makes some new friends and finds himself with someone else’s blood on his hands and his life on the line. Through Meursault’s reaction to his own impending death, Camus portrays the meaninglessness of human life.

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

In The Stranger, author Albert Camus involves the sun throughout the novel in order to display mans vulnerability. He presents the sun as a powerful, unfortunate influence on main character, Meursault and describes him as a simple minded, easily influenced, mellow individual. The Main influence in Meursaults’ life is the sun. Meursault is bothered by it however he does not make much of an attempt to stop or ignore it. He simply permits the suns heat, accepting it and affirms his personality. Becoming vulnerable is basic however with a more vigorous charisma, persuasion can be avoided. However an able source such as the sun, Camus establishes is a little more difficult to avoid.

In The Stranger, Albert Camus writes about a detached yet normal man, Meursault, who encounters unusual situations that evidently leads to his demise. From cover to cover, it was established by the author that Meursault had an unusual way of thinking and that he was continuously revealing his peculiar perspective on life and death. Throughout the novel, Meursault is reminded of death and continues to be judged by everyone in the society that he lives in, for instance, when he was put on trial for shooting an Arab man. Camus writes about the main character by describing his absurdist mindset. It is through the focus of funeral scene, however, that Camus is able to formulate the values of the character and the society in which they live in. This scene was able to reveal Meursault’s perspective on life as well as death.

The stranger is about a guy who thinks the world is absolutely pointless that's why he's completely unfazed when his mother dies . He takes a bus to the city where she had been living in. Meursault rejects the funeral directors offer to open the coffin. Meursault and funeral director keep vigil over her body. During the vigil, both men smoke and have coffee which traditionally thought of as disrespectful. The funeral director tells Meursault that Thomas Perez who was close with his mother, will be at the funeral tomorrow. The only thing the merson notes of thomas present during the funeral is the famous for me the exhaustion he makes no attempts to talk to them oh. In chapter two, part one on the day after the funeral Meursault is back in Algiers.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

ABSTRACT: After 350 years of continual social transformations under the push of industrialization, capitalism, world-wide social revolutions, and the development of modern science, what reasonably remains of the traditional faith in divine transcendence and providential design except a deep-felt, almost 'ontological' yearning for transcendence? Torn between outmoded religious traditions and an ascendant secular world, the contemporary celebration of individuality only makes more poignant the need for precisely that religious consolation that public life increasingly denies. People must now confront the meaning of their lives without the assured aid of transcendent purpose and direction. The

“Life has to be given a meaning because of the obvious fact that it has no meaning.” Henry Miller