Alberta Dance Theatre Analysis

Stephen Page director and choreographer of Bangarra Dance Theatre has choreographed many performances and accomplished several master pieces over the years. Through movement and nonmovement components Stephen Page causes his choreography to reflect his cultural background. Page grew up in the area of Mount Gravatt in Brisbane. He grew up in a large family with many siblings. Being of aboriginal background he always had a strong appreciation and knowledge of his aboriginal heritage. Stephen Page has achieved many things and worked with multiple different companies over the years including the Australian Ballet. In 1991 he was appointed the artistic director of Bangarra dance company ("Stephen Page | Bangarra Dance Theatre", 2016). During his time at Bungarra he has created many impressive dance pieces and received many awards, one if his most well-known and memorable pieces is Ochres. Ochres is a rock

‘For me, it is important that the work I make finds connection … but at the same time… calls into question our conversations of what dance is’ (Garry Stewart, 2010). Garry Stewart, the Artistic Director of Australian Dance Theatre (ADT) since 1999, began his dance training at the age of twenty, after leaving university studying social work. Through his explosive, energetic and electrifying style, his unique dance pushes drives boundaries empowering his works, which are technically demanding, frightful and exhausting, creating an intriguing performance. In his pieces ‘Birdbrain’ and ‘G’ a combination of classical ballet, contemporary dance and gymnastics is utilized throughout to create a fascinating performance. Stewart’s productions have toured

The SDC has not only survived but boomed in the last five years with including new courses in which to encourage young talent. Dancers and choreographers from all over the globe are invited to take classes to strengthen the dance community as a whole. Actively making new work beneath the inventive position of Rafael Bonachela, the corporate maintains an ensemble of sixteen dancers. Programs of dance embody works by Bonachela and by guest choreographers together with Jacopo Godani, Alexander oceanographer and Gideon Obarzanek, also including such collaborations with the Australian orchestra and also the state capital symphony and with

The Repertory Dance Company Fall Dance Concert was held at the Mannoni Performing Arts Center. The dancers involved in this dance concert are part of the University of Southern Mississippi Dance Department meaning they are either pursuing a degree in dance or teach dance at a university level. Both students and faculty had the opportunity to present work during adjudication to be chosen to be presented at this concert. I particularly enjoyed this concert because, while all of the dances presented were a part of the broad genre of modern dance, each dance had such a unique aesthetic so the concert still provided a great amount of variety to keep the audience captivated. The two pieces I have chosen to review represent this variety very

On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.

At 3:00 PM on Sunday April 13th, 2014, I attended the performance “Shared Graduate Dance Concert at the Clarice Smith Performing Arts Center-Dance Theatre. Walking into the theatre I had anticipated experiencing an upright performance. This sensation came as I visited the website for the Shared Graduate Concert and saw a breath taking photo that entailed a person behind a curtain holding their hand up and a fuzzy person in front of a curtain. Also, I knew I was in for a good ride after I saw Meghan Bowden in the pamphlet.

The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until

To prove everyone wrong, an interest was sparked in supporting ballet to show the world that American artists are just as competence as its foreign competitors. Unlike the Russians who have already established their mark in the ballet world, Americans were not commonly associated as talented ballet dancers. Thus, in 1954, President Dwight Eisenhower set aside $2,250,00 to fund dance, theatre, music, and sports tours to showcase American talents around the world. One of the funded dance tours was a ballet tour by New York City Ballet’s in Western Europe and the Soviet Union in 1962 (Croft, p. 425). New York City Ballet was a company founded by Balanchine and Kristen so their ballet performances reflected the innovation style of American ballet while maintaining its classical grace. Before their tour in the Soviet Union, the dancers were prepared for criticism and even booing during the performance due to the tensions between the two countries. However, all political differences were pushed aside, as “three thousand Soviet ballet fans rose to their feet to celebrate

Sally Banes is an American writer and dance historian and critic. She is also a professor of theater history and dance studies at the University of Wisconsin-Madison. Banes has written multiple books and contributed to many documentaries and films. The book Moving History / Dancing Cultures, which Banes contributed to, includes the article “Choreographic Methods of the Judson Dance Theater”. This book was published in 2001.

event that Morgantown residents can always look forward to is the biannual performance of Morgantown Dance and the Morgantown Ballet Company at the Metropolitan Theater in downtown Morgantown. The programs vary, but every other year theater-goers can expect a performance in November of Tchaikovsky's Nutcracker, a classic tale of Clara, her Nutcracker Prince, and a magical journey to the Land of Sweets. In past productions, guest dancers from the Pittsburgh Ballet have taken part, allowing audience members to see professional dancers from a national company. Other performances at the Metropolitan Theater have included The Snow Queen, Alice in Wonderland, Snow White, and Romeo and Juliet. Each production has been a showcase of talent from

For my outside dance critique, I saw Artistic Motion's Friday, December 16th performance of The Snow Queen. Overall, it was a fantastic show, and I enjoyed it very much. Artistic Motion's production differed greatly from other ballets I have seen. In addition to having a dance school, they also have an acting school, so, The Snow Queen, involved both dancing and acting. There would be a few dancing scenes, followed by an acting scene that told the story of The Snow Queen, in an interesting way.

Of all the parts she played in her brief time as an actress during the late 1960s, the

I have chosen the Heidi Duckler Dance Theatre (HDDT) and Heidi Duckler Dance Theatre /Northwest (HDDT/NW). Heibi Duckler founded HDDT in 1985 with the hopes of innovating the experience and process of dance by utilizing non-traditional locations. The companies first piece was entitled Laundromatinee. The success of this first work stimulated the continuation of Ducklers exploration of unique spaces. In 2010 HDDT/NW was created by Duckler with the goal of furthering the relationship between the dancers, the audience and the space.

Dance is the word that is broadly that used to define a human behavior characterized by expressive movements of the body. It is the grace, artistry, and classicality and precision that distinguishes ballet from other dance styles. People have danced for many different reasons such a religious, entertainment, tribal rituals, exercise or to simply to express something that cannot find voice in words. For as long as people inhabited Canada, there has been dance and it has subsequently played a role throughout Canadian history. In Canada dance history began with indigenous dance of First Nations Peoples, but with the arrival of European settlers came more European dance forms such as ballet, which have shaped dance in Canada into what it is

“Swan Night” dance performance evening 2009 was successfully held on Nov 4, 2011 at University Of Calgary Theatre.