Alejandro Gonzalez Inarritu's Film 'The Revenant'

Although many historical filmmakers alter some events and use fiction as a tool in providing an accurate historical representation, the makers of “The

Bury My Heart at Wounded Knee This movie was pleasantly surprising. It was an enjoyable watch and told a story that kept the plot line and details close to the real history of the Sioux Indians’ lives, starting with The Battle at Little Big Horn.

1. What is the title of this film? When was it made? Who wrote the original novel?

In the movie, Native Americans are often portrayed as spiritual, noble, and free this ideal image of Native Americans captured the world’s imagination at one point. It all began in late 1800s when Native Americans were among the first to shot silent by Thomas. One of the common attraction that made

The director pulls the viewer into the struggle to survive and what it feels like to be hunted like animals.

“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Natives American are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starred by John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece. After struggling for five years to recover

The movie begins in the year of 1757 and the French and British are at war with various Indians taking part on both sides. The main part is about the 1757 siege of a British fortress; Fort William Henry.

“Dear John Wayne” by Louise Erdrich is about the stereotype of the Native American, being a savage race on film and how the Native Americans watching the film react to those stereotypes. The Characters in the play are the movie goers who happen to be Native American and John Wayne in

Distortions of the Daniel Boone Legend and Their Impact [1] The silent film, With Daniel Boone Thru the Wilderness, was produced in 1926: a time of prosperity, an era without the skepticism of the modern American mind. People were not yet questioning the stories and histories they had been taught as children. The entertaining story told in this Robert North Bradbury film is loosely based on the life of an American hero. However, the presence of several insidiously inaccurate historical representations demonstrates how an entertaining film might not be as innocent as it initially seems. This film fails to question certain key issues concerning the Daniel Boone legend. In fact, it does quite the opposite. The creators of this

The Indians are finally presented in the movie by the screen scanning across a wide-open desert very peaceful and deserted. In the middle of all this silence the camera fell upon a skeleton of a human that we assume the Indians killed. This is how the movie sets the tone for how we are going to think about the Indians. They play with the stereotype that all us Americans think are true about the Indians. At first we think that we were right, but the story does not end there.

Good afternoon everyone, today I will be addressing the theme of overcoming prejudice and racism through Coach Boone’s Gettysburg Adress scene. I will be talking about the use of high and low key lighting, the importance of the scene, camera angles and why this theme is relevant today.

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

Throughout world history, it is evident that Native Americans have struggled in society ever since the landing of Christopher Columbus in North America. Ever since the film industry began in the 1890s, Native Americans have been depicted in many negative ways by film makers. One particular way film makers degrade Native Americans by making their white characters convert into Indians or “go Native” and eventually they always become better than the original Indians in the film. This notion has been repeated in many films, three significant films were it is evident is in The Searchers, Little Big Man, and Dances with Wolves.

Tomas Alea's The Last Supper [1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

The phenomenal Tom Hardy is John Fitzgerald, the religious villain responsible for this cruel decision. He plays it so confidently that we can easily detect an uncontrollable madness in his eyes and the evil nature in every little move he makes and word he says. Brilliantly directed and evincing an ingenious camerawork, “The Revenant” is simultaneously a murky revenge tale and a rewarding survival odyssey that held my attention from the first to the last minute. Thus, it’s not the traditional cowboys-and-indians flick (there are also mischievous French soldiers trying to profit), even considering that the excitement of those is present along the powerful, primitive story that unfolds with action and tension. The protagonist, not only came to the conclusion that ‘revenge is in God’s hands’, as he had listened before from a friendly Pawnee Indian who had lost his family - killed by the belligerent Sioux, but he also realizes that his path and deliverance were works from