Alexandra Williams . Harlem Renaissance . Dr. Lean’Tin

The division between whites and blacks was clearly prevalent and the United States of America was a racially discriminatory society reinforced by its racist laws. Hughes took the initiative to speak his mind via poetry, resulting in his piece “I, Too”. In this poem, Hughes clearly signifies one thing: Just because his skin color is different from whites, does not mean that they get to sing the National Anthem louder. Arguing that all American citizens are the same, disregarding their skin color, Hughes applies in this poem a master-slave relationship. The assumed white master shows disrespect to his servant by sending him away whenever visitors come over, because he is ordered to eat secluded from the company. However he seems to not be faze by this and actually finds it funny, supported by “But I laugh” (5). Furthermore, not only does he find amusement in this unpleasant situation, but the isolation has a positive effect on him “And grow strong” (7), implying that even though he submits to his master, his spirit will not be diminished.

    There is a very powerful message in Langston Hughes poem I, Too, that message is we are all Americans no matter what differences we have. During the Harlem Renaissance, African Americans were treated just like Africans, even though they were born in America. All of them at that time were born and raised in America, that should make them American. Hughes says in his poem “I, too, sing America”(1). Hughes says he is American just like

     Langston Hughes was one of the most important writers and thinkers of the Harlem Renaissance. Hughes creative intellect was influenced by his life in New York City’s Harlem neighborhood. Hughes had a very strong sense of racial pride. Through his works he promoted racial equality and celebrated the African American culture. It was in Lincoln, Illinois that Hughes started to write his poetry. In November 1924, he moved to Washington D.C. where he published his first book of poetry. Hughes is known for his insightful, colorful portrayals of black life in America. Langston is also known for his commitment to jazz. Hughes refused to distinguish between his personal and common understandings of black America. He

"I, Too" really exhibits the black man and his will to do well even under pressuring conditions to be some one that he is not. This pressure leads to a whole new line of confidence and pride shown in the third stanza.

Langston Hughes was a poet with many artistic abilities. His writing and drawings established the lifestyles of many African Americans during this time. In a poem called “I, Too” Hughes express his feelings as an African American, a brother, and someone who deserves to fit in society. He states “I, too sing America” (1039). Hughes saw himself as an individual who has a voice in America even though his skin is a little darker. In a poem called “Democracy” Hughes states: “I have as much right as the other fellow has to stand on my own two feet and own the land” (1043). Hughes was speaking for every African American whom were still dealing with segregation, racism, and freedom.

At first, Hughes primarily focused on writing for a black urban audience; throughout time, he changed his focus to middle-class blacks, and then to the men and women of Harlem as “black masses”. Hughes ended up directing his writing to both whites and blacks of all classes. His basic philosophy, taken from the poem “I, too,” was as follows:

The metaphor in line 3, “They send me to eat in the kitchen When company comes,” expresses the oppression that African Americans still face (Hughes). However, as the poem progresses, a sense of hope appears. Found in line 15, “Besides, They’ll see how beautiful I am And be ashamed---” the true value of African Americans will soon enough prevail (Hughes). In “I Too”, the narrator’s use of personal pronouns symbolizes the entirety of African Americans and how the oppression denotes isolation.

     The poem I, Too, uses excellent language, imagery and strong sounds to express the poet’s feelings towards racism. I, Too is an anti-discrimination poem, which shows the injustice of racism. The title gives the reader a sense of what the poem might entail by stating that the author has a personal relationship with America. The poem is situated in America and describes a black man’s personal experience with racial discrimination. He is treated as if he is an embarrassment to the white people, and made to feel inferior to them. The poet is trying to show how America blanket her racial discrimination issues. He also wants to convey the importance of racial equality. He wants the reader to understand that this is not just a personal experience, but a voice of his people. The tone changes throughout the poem. In the first line, the tone is patriotic. The line, “I, too, sing America,” indicates that he is also an American. And symbolizes that he has a stand in the nation. In the next section, the tone is of anger and strength. The man is infuriated at how he is treated, but he knows he is strong enough to fight back. This is shown in the line, “But I laugh, and eat

The Harlem Renaissance was a phase of a bigger new African American movement that emerged in the early 20th century. The Great Migration included the social foundations of this movement that involved African Americans from the countryside to the urban spaces. The creation of national organizations dedicated to pressing African American civil rights, “elevating” the race, and opening over all opportunities; and developing race pride, including North and South American taste and programs. You are probably thinking, what does any of this have to do with the Harlem Renaissance shaping African American culture?

In I, Too, Sing America when Langston Hughes writes of a darker brother who is told to eat in the kitchen you know that he is talking about African Americans. In this poem Langston Hughes writes a stanza that changes your idea of what the poem is about. He says “ Tomorrow, I’ll be at the table when company comes. Nobody’ll dare say to me, “Eat in the Kitchen,” then”. This line is is clearly stating the main idea of the poem right there. It’s telling us of how now there is segregation, but one day in the future all men will be equal.

The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.

In the poem I Too written in 1945 the overall theme focused by Langston was discrimination towards the African American people in the United States. We understand that the speaker in the poem is black from the first line where it states “I am the darker brother” providing an imagery for the readers. Then in the poem it says “They send me to eat in the kitchen when company comes” setting the tone of the poem, meaning that the speaker is unimportant person or referring him to a slave. The reason so, is because back in the day’s slaves had to eat in the kitchen of white slave owners. The setting of the first stanza of I Too

Langston Hughes poem “I, Too” was written during a time when segregation was in affect, blacks was not allowed to have a voice. “I, Too” spoke volumes to the people of the Harlem Renaissance, it showed that blacks would rise and would become part of the American dream instead of facing ongoing segregation. African Americans would

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had