Alexandria In Justine

“Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black.” (xi) This shows the contrast between the White City and the Black City. One, perfect, beautiful, magical, the other dark, filthy, evil. The two work together yet against each other in the battle to win over the hearts of the people who visit, and those who decide to stay

The idea of rebellion was treated by each of the authors by the three articles Cairo: my city, our revolution, Lolita in Tehran and Persepolis two. The author of Cairo: my city, our revolution talks about how Egypt is protesting about their country. And the author of Lolita in Tehran talks about the result of Iran taking over their country. And the author of Persepolis two talks about how women should dress.

This Discussion is about how the author views contemporary Arabs’ attitude toward their own history in the play ‘The Jester’. It is written by Muhammad Al-Maghut, a Syrian writer and poet who is known for his satirical work. In this play, he vigorously converses about the social misery and meanness. This play focuses on reaction and behaviour of today’s Arab men towards their historical heroes in a satirical way. The play starts with highlighting the dignity and heroism of past Arab heroes, but in later acts it is depicted that the layman regards their heroism only because it has been magnificently presented to him, unless analysed by a contemporary Arab man. The writer tries to depict the behaviour of today’s Arabs towards achievements to

Lawrence Durrell was famous for writing the Alexandria Quartet. The first novel in this Quartet is entitled Justine. Durrell writes his novel through the narrator. In this novel, narrator writes about Alexandria while he is in Greece, so he was using his memory of his past experiences in Alexandria. In the novel, it is shown that Durrell sees Alexandria through the Cosmopolitan Alexandria, where different people with different races were able to live peacefully together, the poor “Arab quarters” that the lower classes live in and Justine as a resemblance of Alexandria. Durrell writes about the Cosmopolitan Alexandria through the narrator of the novel. The narrator in the novel writes about his experience in Alexandria and about his old friends who represents part of the Cosmopolitan Alexandria.

In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).

“Araby,” a complex short story by James Joyce is narrated by a mature man who reflects upon an adolescent boy’s transition into adulthood. The story focuses on the events that brought the main character to face his disconnect of reality. Love plays a distinct role in the boy’s delusion of reality, which Joyce relays from the beginning of the story. Minor characters, such as Mangan’s sister, The priest, Mrs. Mercer, and his uncle hold a vital role in the boy’s shattered innocence. Joyce uses these characters to introduce to the boy the hypocrisy, vanity and illusion of adulthood by highlighting their faults and later linking them to his reality.

Known for the motto, “Easy to get to, hard to leave,” Alexandria is a welcoming city full of great people and many things to do. Threw-out this paper I’m going to go threw the physiography, culture, economy, and urban hierarchical position of Alexandria, Minnesota, and hopefully give you a good taste of what the city is all about.

Vivid imagery can be seen all throughout “Araby.” Vivid imagery is detailed writing that gives you a sense of an image while you read. The story begins with “North Richmond Street, being blind, was a quiet street” and continues to say, “An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces” (“Araby” 1019). The way this imagery is used shows

LeGuin’s description of Omelas engages all of one’s senses through her usage of rich visual, auditory and tactile imagery to ‘prove’ to the reader that Omelas is undeniably a utopia. The city of Omelas can be described as a place in which the inhabitants’ senses are constantly overwhelmed by sensations which are pleasing to their eyes, beautiful to their ears and sweet to their tongues. The unchanging state of this society which is surrounded constantly by sensory delight can be found in these descriptions; for instance, the “child of nine or ten [who] sits at the edge of the crowd, alone, playing on a wooden flute […] he never ceases playing” (LeGuin 275). In addition to the wooden flute, LeGuin describes, “a shimmering of gong and tambourine” (LeGuin 273). Following the narrator’s stunning description of everything which makes Omelas a utopia, her statement that the reader may, if he pleases, “add an orgy” in order to make the Omelas less “goody-goody,” makes it apparent that Omelas in many ways does not have to be concrete and limited to the previously provided descriptions. Her aim is not to describe a particular city, although it is named and its characteristics are already expressed, but to present the idea of a perfect city, a utopia in which bliss is fixed, and good fortune is wholly

The story “Araby” as told by James Joyce is about a young boy that is fascinated with the girl across the street. But deeper down the story is about a very lonely boy lusting for her love and affection. Throughout the story, we see how the frustration of first love, isolation and high expectations breaks the main character emotionally and physically. James Joyce uses the first-person viewpoint to tell this story which helps influence the plot, characterization, themes, and understanding of the main character.

Although "Araby" is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce's uses the boy in "Araby" to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.

Joyce uses diction to support the overall tone of “Araby,” through his use of words and phrases such as “had grown somber. . .” (Joyce 400) and “musty. . .” (Joyce 400). The verbiage he uses constructs a dull and increasingly gloomy image as if darkness is enclosing the town being depicted. Word choices like “waste. . .” (Joyce 400) and “useless. . .” (Joyce 400) convey the stagnant environment that encases the lifeless neighborhood the boy lives in. Joyce communicates the dreariness that cloaks Dublin by using dreadful adjectives to describe the setting. The young boy’s short lived “confused adoration” (Joyce 401) for his friend’s sister, is depicted using feminine words in association with her, such as “petticoat. . .” (Joyce 401) and “soft. . .” (Joyce 400). When the speaker is professing Mangan’s sister’s control over him, he proclaims, “[m]y body [is] like a harp and her words and gestures [are] like fingers running upon the wires” (Joyce 401). The boy reveals his ignorance by incorrectly calling harp strings, “wires. . .” (Joyce 401). This simple error portrays his confusion about his own feelings and the reasoning behind them. The author uses diction to support the tone of the short story, “Araby,” through his choice of words that reveal both the glum atmosphere of the setting and the naive affection being displayed by the speaker.

The novel, Midaq Alley, written by Naguib Mahfouz, tells the story of various characters living in a poor alley in Egypt during World War I. Of all the people in Midaq Alley, Hamida is the one who lusts most for an escape from tradition and poverty. She despises her traditional culture, and longs for a life free from the social and cultural constraints that fall upon her. Hamida is introduced as a strong character; however, the temptation of modernization guides her towards a more enticing lifestyle. Hamida’s character portrays how easy it is for one to abandon their culture, traditions and values.

Cities of Salt has often been read as at once an elegy for a disfigured space and society, and a chronicle of its transformation. How does Munif represent the encounter with and effects of global capital and its arrival? How are tradition, traditional social ties on the one hand, and the encounter with the foreign other represented? What are the limitations and potential problems of attempting to write such a work? Elaborate!

The novel often talks about the setting, time and theme in Egyptian culture through stories of various characters. The culture describes in the novel restricts the readers’ views on