Alfred Hitchcock The Birds Essay

Not long after, Hitchcock released another amazing horror movie in 1963, with The Birds. This movie kept with the mystery theme of horror films because of the unsolved reasoning behind the bird attacks in the

Alfred Hitchcock (1899 – 1980), the “Master of Suspense”, was a English film director, who was well known for his use of suspense and psychological elements to shock and surprise his audience. Hitchcock was known for his use of recurring themes, motifs and plot devices, such as the use of birds, hand motifs, the audience as a voyeur, mothers, blonde women, and sexuality. He was also very technical in his editing, using filming techniques such as deep focus, point of view, close up and wide, tracking shots. Montage was also a technique he used frequently in his films. He believed that by using visuals, he could convey thoughts and emotions just as well as dialogue could.

     The Birds, the movie was directed by Alfred Hitchcock and was based on the short story “The Birds” written by Daphne du Murrier. If you would have read the book and then watched the movie, you would see that very few things are the same. In both the short story and the movie flocks of gulls, robins, crows, and sparrows join each other. This is really weird because different species of birds never work together. The story and the film both have the same climate. It is cold and chilly; “the ground is frozen and it will be a black winter.” The climate gives the versions of the story a creepy and suspenseful feeling.

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

Margaret Laurence's A Bird in the House differentiates itself from the four other novels that make up the 'Manawaka series' that has helped establish her as an icon of Canadian literature. It does not present a single story; instead, it is a compilation of eight well-crafted short stories (written between the years 1962 and 1970) that intertwine and combine into a single narrative, working as a whole without losing the essential independence of the parts.

When a person watches a movie, and a scene with dim lighting shows up on the screen, that usually makes them feel tense and scared about what is going to happen next. Directors use cinematic techniques to convey feelings or connect with the viewer. In the movies Charlie and the Chocolate Factory, Alice in Wonderland, and Edward Scissorhands, Tim Burton uses flashbacks, diegetic and non-diegetic sounds, and high key and low key lighting to show a characters’ thoughts or past, create the mood of a scene, create suspense, and let the viewers know about the characters’ as if they personally knew each other.

Should we be feeding the birds? It should not be done because it makes the birds lazy unhealthy and easier prey for predators. In the passage "For the Birds" the author claims that bird feeders will bring wildlife to your backyard. They also state that having feeders attracts the birds to your yard so if you have trees, bushes, flowers or any thing like that, it can provide a safe haven away from predators. This is great for bird watchers because you can watch them as they eat, and if you want to attract a particular species of bird to watch then you can put out a particular seed.

The Birds, the movie was directed by Alfred Hitchcock and was based on the short story "The Birds" written by Daphne du Murrier. If you would have read the book and then watched the movie, you would see that very few things are the same. In both the short story and the movie flocks of gulls, robins, crows, and sparrows join each other. This is really weird because different species of birds never work together. The story and the film both have the same climate. It is cold and chilly; "the ground is frozen and it will be a black winter." The climate gives the versions of the story a creepy and suspenseful feeling.

Rear Window and The Birds were both filmed around the 1960’s a time in which the film industry was experiencing a great downfall. Because there were so many movements going on around the world such as, feminist movements, racial movements, post war movements, political movements etc. many films were not successful and there were many different genres that were being used in films. There were also many different independent films that were produced; this had an influence on American film as well. It is surprising how successful Hitchcock was during this time period where film production was looking grim. In order to be successful in America during this period of struggle Hitchcock had to shy away from the usual style and production of film.

Alfred Hitchcock also used cinematography in a uniquely stylizing way. Hitchcock not only uses the camera to create dramatic irony, but he also uses the camera to lie to the audience and create anxious suspense. For example, in his film Psycho, when Marion is in the shower Hitchcock frames the scenes very tightly. Marion is in a confined and very personal space. This makes her incredibly vulnerable. Then Hitchcock heightens the suspense by creating dramatic irony with the reveal of a shadowy figure closing in on Marion, unbeknownst to her. This creates a lot of anxiety for the audience, knowing the protagonist is vulnerable and in danger with no way of altering the inevitable. Hitchcock then manipulates the audience by “revealing” a brief silhouette of an old lady as our shower killer. Hitchcock uses this “reveal” to lie to the audience, he makes the audience think they have more inside knowledge confirming their already growing suspicions, when in reality the audience is misled entirely and the murderer was Norman all along. The way Hitchcock uses the camera to reveal both inside information and misleading information truly keeps the viewer engaged and not knowing what to believe until the truth is finally revealed. By using this unique technique of controlling the audience by only showing what he wants you to see, Hitchcock masterfully defies expectations and creates suspense.

Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place.

Famously known as “The Master of Suspense”, Alfred Hitchcock knew how to keep an audience on the edge of their chair, just waiting to see what happens next. Hitchcock’s career started in the silent era of films, gained increased success through talking pictures, and soared into infamy when color film became common. Hitchcock’s famous cinematography, editing, directing of his thoughtfully selected actors, and extraordinary attention to detail, are obvious reasons why there is no denying that he is one of the greatest directors the film industry has ever seen. OSU Media student, Joseph Ford, confirms why Hitchcock is his favorite directors, “Hitchcock’s lighting and shot sequences are unmatched, he was the ultimate perfectionist and, in my opinion, there is hardly a flaw in any of his films” (Ford). There are endless lists and debates about which Alfred Hitchcock film is the greatest, and each one of his movies deserves serious consideration. It could be contested that with the unique story, intriguing characters portrayed by great actors, and the extraordinary cinematography, that Alfred Hitchcock’s Rope is potentially his greatest film.

The short story "The Birds" was written by Daphne du Maurrier and was filmed and directed by Alfred Hitchcock. It has a very interesting and suspenseful plot. The short story was well written and the film was well played, both are very similar. Although, they have a few differences the film and short story have the same mood and theme. Would the differences in the film and the short story affect the suspenseful and frightening plot?Alfred Hitchcock did an outstanding job filming the movie matching it with the short story. In both the short story and film flocks and flocks of gulls, robins, and sparrows join each other.

A little girl and a young boy play in a field, as the sky gets darker. The clouds are not covering up the sun, but instead there are hundreds of large birds. The birds start to fill up the sky, it is just full of the animals all shape, size and size. The children start to bolt to safety, but they are too late. The birds dive bomb the children like rain, tearing at their fragile skin. This is the picture that Daphne du Maurie painted in your mind and Alfred Hitchcock put on your screen. Daphne du Maurier's short story “The Birds” was written in 1952, which lead to the idea of the movie The Birds in 1963 by Alfred Hitchcock.

Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.