Alfred Lord Tennyson, Langston Hughes And Walt Whitman

Poetry as a literally work in which the expression of ideas and feelings is given strength has had great authors overtime who took different perspectives in this genre of literature. These poets used distinctive rhythm and style to express their styles, poetic themes, outlook on life, and had their share of influence on the American society. This paper uses the basis of these styles, themes, outlook on life and subsequent influence on the American society to compare three prolific poets who ventured into this literature genre: Robert Frost, Mary Oliver, and Maya Angelou. Robert Frost (1874-1963) holds a unique and almost sole position in the career span which mostly encompasses

Both Langston Hughes and Walt Whitman are regarded as some of the finest poets in a long list of excellent American poets. Hughes, a poet during the Harlem Renaissance era of American poetry, often wrote of the struggles of African Americans in his poetry. A common theme of Harlem Renaissance poetry was discussing the struggles and advancements of African Americans in terms of social justice. Walt Whitman wrote his poetry in the period of transition from transcendentalism and realism. His works can be seen to incorporate elements of both styles. Walt Whitman was also a humanist, and this can also be readily seen in his many works. Both Langston Hughes’ “Let America Be America Again” and Walt Whitman’s “Song of Myself” tackle the idea of oneself within a larger collective group. However, Hughes speaks from the African American viewpoint at the time. Hughes relies on more specific imagery, while Whitman incorporates imagery that is more generalized. Each of the authors uses imagery in similar yet individually effective ways, covers a similar theme with respective viewpoints, and uses different tones to cover how an individual effectively fits into a collective.

Love is a feeling of strong or constant affection for a person (Dictionary 1). Love is what is known as the “universal language”. There are so many ways love can be interpreted. The central message that the comfort humans receive, and the shyness they feel for an individual are compartments of love that may not always be touched on in poetry.

In the early 1900s a new era of poetry had swept in. Imagery would craft a generation of poets, and with it would be William Carlos Williams’ opportunity to break out into the world of poetry. Williams would be a pioneer in the movement and help to generate a widespread interest in this new genre. Williams’

Langston Hughes and Gwendolyn Brooks are regarded as highly influential poets in African American literature, which continues to inspire writers to this day. Langston Hughes is a well-known pioneer of the Harlem Renaissance, a movement in which African Americans in Harlem during post World War I and the early 1930’s began a cultural and artistic revolution. During this time, African American musicians, artists, writers, and poets revolutionized their position in and through many artistic fields of expression. This cultural and artistic revolution redefined how America viewed the African American population, which garnered respect and criticism from Americans nationwide. Gwendolyn Brooks, an African American poet also in the 19th century, was introduced to Langston Hughes at a young age peeking her interest in the Harlem Renaissance that eventually became a foundation and influence in her writing. Gwendolyn Brooks and Langston Hughes share similarities in the writing as she was highly inspired by Langston Hughes, but also share many differences that are responsible for making their pieces of writing unique to other authors and each other.

Walt Whitman was a revolutionary poet who let his emotions run free through his poetry. Whitman was never afraid to express himself no matter how inappropriate or offensive his emotions might have seemed at the time. This is why Whitman's poem still echo that same sentiment and emotion today almost as loudly as when the drums were first tapped.

Walt Whitman was an American poet whose free verse brought a new style and uniqueness to American poetry. “Free verse is poetry organized according to the cadences of speech and image patterns rather than according to a regular metrical scheme. The meter is irregular and its rhythms are based on patterned elements such as sounds, words, phrases, sentences, and paragraphs, rather than on the traditional units of metrical feet” (“Free Verse Encyclopedia” 1). You can see his free verse style through his literary works such as “Leaves of Grass” and “Song of Myself”.

Renowned poets and philosophers Walt Whitman and Henry David Thoreau, although being from different schools of thought, actually shared many of the same views about nature and mankind’s role in society. Whitman, being more of a ‘romantic’ poet, praised nature’s beauty and majestic qualities. Thoreau, on the other hand, was more of a Transcendentalist; The Transcendentalism school of thought emphasized individualism as a common theme and celebrated the ‘self’ as a separate, but equal, counterpart to the nature of our environment. While both of these poets had their opinions on the landscape around us, they were quite similar in their beliefs about mankind’s existence and skirted the line between both schools of thought.

Human nature is something that never seems to change. While humans all seem to be different from one another through physical and emotional attributes, their psychological behaviors are all mostly very similar. In the late 18th century and early 19th century, many authors successfully could explain the characteristics of human nature and the effects that it has on everyone and everything surrounding human beings. Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allen Poe all convey the behavior of human nature in separate ways. These three authors show the curiosity, drive for perfection, and fear of human nature throughout their texts in detail. With these characteristics being prominent in human nature itself, it

Walt Whitman is considered one of the most important writers in the history of American Literature. The people of his own time called him a radical, a madman, and a pornographer. These days he is greatly appreciated and entitled as a fearless prophet of a new stage of human development. Sometimes Whitman would be in a slump and he felt that he needed to deflect the people who inquired too directly. This even meant using examples of homosexual elements in his work, as well as unbelievable stories of him having affairs with numerous women and fathering many children, unknown to him. Throughout these sorts of times W. Whitman has gone through both resentment and flattery, nevertheless showing us

Along with the use of metaphors, the form of the poem plays an important role in uncovering the views of Whitman. First and foremost, this poem was written in free verse which is a form of poetry that lacks structure. The free verse stucture of the poem is shown in the lack of form in the stanzas of the poem. Some stanzas are six lines long while others are only one, and the lines can be either concise or drawn out. The poem also lacks any apparent rhyming scheme or rhythm. Unlike Shakespearean poetry, where the foot of the poem stays the same, the lack of any apparent structure to the poem leaves the reader unable to predict what is coming next. In addition to this, at the time this poem was written, free verse was not common. In fact, Whitman may have been one of the first poets to use this form, showing that he may have been rebelling against the predominant structured form in poetry. The lack of any apparent structure guides the reader towards the conclusion that Whitman did not like structure in poetry, and can even be

Song of Myself by Walt Whitman. In this poem, the speaker Walt Whitman talks about his connection to nature and how everything is connected to nature. He speaks as if what he says is a new or unheard language. Mr. Whitman believe that he is not tamed from himself and that he has transcended the notion. By that he means he have created a new language that is foreign to others since they have never heard of it. Around this time many poets were becoming more expressive and open. Walt Whitman motivated many artists that would have been considered “weird” during the time to become more open.

In his poems and life, Walt Whitman celebrated the human spirit and the human body. He sang the praises of democracy and marveled at the technological advances of his era. His direct poetic style shocked many of his contemporaries. This style, for which Whitman is famous, is in direct relation to several major American cultural developments. The development of American dictionaries, the growth of baseball, the evolution of Native American policy, and the development of photography all played a part and became essential components of Whitman’s poetry.

President Abraham Lincoln, admired by Walt Whitman, blossomed in “Whitman's writing and in American mythology”(Eiselein) for his leadership and nobility. Whitman hoped for a rugged, healthy, who knew what real, physical work was, to be the “[r]edeemer [p]resident of [t]hese [s]tates”(Whitman). His hopes came true “as in a dream”(Whitman) when “four years later, just such a beard-faced boatman”(Goodheart) entered the White House. Walt Whitman discovered the “comprehensive, all-directing soul he had long been seeking”(Reynolds) in Abraham Lincoln’s life. Therefore Whitman, a patriotic American, would see Lincoln’s death as not only a grave tragedy but also a “promise [of] ultimate purgation and unification for America.”(Reynolds).

Langston Hughes, Jacques Roumain, and Nicolas Guillen are poets with different backgrounds. Hughes was born in Missouri, Roumain was born in Haiti, and Guillen was born in Cuba. However, they share one thing in common and that is the shared experience of racism. In their works they all react to the limitations that have been placed upon them. Liberation is a key theme in the works of all three of these writers. Hughes and Guillen envisioned a universal justice embracing all races while Hughes and Roumain connected Africa as the one real home for black people. These three writers call for a social transformation and by doing so they represent black life experiences from Harlem, Haiti, and Havana, by being proud of their skin color, and where they came from, they were able to successfully portray an image of racism in America.