Alfred Prufrock Ap Essay

The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by “half-deserted streets” (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other “half” needed for a relationship or an “argument” (8). Hoping for a companion, Prufrock speaks to the reader when

The speaker is the voice of the poem, since “I” is used alot in this poem, it is in first person. I imagined the speaker’s

When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.

American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.

In T.S. Eliot’s “The Love Song of J. Alfred Prufrock”, the speaker, Prufrock feels alienated

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

The city is fragmented in itself, with a population that is lost and alone, a scattered collection of "Streets that follow like a tedious argument" (8) above which "lonely men in shirt-sleeves" (72) lean out of their isolated windows. Eliot achieves fragmentation through the use of imagery, in both specific as well as symbolic.

The monologue style of “The Love Song of J. Alfred Prufrock,” is interesting because it doesn’t clearly identify whether or not the speaker is talking to another person or his inner self. A monologue is like a conversation, but uses the language of poetry. This particular dramatic monologue tells the story of J. Alfred Prufrock, a man who is so wracked with insecurity and worried about how others perceive him that he is afraid to live his life.

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

Even though Prufrock is not necessarily in hell, the way things are described seem to be a hell for himself. Describing the night sky as “a patient etherized upon a table” (Elliot 3) is unsettling for anyone, let alone the supposed woman he wishes to take on this walk. The city street he describes can easily be correlated to a place overrun by prostitutes in “one night cheap hotels” (Eliot 6) and homeless people on their “muttering retreats” (Eliot 5). The winding streets “insidious intent” (Eliot 9) is synonymous to his own insidious intent, which is bringing this woman through a seedy part of town. It is possible that his intent is to sleep with this woman in one of those cheap hotels, but only after taking her to a “sawdust restaurant”

The human psyche has perpetually been characterized by a nagging sense of doubt. When one makes the decision to follow through (or, rather, not follow through) with an action, it is unlikely that he does so without questioning whether he made the right choice; this is recurring theme in literature, evident in works such as Crime and Punishment and A Separate Peace. T.S. Eliot’s The Love Song of J. Alfred Prufrock explores the universal nature of hesitation and self-doubt as part of the human condition primarily through apt use of metaphor, syntax, and allusion.

The Love Song of J. Alfred Prufrock, a poem by T.S. Eliot, provides an abundant source of material for applying Freudian analysis.[1] Specifically, it is the character Prufrock who supplies this rich source. Although many Freudian themes could have been addressed in relation to Prufrock, in this paper it will be narrowed to the prevalent themes of ambivalence and cultural frustration found in Freudπs work and the contributing role the super-ego plays in their occurrence. In fact, Prufrock exemplifies ambivalence and its necessary conditions so well that Freud himself would have probably labeled him a neurotic.

T.S. Eliot’s poem, The Love Song of J. Alfred Prufrock, writes a couple lines, “In the room women come and go / Talking of Michelangelo” (10), which seems to sporadically be placed in this poem at a couple unusual times leading one to believe that he has a lot going on in his mind but comes back to this one central reflection. These women that are referred to may well have been from a privileged way of life rather than the run of the mill woman during this era of time. The given attention of the women being that they were possibly rich, educated, and most likely beautiful since he tends to notice them, as well as being well to do having the joys of a carefree life filled with beauty all around enjoying the arts of the Renaissance . J.

"The Love Song of J. Alfred Prufrock" which was written by T.S. Elliot, is a very calm and relaxing poem. Using its docile tone, the poem helps speak to the reader about many things, whatever it may mean for the reader. The poem is all about how one man searches to find his meaning in life as well as his existence in this world. Throughout the poem the author uses literary devices such as imagery and tone which help convey the lonely theme of this peaceful poem. This poem starts out by inviting the audience to go with the speaker of this poem. He begins by taking them on a journey of self-examination and starting this journey is the phrase “Let us go then you and I”. It then is followed by “When the evening is spread out against the sky” and

T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.