Alfredo Cuaron Biography

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

The way Godard uses camerawork and editing in the film is another way that he uses forms and standards of cinema in order to purposefully draw the audience’s attention to the filmmaking process. In classic Hollywood cinema, spatial and graphic continuity editing is extremely important, and often worked to perfection. Editing in Breathless is not used to advance the storyline or show continuity between scenes, but to echo the rhythms of everyday life. There are many jump cuts throughout the movie, which is considered a sin in classic cinema. The interesting thing about the jump cuts is that the dialogue continues uninterrupted despite these choppy cuts.

The cinematography is by Bert Glennon. The expectations for this film is that it has to be western because it’s the genre. The movie needs to have action and movement. And have a heroic character. The expectations are high since a lot of people watch Western genre. I don’t see any manipulation of space and time.

It is perhaps the blocking from the director and the skills of the actors though that makes this performance so wonderful. The technique of layering was used by both in how

In this movie, different filmic techniques are used, however, in my opinion, they are not very effective and thus it fails to improve or contribute to the success of the movie, which I believe it should. The filming techniques used in

The second way why cinematography made the film is because the camera shots during the film were very close to one other. It did become kind of confusing many times during the film. Now you would see medium shots more than any other one during the film. There were also long shots that were shot alongside the medium shots so long shots would

“Cesar Millan is a Mexican-American dog trainer, author, and TV host his net worth of $25,000,000”. In 1969, Culiacan, Sinaloa, Mexico Cesar Millan was born, when he was a child Cesar had “a great relationship with animals” and then from this he got the nickname "el Perrero", or "the dog boy", while growing up. He was 21 years old when he arrived in the United States, he got a job in a dog groomer after that he set up the Pacific Point Canine Academy. A few years after that, Cesar created his own “Dog Psychology Centre in Los Angeles” for a range of dog breeds. In 2002, Cesar began his first TV show, called "The Dog Whisperer", which was shown on “the National Geographic Channel in 2004”. This show was about Cesar working with dogs and owners as to help rehabilitate the dogs. In 2009, he created his first magazine, called “Cesar's Way", which was about dog training and talks about how pet owners can develop a healthy relationship with their pet. After “The Dog Whisperer” show ended in 2012, he made a new documentary series, called "Leader of the Pack", in 2013, and a new series, called "Cesar 911", in 2014. “Some of Cesar's training techniques have been questioned over their assumed inhumanity”. (Celebrity Net Worth, 2017)

Kubrick made use of camera angles, elaborate sets, and computer graphics to focus in on the spectacle that is 2001: A Space Odyssey. Camera Camera angles were chosen to simulate the disorientation of space and to separate/isolate the viewer from the characters. Many scenes are shot at seemingly arbitrary angles to highlight the absence of a preferred rotational frame.

In 1997, James Cameron produced and directed the still prominent movie, “Titanic”. This is truly one film I can watch time after time and still be amazed by not only the acting, but also the wardrobe, famous lines, and special effects.

Cosentino was born on 2 November 1982 in Victoria, Australia to an Italian family. When he was a young boy, Cosentino stumbled across a magic book in a library which he was fascinated by. His mother helped him read it, since as a child, he had learning difficulties that he says magic helped him overcome. As well as this, at age 13, his mother got locked out of the house one day, and to get inside Cosentino had to pick the locks. In lock picking he found a unique skill that he developed and honed. Cosentino also says that he gained confidence through his magic performances. As a boy growing up and to this day, Cosentino admires Harry Houdini saying, "As a child some children had action figures of Superman....but Houdini, he was my superhero". He attended Wesley College,

Gravity has an important role in many things, this including, but not limited to, how stars are made, how planets orbit, and rings around planets. It can make rings, and it can also make black holes, that destroy rings, and the planets they are around. It pushes galaxies apart, and also pulls the smallest of atoms to the center of the Earth. Gravity has an important role in space and time, along with our lives.

The other scene that had good example of cinematography was when the Avengers circled up, and was fighting together when the group of aliens were fighting them. The shot used was an medium long shot, and the angle was an high angle. The camera was rotating at every

Cuaron because he had to bring the film up to date by making the film

The movie started off as just a vision and an idea and later Kip Thorne and many others formed a well put together movie. The directors didn't just wanted an unrealistic science movie, but they wanted to create and accurate intriguing sci-fi movie for the audience. Chris Nolan, Oliver, Eugenie and Kip Thorne were the ones behind all the science and film making of the movie. They worked hard on the physics of the movie to accurately portray what would happen in reality. They used Einstein physics when Cooper time travels and the warping of time. One major factor was that Thorne didn't want to violate any of the laws of physics because he wanted to keep it as real as possible. There were many equations involved from creating the black hole Gargantua, to special relativity. I bet you're wondering about the cast. The lead role of Cooper was played by Mathew McConaughey. McConaughey was intrigued by the science behind the movie, especially with the role of Cooper. He was very much interested with the laws of physics, quantum physics, and the science of Interstellar. Just like McConaughey, Anne Hathaway who played the role of Amelia Brand was also interesting with the science behind Interstellar. She described herself as a physics geek. What you may find interesting, is that there was little to no computer effects used throughout the film. I know it's hard to believe that a movie that the constant setting was in space had barely any CGI (computer generated imagery). The entire movie was also filmed with only one camera (one handed IMAX

Kubrick’s and Villeneuve’s strength is the framing. In Space Odyssey an enormous number of scenes that show central perspective can be seen. A very strong scene is the one in which David and Frank are inside the space pod and talking about HAL. This shot indicates a vanishing point in the center of the frame. Kubrick enhances the depth by dividing the frame in a foreground and background; David and Frank are in the foreground whereas HAL is in the background (cf. Kargl 134). Kubrick often uses the central perspective to create additional depth. Although the persons and objects that are filmed by a camera are three-dimensional the screen on which the film is shown is a flat surface. Therefore, Kubrick uses certain perspectives to enhance the three-dimensional effect. Villeneuve on the other hand uses the perspective to guide the audience. A lot of Arrival’s scenes show guiding lines that lead to a vanishing point. Sometimes the camera pans to that vanishing point. Sometimes he guides the audience towards the object of