Alias Grace Analysis

Margaret Atwood is once of Canada’s best known literary composers. She is best known for her ability as an author of novels such as Alias Grace, Bodily Harm, Hairball, Rape Fantasies, and the highly acclaimed The Handmaid’s Tale, which was later made into a movie. These works establish her as a feminist writer, raising issues of women in literature, the difficulties associated with being female and the role of women in society.

Atwood displays her feelings about not only the art of creative writing, but also the equally artistic act of living one's life to the

In a world where showing a bit too much shoulder was forbidden, came Susan Glaspell. Glaspell was an American playwright, born in the cruel times of oppression. This influenced women’s opinions on certain subjects which caused them to be silenced by fear of rejection from society. “A Jury of Her Peers” was based on an era where women felt as though it was unreasonable to speak up if they felt it was not absolutely dire. Harboring these pent up feelings could cause a person to act antagonistic. Minnie Wright was an example of this. She killed her husband and was subjected to the judgement of her peers. As the group investigated Mr. Wright’s death, there were two stories unraveling. The in depth explanation that the women figured out and the simplistic version the men had seemed to pick up (Glaspell). People would benefit from reading this story to begin to understand the struggle of what this and other women had gone through. Penn Manor American Literature students would benefit from having Susan Glaspell’s story “A Jury of Her Peers” in their curriculum because of how she expressed feminism through her writing at a time when it was new and discouraged; her ability to emphasize the themes with her settings and characters; and her literature that follows a protagonist that navigates through a sexist world.

Often, we think of older people as being smarter, wiser, and generally more mature, but this is not always the case. Ordinary Grace by William Kent Krueger gives a number of examples that shatter this generalization, offering an alternative to age as the primary factor in one’s level of maturity. Ordinary Grace shows how maturity is a result of circumstance and does not necessarily correlate with age.

The author, Margaret Atwood demonstrates the theme that in a violent isolated world, feminism is despised by the offended society, the inhuman treatment that women received may lead to physical and psychological perils; conversely, one’s firm belief could embody hope and reveal a precise future. Atwood uses irony to impart the theme. Significantly, the protagonist Offred feels she increasingly losing control of her body as “ an instrument, of pleasure” (Atwood 84). But the infinite emptiness inside her can never swap out the

The author talks about how women made the men legitimized the male ego by making the man feel powerful to his wife, and if a wife did not go along with these ideals she would just have to deal with it. Why some southern women let the role of the husband get to this point Anne Scott a well renowned author and history professor at Duke University said, “Husbands were frequently referred to in words used for God: Lord and Master.” Which helped women to have a growing sense of self awareness. Anne Scott also wrote saying that many women supported slavery and others believing it to be cruel and unjust saying it was possible to draw a subconscious feeling of their own unequal status. There were two sisters Sarah and Angelina Grimke from South Carolina, that wanted to break free from a southern women’s role and change the way they saw slavery and how women were

Set centuries apart, Arthur Milller’s The Crucible and Katherine Howe’s Conversion, seem to reflect follow similar plot lines of rebellion, scandal, and sex. Both follow the lives of teenage girls who face similar problems despite the fact they are based centuries apart. The time of adolescence in a woman’s life is an extremely influential period when one either stands out as a dominant leader, or falls in line as a follower. Though The Crucible and Conversion are based over three hundred years apart, both focus on similar motifs regarding female adolescence including rebellious lust, and the desire for attention and one’s individual identity.

A Grace Disguised written by Jerry Sittser, is one of the most heart felt and transparent books I have ever read. The idea that our purpose and who we are is shaped through our suffering and loss, puts one in perspective to understand that our pain lies a blessing, even at times we don't understand. Jerry Sittser, a husband, son, and father of four is a true witness to what its like to experience loss and even feel hopelessness in times of despair. In the fall of 1991, him and his families lives were changed forever. Driving back home from a Native American reservation in rural Idaho, an incoming car driving extremely reckless and fast, jumped its lane and smashed head-on into their families mini-van. Rescuing his daughter Catherine and two sons David and John, Jerry Sittser had to endure seeing the lives of his wife Lynda, mother Grace, and four year old daughter Diane flash before his eyes (Sittser, 1998 pg. 26). Three generations instantly gone without any signs or warnings. Letters of comfort that was sent by mail frequently asked Jerry the question, “Why did this have to happen to your family? Y'all were the ideal family to model. If bad things can happen to good people like the Sittser’s then we’re all in trouble (Sittser, 1998 pg. 30).” In this book Jerry Sittser highlights many different aspects of how to differentiate our view of loss from both a carnal and spiritual perspective. Yes, its no debate that loss is a terrifying and dreadful event to experience, but

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

Though set in entirely dissimilar countries at different points in history, Margaret Atwood’s ‘Alias Grace’ and Hannah Kent’s ‘Burial Rites’ possess significant comparisons. Both for instance, are fictionalized historical novels following the tribulations of a female protagonist convicted of murder and both have been widely acclaimed for their incredible literary style which merges classic poetry, epigraphs, folklore and historical articles with fiction. The most striking parallel between each novel that can be drawn, however, is the way in which authors masterfully craft the stories of untrustworthy, cunning and deceptive criminals to elicit sympathy from their audiences. Readers of the novel and secondary characters alike are gradually pulled into sympathising with ambiguous and untrustworthy female leads, Grace Marks (Alias Grace) and Agnes Magnusdottir (Burial Rites). Despite the heavy suspicions of others and a lack of evidence to support their claims of innocence, these characters present artfully manipulated features of their defence stories to provoke empathy, sympathy and trust from those within the novel, and those reading it.

Throughout her many years as a poet, Margaret Atwood has dealt with a variety of subjects within the spectrum of relationship dynamics and the way men and women behave in romantic association. In much of her poetry, Atwood has addressed the topics of female subjugation in correlation with male domination, individual dynamics, and even female domination over males within the invisible boundaries of romantic relationships. With every poem written, Atwood's method for conveying the message of the poem has remained cryptic. She uses a variety of poetic devices - sometimes layered quite thickly - to communicate those themes dealing with human emotion. In the poem, Siren Song, Margaret Atwood

One can suggest that Atwood has demonstrated a light and informal tone. The poem is more informal in its writing, leaning more towards intimate entertainment. In her writing, the author is able to capture the attention of her readers by giving real-life situations that one may relate to.

Atwood's focus on sexism shows readers the importance of feminism and equality. For example, on page 72, the author writes, "This week Janine doesn't wait for us to jeer at her. It was my fault, she says. It was my fault. I led them on. I deserved the pain." This quote shows that the women are being conditioned into blaming themselves if something such as sexual assault were to happen to them. It's important because readers should recognize the unjust way of thinking and oppose sexism such as this. Continually, in the novel it says, "Women can't hold property anymore, she said. It's the new law" (178). In the story, when society abruptly changed, women had their rights taken away as displayed in the quote. This illustrates how sexist the society is in the novel and how Atwood believes life would turn out if people were to disregard equality. Finally, the job and treatment of the handmaids throughout the story is very unjust. The handmaids are used for couples who can't have children on their own and must follow strict rules and complete their job or else they face severe consequences. This conveys, yet again, the inhumane way a lot of the women are treated and the wrongs of sexism. Ultimately, this theme of sexism

Girls, young women, and mature mothers. Society has consistently given women strict guidelines, rules and principles on how to be an appropriate member of a man’s society. These rules are set at a young age and enforced thoroughly into adulthood. When not followed accordingly, women often times too many face reprimanding through means of verbal abuse, physical abuse, or social exile. In the midst of all these strict guidelines and social etiquette for girls, a social rebellion started among girls and women and gender roles were broken, however the social rebellion did not and does not affect all girls and women. For instance, in less socially developed places, young girls on the brink of womanhood are still strongly persuaded to be a man’s idea of a “woman”.

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of