Alice Walker's The Color Purple: Celie's Struggles Expressed in Letters

The book focuses mainly on a woman named Celie, who has lived a hard life already when, at the age of 14 she begins

Throughout the story, several women were extremely mistreated by men. The oppression of women is unmistakable in The Color Purple. It is particularly exposed in association between Celie and her farther. At a very young age Celie was subjected to oppression. Celie was raped repeatedly and pregnant twice by her stepfather and was told to keep quiet about it. "You better not never tell nobody but God, It'd kill your mammy" (stepfather). I believe this is when Celie began to fear men for most of her life. This act towards any woman is very demeaning.

At the end of the novel Celie has finally created a permanent life for herself.  The way she interacts with the other characters and attitude towards things has

According to Harold Bloom, “For Celie, the practice of addressing God simply reaffirms her solitude; she is essentially writing to herself” (Bloom, and Williams 77-88). This submissive practice nonetheless carries over onto her daily life, and ensues until her relationship with Shug Avery strengthens. After Celie begins to experience a spiritual, emotional, and sexual awakening as a result of this bond, her letters reflect her newfound emotional capacity. Bloom enforces this ideal, claiming, “Shug is the route through which Nettie's letters are restored” (Bloom, and Williams 77-88). With the figurative resurrection of her sister through Shug’s support, Celie’s power of voice grows. She begins to think for herself and express her thoughts more vividly, claiming, "My life stop when I left home, I think. But then I think again. It stop with Mr._______ maybe, but start up again with Shug" (Walker 85). The audience, who was Celie’s only recluse for thought, views her becoming more verbal and opinionated in reality as well; for instance, during her final standoff with Mr._______, she exclaims, "You a lowdown dog is what's wrong, I say. It's time to leave you and enter into Creation. And your dead body just the welcome mat I need” (Walker 207). Celie, therefore, has discovered the act of standing up for herself as a person. Nettie’s letters possess a distinct voice as well, and the discovery and instigation of communication between the two sisters liberates the voice which

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

In the beginning of this novel, Celie is a young and naive adolescent. She is

Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

Sometimes life brings experiences of abandonment through difficult times. Celie shows an expression of abandonment from God with her intimate friend Shug Avery, who challenges Celie where she thinks God is. “What God do for me?...He gave me a lynched daddy, crazy mama, a lowdown dog of a step pa and a sister I probably won’t see again...The God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown...Miss Celie, You better hush. God might hear you. Let’im hear me, I say. If he ever listened to poor colored women the world would be a different place” Celie said in anger (192). It is times like this that society tells the world to push life’s disasters under the rug. When instead it requires the attention of others to become endured. To be human is to go through the struggles of life and face them. Without them, life can become meaningless. Celie experiences this through oppression and her loss of faith in God. Throughout

Being a black female in the south during the early 1900’s, at a time when white and blacks were socially segregated and women were absolutely inferior to men, was one of the many challenges Celie would be faced with in her lifetime. Born in 1895, Celie was raised on a farm in a small town in Georgia where formal education took a back seat to physical labor and household maintenance, and the Church was the main focal point of socialization among local town members.

As a result of these tragic events, Celie writes to an unknown audience, resembling her unknown identity. In the beginning, the only person she can talk to is God. She writes her first letters to God shortly after her so-called father raped her. Each one of the letters is short, choppy and has a similar rhythm. The patterns found in her letters symbolize her state of mind; she feels depressed and weak. "Celie does not think of her letters as anything else than just that, as written documents saying the things she wishes to tell the recipients she cannot speak to in person”, making God the person she has always wished to communicate with (Boynukara). Her letters in the beginning are also mostly written to God and not signed off, illustrating her lack of identity. Her conception of God is a “Big and old and tall and graybearded and white. He wear white robes and go barefooted” (Walker 195). Celie’s first letter proves that she has a low self-confidence when she writes, "Dear God, I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me." (1). According to Janoff Bulman, “cognitive strategy used to make

The most important out of these relationships could be the one she has with her little sister, Nettie. The book consists of a series of letters that Celie writes to her sister and later to God. In these letters she informs Nettie about her life, and

Celie also values her sister Nettie greatly and protects her when it comes to their step-father, Alphonso raping the girls. Celie says “I ast him to take me instead of Nettie while our new mammy was sick.” the casual tone of the preceding line adds to Celie's lack of self-worth; she is so used to being raped by Alphonso that it no longer makes any difference to her. As Celie transitions to the Mister’s household, she is still treated with disrespect by the Mister himself and even one of his sons. In a letter to God, she writes “I spent most of my wedding day running from the oldest boy… He picks up a rock and laid my head open.” Celie grows older in this household and submits to more abuse from her new husband.

Walker introduces the reader to the protagonist, Celie, through a series of letters. In these letters the reader finds Celie amidst her mother’s death. The author chooses to address her letters to God, giving Celie a greater willpower to survive. Celie’s upbringing gave her maternal authority; as seen through the multiple maternal roles she played through the novel. Her mother’s death forces her to step up and fill a, painful role revealing her inner strength and ability to remain optimistic.The full