Alienation In Richard Wright's Native Son

Richard Wright made a film adaptation called “Native Son”, speaking on a time frame where segregation was still present in 1940’s of Chicago, a man was accused of murder. This film took a quick wrong turn when something unpredictable happened causing conflicting views. In addition to this racism played a great deal in his crime to be found guilty. In addition to this racism played a great deal in his crime to be found guilty. The purpose of this essay to examine Richard Wright's film adaptation of ‘Native Son’ and his innocent crime in regards to racism, violence, and poverty, to discuss view of points of whether he is guilty or innocent.

Throughout the whole novel Bigger had felt cornered and intimidated by the white man and who they were. However, this man was different from the others. He treated Bigger as a normal human being, not as a downtrodden person or a murderer, just a normal human being. This is the only instince in which this happens in the whole novel. Wright used it primarily to show that he himself did not feel as if all whites were bad but that because of stereotyping, many were. Wright goes out of his way to show that this man was not under the inlfluence of stereotyping and to show the decent side of some whites.

Bigger Thomas uses deception to cover the crime for his personal safety. He knows that the white people of Chicago will kill him if they know he killed a white girl. Throughout his deceit, Bigger feels the white world

From the first pages of the novel, Bigger is associated with the color black. The most obvious is his skin color, as well as the fact that most of the action of the plot is located in the Black Belt of South Chicago. The Black

A headstrong young woman, she defies her parents by dating a Communist, cares about social issues, and is personally interested in improving the lives of black Americans. Wright gives little information about whether or not her political convictions are solidly grounded or just enjoys following the excitement of her radical boyfriend. However, Wright's portrayal of communism in relation to a young white female allows for a slight spread of Communist propaganda. She is likeable and her desire to help blacks like Bigger is certainly sincere. Nevertheless, she is unaware of Bigger's feelings, and, despite her good intentions, she acts in a racist manner, which speaks of white women as a whole and their blindness to understand exactly what it means to struggle as a black American. Though Mary's intentions are essentially good, she gives no thought to the fact that Bigger might be surprised and confused by such unprecedented treatment from the wealthy white daughter of his employer. She treats Bigger not as an individual whose friendship must be earned, but as a representative of the black race. Mary simply assumes that Bigger will embrace her friendship, as she seems to think her political views guarantee her right to his companionship.

In Richard Wright’s Native Son, the book is split into three books. The first 2 books focus mainly on the suspense and tensions rising within Bigger’s life and finally in the last book he dies. The dramatic conflict of Native Son takes place chiefly within the mind of Bigger Thomas, who lives in a world of whites, blacks , or reds. To Bigger all of life is conflict and issues that is defined by the color of your skin with the whites being higher up. The tensions within the book can be comparable to fire and ice as each element possess traits which can be seen as metaphors within the novel Native son by Richard Wright and his essay of “How Bigger was Born”.

Richard Wright, wrote the fictional novel Native Son, using three intellectual forces, which include: Naturalism, Existentialism, and Communism. He uses these forces, along with racist ideology, to shape the life of a young black male, Bigger, living in the ‘Black Belt’ of Chicago in the 1940’s. Wright refers to the ‘Black Belt,’ as a ‘black world’ where violence is directed towards other American Americans, and warns that this violence will be aimed at white people. Bigger, is used to depict the criminal actions that come along with living in racial confinement under the fear of white people during this time.

After Gus and Bigger finished playing white, they began to talk about the lives of the white people. Gus talks about white privileges. Bigger replies "I don’t know. I just feel that way. Every time I get to thinking about me being black and they being white, me being here and they being there, I feel like something awful’s going to happen to me..."(Wright, 20). The quotation exposes that Bigger could not overcome the obstacle of fear. His fear of white superiority restrains him from being courageous in taking control to improve where he is at now. Wright used words such as “being here” and “being there” to develop a sense of racial hierarchy that Bigger is afraid to go against. The word “Everytime” suggests that this feeling has always surrounded him and it’s unstoppable. If he opens up and tries, chances may be able to come to him but he chose not to. This fear is like a wall in his heart that he is unable to destroy. The collapse of the wall can cause chaos, and it is not what Bigger want. Altogether, fear of white supremacy confine Bigger in one place and does not let him leave so he can achieve that

In the mid 1900’s, different parts of society struggled with power due to the idea of racial supremacy. The idea of a superior race lead to the racial oppression of blacks, which had deep and lasting effects on society. This can be seen in Native Son by Richard Wright. During this time, power was heavily dependent on race: a concept Bigger Thomas struggled with throughout the entire novel. This can be seen on Bigger’s journey to understand and grasp for power, and the lasting effects of racial oppression on not only himself, but the black community as a whole.

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Fear throughout the world keeps people from doing certain things they wish to do. Many authors will have their characters face the fear. The theme of the novel, Native Son, written by Richard Wright is going to show the fear that Bigger faces throughout the novel. Richard Wright will have Bigger go through obstacles he wishes to not have to go through. We will see how Bigger faces the things he will be put through as well as him facing fear.

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).

When one looks at the contribution of blacks in the world of American literature, Richard Wright is considered one of the great contributors. Truly one of his books which highlights the black’s view of American society has to be Native Son. In Native Son, Richard Wright creates the characterization of “native sons” who are products of American civilization. From his own life experience, he portrays in Bigger Thomas a combination of character traits that illustrate persons who have lost meaning in their lives. Bigger Thomas represents the black man’s

In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.

Context: The book Native Son by Richard Wright focuses on a young African-American male named Bigger Thomas. Throughout his entire life he has faced many hardships and difficulties, the two greatest being discrimination and poverty. Finally, Bigger is given the opportunity to break free from the cycle of systematic oppression when he is offered a job as a driver for one of the wealthiest families in America. But as Bigger predicted, something bad would indeed happen to him. In his attempt to protect himself from the injustice he feared he might suffer, he killed Mary Dalton, but not only was she the daughter of a wealthy man, she was white and he a black man had killed her. He would be taken through a journey that truly shows how the black man has been wrongly treated in America.