Alienation in Arun Joshi´s The Foreigner Essay examples

Jhumpa Lahiri’s Unaccustomed Earth is comprised of eight short stories about different Indian families’ struggles in America, many of them going through the immigrant experience. The conflicts are with friends and family, and also with themselves, as each of them attempt to find their own identity along with fitting in with the rest of society. One of the causes of these struggles that because the families in the stories are mixed in terms of generation. Many of the adults in the stories were first generation immigrants from India, while many of the children were raised in the United States, which is the second generation. This led to blending of culture and at the same time, clashes between the immigrant mentality of living and the American mentality of living. In Unaccustomed Earth, Lahiri demonstrates to the reader the important influence of environment, specifically culture and how it impacts parental teachings, on the personality and development of an individuals’ identity, and how the actions and development of characters can affect one’s family and friends; the impact of environment and culture is shown especially by the characters and stories “Hell-Heaven” and “Hema and Kaushik”.

Being an outsider is caused by social class no matter where one is in the world. In Santha Rama Rau’s memoir of her childhood as an Indian girl in British controlled India, she talked about how she and her sister were seen as outsiders in their British run school

A person has always been able to choose to what extent their cultural experiences affect their perspective. Amy Tan’s, “Two Kinds,” Bharati Mukherjee’s, “Two Ways to Belong in America,” and Robert Lake’s, “An Indian Father’s Plea,” all show how the main characters have chosen to let their experiences have an effect on their cultural identity. A person’s cultural experiences shape perception based on their own identifications and they may chose to assimilate to different cultures.

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

Alienation can be more hurtful than any physical harm. It renders feelings of isolation and loneliness. Estrangement by your community confuses your ego and sense of self and leaves you wondering, “where do I belong?” Alienation and its effects were appropriately personified in both the late Leanita McClain and fictional character Arnold Spirit Jr. from The Absolutely True Diary of a Part-time Indian.

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Forming a new identity in a foreign country is not an easy task. Immigrants usually face challenges to identify themselves. Identity formation is the development of one’s distinctive personality due to particular reasons such as new environment, new culture and conflicts. During the process, some characters from Jhumpa Lahiri’s The Namesake either create or deny the bond with their own culture; some undergo conflicts among generations. Those processes reflect significantly in Ashima and Gogol throughout the book. The degree of assimilations determines to what extent the characters have formed the new identity in the new culture.

There are also themes of immigration and culture. It is interesting that cultural responsibilities to her husband is what really separates Nea and Sourdi. Coming of age and the role men is also something. Yet again, it is the cultural instance of the man Mr. Chhay that takes Sourdi away; despite any protestations of his uncouthness Duke actually may have made for something more inclusive for Nea as he is delayed in development like Nea; symbolized by the fact Duke and Nea even held hands while present with Nea in the car. With Mr. Chhay in the life of Sourdi, there is very little role for Nea; perhaps this is why Nea hates so much that fact that he calls her ‘little sister’ (Chai, 2001). Overall Sourdi represents a choice to become that her mother became, a wife and mother.

Bharathi Mukherjee’s later novels Jasmine(1989), The Holder of the World(1993) and Leave It to Me(1997) comprised her last creative phase conveniently termed here as the phase of immigration. By now she has travelled a long distance in terms of thematic perception and character portrayal. Beginning with an expatriate’s uprooted identity in the early 70’s, her creative faculty explored the transitional dilemma of characters in early 80’s, whose acculturation bids were occasionally thwarted by the complexity of cultural plurality in the adopted land. However, after the publication of The Middleman(1998), the process of cultural acclimatization appears to be complete and the characters betray the confidence of an immigrant, almost a naturalized citizen, in facing the challenges of human life.

When I was seven years old, I emigrated from India to the United States. Coming to the states, I experienced a culture shock due to the different types of people, customs, and education system. The first time I stepped in the states, I saw people from all different nationalities, races, and ethnicities; a whole different type of world that was inconceivable when I lived in India. An eventful part of my life was transitioning from the school system in India to the school system in America. The expectation of a student and child in the United States was vastly different to the expectations placed by society in India. Sociological imagination and sociological mindfulness enabled me to understand how

When adapting to a new culture, many find it hard to assimilate into their new world while still holding on to their past life. Finding yourself in a new place with a new language and unfamiliar faces is challenging for immigrants. Jhumpa Lahiri, an immigrant herself, sheds some light on the Indian culture in her book, Interpreter of Maladies. She conveys many challenges that immigrants face when moving away from their homeland in a myriad of short stories. These short stories introduce similar themes of immigration and adaptation through different experiences. Two of Lahiri’s short stories, “A Temporary Matter” and “Mrs. Sens”, do a great job in showing similar challenges of cultural differences in two different ways. They introduce characters

People’s understanding of belonging does not evolve, as it’s human mentality that assumes that it differentiates within time. Belonging is depicted certainly through the attitudes of people around that individual. It is said that understanding and experiences also nourish belonging. However, if an individual’s perception of belonging is painted only by the people’s attitude around him, then lacking of understanding and self exploration will prevent him from affiliating. So it is vital to belong from every aspects of life. These are clearly emphasised in the novel The Namesake (TN) by Jhumpa Lahiri, where the author applies her own upbringing and many families and friends who are foreign to certain environment, and therefore Lahiri highlights the emotional struggle faced by

In conclusion The irony shown in this book about corruption, oppression of the poor, reality of India vs. the images foreigners have of India help portray our understanding of this novel. The corruption shown in the book is the teacher stealing the student’s money and the school inspector getting a question that he asked wrong. The reality of India vs. the images foreigners have of India is shown in the book there was framing involved and no doctors in government hospitals. last but not least is the oppression of the poor is

The present study is based on the idea of displacement as the major theme of the selected short stories of Jhumpa Lahiri’s “Interpreter of maladies”. The book contains nine short stories and each one of them deals with the question of identity, alienation, and plight of those who are physically and psychologically displaced. But I would like to limit my studies to the three short stories from the collection viz. “When Mr. Pirzada came to dine”, Interpreter of Maladies”, and “Mrs. Sen’s”. The migration has become one of the most important issues of the contemporary world. Jhumpa Lahiri is also a diasporic writer like Salman Rushdie, V.S Naipaul and Bharati Mukherjee. The characters in the prescribed stories are citizens of more than one country