Alienation of Elle: Clash of Culture or Class?

Women in society sometimes are subject to objectification, meaning they are treated as a mere object; unequal to men. In the novel, The House of Mirth, by Edith Wharton, this holds true, except, women are said to be equal to men, but are not treated in this exact manner. Lily is apart of the upper class society of New York and attends parties, gambles all her money, and throughout the whole book tries to marry a rich man. Wharton’s feminism is apparent in the way she treats Lily; Lily gets through society, merely by keeping up her appearances. Beauty and appearance are everything in this society, if you are beautiful you will get far in society, however, the only thing Lily is lacking is wealth. In the novel, feminism is present with the idea of appearances and the symbol of money is used to convey that men are needed to control a women’s social stability.

> After a night of sex, Vivian is ready to leave in the morning. It is perfunctory for her to have sex then leave, but she has a nice breakfast that awaits her. She is not used to being treated as a person. Edward, ever concerned with work, needs a “date” for the upcoming week for the sake of appearances. He wishes to employ Vivian for the next week as his “date.” He says that he is paying her three thousand dollars “be at [Edward’s] beck and call.” Here he is treating Julia like a prostitute. The nature of their relationship is pendulous, moments of a nascent love to moments of business and concupiscence. Vivian needs new clothes to replace her questionable and inappropriate attire in order to ensconce in the upper class. She is shopping on Rodeo Drive, the Mecca of haut-couture, but while at a store she encounters women that will not wait on her because of the way she is dressed. Because of the prejudice she

In Hannah W. Foster’s, The Coquette, Eliza Wharton is portrayed as a woman of status, above average intelligence and education, with a flirtatious nature. Though the author does not cast her in an antagonistic light, her manner is painted as foolish, flippant to 18th century social conventions, and lacking in forethought. As such, The Coquette should be viewed as a literary warning for young women of the day, especially those who may have shared undesirable attributes with Eliza. It is the novel’s intent, by way of Eliza’s thoughts and actions, to discourage young women from pursuing a fleeting and non-virtuous lifestyle. Through the novel, Foster acts as a moral guide to young women by persuading them to obey social conventions like entering into dutiful marriage, refraining from political and public

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

Comparing Hope Leslie or Early Times in Massachusetts and The Scarlett Letter is interesting because at first glance both novels don’t appear to have much in common aside from having a female protagonist and taking place within Puritan society of early America. (keep but not as first sentence). However, despite obvious differences between both novels such as the character presentation of the female protagonists in Hope Leslie who range from the free-spirited Hope Leslie, obedient Puritan Esther, and character of Magawisca as a noble but proud Native American contrasts with the Hester Prynne’s presentation as a shamed but deeply contemplative woman in The Scarlett Letter. The different purposes all these characters each serve in their respective stories begins to show commonality in that Hope Leslie’s Hope, Esther, and Magawisca and The Scarlett Letter’s Hester Prynne all have to overcome the adversity and social expectations with Puritan society so they can follow their hearts and do what they feel is right by relying on their wit, intelligence, and inner strength. By examining how both Hope Leslie and Hester Prynne overcome the challenges they face in their respective Puritain socities it will be easier to observe how these novels presentation of their female protagonist illustrates the gender politics of each text.

She trekked forward, valiantly, against the aloof, inhospitable environment. Around her, she witnessed as the rudimentary surroundings drove individuals away as if it never wished for accost. Despite this she continued to trudge forward, despondently, waiting for a sign-- anything to warn her if she ought to continue or if she ought to give up. Eventually, she persisted. Ann Petry, in her novel The Street, explores the dynamic relationship between Lutie Johnson and the unfriendly urban setting through the articulate use of dramatic personification and vivid imagery as a metaphor for the uncertainty that ensues when relocating in a new, diverse, and vastly dissimilar environment.

In her story, “Old Woman Magoun” she delivered a feminist message more directly than ever. It’s based in turn-of-the-century New England, patriarchy still defined relationships even though the men themselves had degenerated. The story reflects the realities of Freeman’s own life, as her father’s business failed and her mother became the support of the family. However, Freeman’s life was not unique; rural New England is

Eric Larson pulled me in once I read the title of the first chapter, “The Black City”. What locked me in, however, was when Larson expressed women in the city and the dangers of being a female during the specific time period. Public warnings addressing that “advertisements upon their face bear the marks of vulgarity, nor do we regard it safe for any lady to answer such unseemly utterances” (Larson pg 11) make it clear that there is a problem. Although it seemed like a lot of information to grasp in the moment, looking back I’ve noticed that the author left room for me to picture what these criminals wanted from such innocent women.

Daisy Miller examines European high society throughout the 1870s. The societal norms are placed firmly in the beliefs of the class system, social status, and education: all of which are needed in order to successfully assimilate into the world of the upper class. Henry James makes it clear that these norms make up the lives of the high society through his characterization of the “uncultivated” Daisy Miller. Daisy’s character is questionable throughout the novella, and the word “uncultivated” has been necessary to coming to that conclusion.

Throughout The Age of Innocence by Edith Wharton, Ellen Olenska stands out from the aristocratic society of New York.  Ellen moved to Europe, it was difficult to adapt back into American Culture. European Culture has made Ellen different from other Americans. Ellen is still in love with Europe, yet she fled from it. European culture altered Ellen’s perception on American social classes.

Newland declares to the table that women have the right to be “as free as [men] are” (Age of Innocence 38). As the women talk further about Ellen, Newland states that he is sick of the “hypocrisy that would bury a woman” for preferring to be with her husband, contrary to what others believe (Age of Innocence 37). Newland sees a small connection between the women’s opinions and his own relationship with Ellen. He begins to see he must make a choice between Ellen and May, unbeknownst to him that his choice will be what is “socially acceptable” to old New York (“Edith Wharton” 2). Newland then decided that May should have the same “freedom of experience” he has (Age of Innocence 42).

     Edith Wharton's The House of Mirth is an affront to the false social values of fashionable New York society.  The heroine is Lily Bart, a woman who is destroyed by the very society that produces her.  Lily is well-born but poor.  The story traces the decline of Lily as she moves through a series of living residences, from houses to hotel lodgings.  Lily lives in a New York society where appearances are all.  Women have a decorative function in such an environment, and even her name, Lily, suggests she is a flower of femininity, i.e. an object of decoration as well as of desirability to the male element.  We see this is very true once Lily's bloom fades, as it were, a time when she

Societal ‘norms’ surrounding gender have continuously remained prominent internationally. Although these standards and expectations continue to shift, women still face oppression today. The novel, The Great Gatsby by F. Scott Fitzgerald, demonstrates the expectations of women and their relationships to men in 1920’s New York City through one of the main characters, Daisy Buchanan. A vast majority of Daisy’s actions are to entice and cater to the superior men of the novel. Through this, I was able to reflect upon the evolution of society’s stereotypes surrounding women from the 1920’s. Initially, from reading the novel, I learned about the period of the roaring twenties and how the aspect of class affects the

What do Betty from "Pleasantville," June from "Leave it to Beaver," and Donna Reed from "The Donna Reed Show" all have in common? They all represent the image of the perfect housewife in the 1950s. They represent women who gladly cooked, cleaned, dressed in pearls and wore high heals while waiting for their all-knowing husbands to come home. They represent women who can only find fulfillment in male domination and nurturing maternal love. Tillie Olsen, as a single mother with four children (204), provides readers with another view of women. Through the representation of the narrator in I Stand Here Ironing, Olsen contradicts the image of the 50s ideal woman, a happy housewife and a perfect mother.

A character who heeds Emerson’s call to act on and “obey no law less than the internal law” pursues individualistic ambitions, relying on personal beliefs and forming a life unburdened by customs or social norms. Ellen Olenska heeds Emerson’s call by physically and mentally resisting the domineering advances of New York’s aristocratic socialites, escaping the bonds that so securely bind individual liberty and expression, and accepting a life that should be so bold as to venture past the oppression of ballrooms and the shackles of conformity.