All About My Mother And Art Spiegelman

When a child experiences trauma, it stays with them for the rest of their life. When a child experiences abuse, one of the highest forms of trauma, they can do little to stop it from affecting everything they do. Tobias Wolff’s memoir, This Boy’s Life, Illustrates this. While it can be said that Rosemary, the mother of Jack, was in many ways responsible for his life, she herself can not solely be blamed. The trauma and abuse she experienced as a child contributed greatly to her choices, and her son’s life. This shows that adversity in Rosemary’s life lead to her not being able to act normally, and this caused the life of her son.

Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;

Vladek is depicted as a hero who shows countless acts of selflessness and generosity and a villain who is, “opinionated, tight-fisted, and self-involved”. (Brown 6) Art Spiegelman’s book Maus, tells the story of how Vladek and Anja Spiegelman survived the Holocaust. Spiegelman illustrates Vladek as a man who single-handily saved his family from starvation and Auschwitz in World War I. During Spiegelman’s interviews, we get an idea of Vladek’s darker side since the war ended. Mala to speak of her astonishment and disgust in Vladek’s character. Which leaves us to question how truthfully these stories are being told. In the end, Vladek’s unsuccessful heroism is a constant reminder of his failure; survival with Anja was always easier, after her death, Vladek pushes everyone away with his “guilt and manipulation” (Brown 7)

2. Selena and her brother don 't seem to be as bothered by the difficulties the father describes.  Why do they not share his feelings?

Throughout the literary works of The Glass Castle by Jeannette Walls, Maus by Art Spiegelman, and “Mother to Son” by Langston Hughes, different characters deal with adversity differently. In The Glass Castle the characters must overcome family hardships. Likewise, Spiegelman writes about his father’s struggle during the Holocaust. Lastly, in “Mother to Son” the speaker informs her son about her own hardships she had to face. Challenges that characters face can impact them both negatively and positively. Characters from all three literary works deal with adversity by having courage, being resilient, and making poor choices.

The Maus books are award-winning comics written by Art Spiegelman. They are the non-fictional stories of Art and his father, Vladek. In the book, Art Spiegelman is a writer, planning to portray Vladek’s life as a Jewish man during WWII Europe in comic book form. While Art gathers information for his story through visits to his father’s house, much is learned about their relationship and individual personalities. Through this analysis, Maus becomes an example of how the Holocaust has effected the lives of survivors and their children for decades. Survivors suffer from Post Traumatic Stress Disorder (PTSD), which impairs their ability to live normal lives and raise their children. By

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

The tone in Maus is depression; this is shown when Vladek tells the story in his perspective and reveals what kind of events occurred during the Holocaust. This relates to survival because even though Vladek had a feeling of discouragement through his experiences, he still managed to survive. Vladek explains when he was captured as a war prisoner and what they gave them to eat. “The other prisoners get two meals a day. We Jews get only a crust of bread and a little soup.”(Spiegelman, 55) This shows how hard it was for the Jews and how hopeless Vladek’s story was. Another heartbreaking part of the story was when Vladek had to work hard and act as slaves to the

Certain relationships cannot be fixed because of irreconcilable differences. Art Spiegelman's graphic novels Maus I and Maus II retell the stories of the Holocaust through the eyes of Art’s father, Vladek. However, the novel includes a subplot of Art’s poor relationship with his father, and how they never seem to come to coincide. Vladek and Art misunderstand each other because they have had very different experiences. In addition, their relationship is distant and contentious because they cannot cope with one another. Vladek and Art’s relationship is inadequate because they cannot be of one mind.

The Family Crucible, written by Augustus Napier and Carl Whitaker (1978), exemplifies a fragmented family system. The family consists of David a VIP lawyer, Carolyn an angry mother, Claudia an enraged teenager, Don the 11-year-old peacemaker, and six-year-old Laura. Co-therapists, Napier and Whitaker have taken on the task of working with the family using a systemic approach to conceptualize the family’s difficulties. Herein, this writer will describe how Whitaker and Napier depict the family struggles, how these struggles relate to the family unit in deference to an individual focus, and how

A trauma narrative is a narrative that describes an experience or experiences that cause someone to be destressed and cannot be incorporated into their memory easily. Throughout her own traumatic narrative, Jeannette Wall’s describes different aspects of her everyday life that showcase various levels of significance. She is able to show how certain life events impact her plans for escaping her current socioeconomic status and her plans for the future. The text is also able to tell us about trauma, poverty, ourselves, and our society. Furthermore, the text demonstrates the impact that trauma and poverty can have and how they can have lasting effects. These concepts help us to think about our own life experiences and situations and they also show us how to be analytical about our society. Lastly, this narrative is able to reveal to us the different aspects of a traumatic childhood and how important and impactful this type of upbringing can be. Jeannette Walls uses her own traumatic autobiography to show that despite her adverse upbringing in poverty and passive and unattached parenting she was able to become successful. The Glass Castle, by Jeannette Walls, shows the benefits and the value that can come from having a traumatic narrative. This is significant because it shows that an experience can shape a person, but a person can also shape the experience.

In Claudia Llosa’s The Milk of Sorrow, a girl from the Andes named Fausta has an odd disease contracted from her mother’s milk. Because her mother was raped and tortured during the Peruvian Civil War with Fausta in her womb, the mother’s milk is contaminated with the disease, according to the local people. This condition causes symptoms such as rarely leaving one’s home by will, avoiding men, rarely speaking, and walking close to the walls of houses for fear of having one’s soul stolen. In the film, Fausta undergoes a journey to empower herself to cure this disease and create a voice for herself. Through the use of central recurring symbols, Fausta’s actions, and the interactions of the people around her, the film suggests that historical trauma, if left unchecked, can negatively influence the person with trauma, the people around them, and even generations to come.

Continuing to read this story I found more situations relatable. The argument between the mother and the children made me think of my mother and I fighting. We disagreed a great deal, but we always resolve our conflict. At the end of the day, she is my mother and I am her daughter, and family sticks together. The mother hiked with no pants, and unknowingly loses one of her loafers in the snow. The children assisted her with the search for it, but ended up creating her a shoe from their hats and scarfs. The existing love the children shared for their mother conqured the dismay they previously felt for her. That’s how it was for my mother and me. The love was not always visible but it was still present.

Art Spieglemans graphic novel Maus showcases deep parent-child relationship divisions deriving from the horrors of the holocaust. Spiegleman does this by illustrating his strained relationship with his parents, Vladek and Anja’s whose personality traits were forged by the unfortunate events of their pass. Vladek’s cleanliness, his inability to get along with his son, and his cheapness exemplify this, as well to go along with Anja’s emotional issues all have a clear link to the events of their past and continues to effect lives negatively generation by generation.

The bond between a mother and child is often spoken of as being unlike any other. Yet there are always exceptions to the rule where this connection isn 't as impenetrable as one might assume. This book is an example of this bond gradually becoming weaker over time. It shows how it affects the child, Bone, and leaves her vulnerable to the abuse of her step-father. Bone’s mother, Anney, had fallen in love with a man who abused her which at first, she’s unaware but eventually comes to realize but still chooses to stay with him. Throughout the book there are instances of Anney’s negligence in recognizing her daughter’s abuse and being of aid to her but wasn 't. In having to deal with her