All Quiet On The Western Front By Erich Maria Remarque

     “I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another (263).” Powerful changes result from horrifying experiences. Paul Baumer, the protagonists of Erich Remarque’s All Quiet on the Western Front utters these words signifying the loss of his humanity and the reduction to a numbed creature, devoid of emotion. Paul’s character originates in the novel as a young adult, out for an adventure, and eager to serve his country. He never realizes the terrible pressures that war

“We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial, I believe we are lost” (Remarque 123). World War I is a tragic event that occurred in 1914 to 1918. Paul Baumer and the rest of the soldiers in the novel of “All Quiet in the Western Front” by Erich Maria Remarque are lost; they are broken from the fist World War, they don’t know anything aside from War, and they have lost their innocence during the years of maturation. When the young men heard about the War, they were excited, and full of life, they thought they were going on an adventure.

All Quiet on the Western Front written by Erich Maria Remarque is a narrative describing World War I from a German soldier 's perspective. The story is narrated by Paul Baümer and predominantly revolves around the experiences of him and his comrades Kemmerich, Katczinsky, Kropp, Müller, and Leer. The novel begins with Paul Baümer and his friends in a cheerful mood as extra rations are being allocated to them due to the missing soldiers. During this event, Baümer introduces and describes the various personalities of his friends and his connection to them. Eventually, Baümer reflects back to the time how he and his friends had been coaxed into joining the war by their, patriotic school teacher, Kantorek only to later find out that they 've been lied to and the war isn 't even comparable to of what they 've been told. Instead, Paul Baümer and his school friends find themselves entrenched in the middle of bloody and what appears to be a pointless war.

Paul is given seventeen days of leave in which he visits his family. When he returns home, he feels out of place and is not comfortable sharing his awful combat experiences with others. His mother is sick and dying of cancer as his father is struggling to pay for her care. Paul also finds out that Kantorek, his teacher from school, was forced to become a German soldier. This pleases Paul because Kantorek now has to actually experience the tragic events of the war firsthand like the

In war, both violence and fear revokes a soldier’s humanity. These elements of war cause a person to shut down their emotional instincts, which causes the soldiers to mature rapidly by taking innocence along with joy and happiness in life. Through the experiences that the soldiers encounter, their humanity is compromised. Thus, as war strips soldiers of their innocence, they start to become disconnected from themselves and others. In All Quiet on the Western Front, Erich Maria Remarque illustrates the negative effects war has on a soldier’s humanity, through his use of Paul’s books and the potato pancakes by revealing the soldiers loss of emotion that causes them to become detached from society. Through these symbols they deepen the theme by visually depicting war’s impact on Paul. Paul’s books helps the theme by depicting how the war locked his heart to old values by taking his innocence. Likewise the potato pancakes reveal Paul’s emotional state damaged by the war with his lack of happiness and gratitude.

“He fell in October 1918, on a day that was so quiet and still on the whole front, that the army report confined itself to a single sentence: All quiet on the Western Front” (Remarque 296). Paul Baumer, the narrator of All Quiet on the Western Front, enlisted into the German army at a young age of nineteen with a group of friends from school. Kantorek, Paul’s teacher, “gave us long lectures until the whole of our class went, under his shepherding, to the District Commandant and volunteered” (Remarque 11). After Paul and his friends underwent the ten weeks of horrific training, under the control of brutal Corporal Himmelstoss, they found out that everything Kantorek had told them about the war being illustrious was inaccurate. Paul and his fellow combatants experienced the war to be an alienating event that led the young men to feel alone because of the relationships between the young men at the front, the problems Paul faced when returning home, and the prewar and wartime civilian society.

Considering the boys were only eighteen when they enlisted in the army they did not have a chance to experience life after high school. They had been cut off from life just as they were beginning to live it. Paul remembers that as a high school student, he wrote poetry. He now has no interest in, or time for, poetry, and his parents seem to him a cloudy and unreliable memory. Reminiscing about his home life upset him. Paul soon learned that he would receive a leave of seventeen days; fourteen days leave and three days for traveling. Paul also learns that he will not return to the front immediately after he is done with leave but to a camp for a training course. After Paul learns of his leave he says farewell to his fellow comrades. He begins to worry about if the men he has grown so fond of will still be there. Despite all of this Paul packs up and heads to the train station to leave for home. As the train approaches his hometown all the memories come flooding back to him. When Paul finally got to his parents house he realized his life will never be

Paul and his classmates are forced to grow up and fight the enemy, even though they have not experienced life yet. “I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.” (Remarque 263). The destruction of these young men’s innocence is a subject not typically covered by resources such as textbooks, giving the reader a different outlook on how individuals were affected. According to Novels for Students, “[Paul’s] loss of innocence during the cataclysm is the focus of the author's anti-war sentiment.” (All). Remarque effectively projects this idea when Paul goes on leave and returns to his home to visit his family and teachers. Upon his arrival, the first apparent change is physical: he has grown taller and his features are more mature. However, as he interacts with the people he has known all his life, he feels like an outsider because he neither understands them nor is understood. Remarque

While on leave, Paul also visits his father and some of his father's friends, but does not wish to speak to them about the war. The men are "curious [about the war] in a way that [Paul finds] stupid and distressing." They try to imagine what war is like but they have never experienced it for themselves, so they cannot see the reality of it. When Paul tries to state his opinion, the men argue that "[he] sees only [his] general sector so [he is] not able to judge." These men believe they know more about the war and this makes Paul feel lost. He realizes that "they are different men here, men [he] can not understand..." and Paul wants to be back with those he can relate to, his fellow soldiers. Paul wishes he had never gone on leave because out there "[he] was a soldier, but [at home] he is nothing but an agony to himself." When Paul returns to the battlefield, he is excited to be with his comrades. When he sees his company, "[Paul] jumps up, pushes in amongst them, [his] eyes searching," until he finds his friends. It is then

As Paul and his friends fight, they lose innocence with every battle and bullet. Prior to the war, they were students, learning about life, with strong ambitions and dreams, beginning to “love life and the world; [but they shot] it to pieces” (Remarque 87). They had expectations of becoming heroes due to the romanticism of war, but in reality they watched their friends fall one by one. They expected to return home as if nothing

In the opening chapter, Paul Baumer, the narrator, recalls how schoolteachers, such as his own, persuaded their bright-eyed students to put on the German colors. Paul’s teacher, Kantorek, taught his students the importance of the war as he instilled in them the values of nationalism and patriotism. Everyday, he sprouted war propaganda at them in “long lectures” (Remarque 11). He glamorized the war telling his students that they were “the Iron Youth” (Remarque 18) and that “duty to one’s country is the greatest thing” (Remarque 13). Consequently, his students left class enlisted in the war one by one “until the whole of the class went” (Remarque 11). When the students left the comforts of home to volunteer for the war, they valued their country above all else and were prepared to face their own death as doing so lined up with what they believed in.

Using defense mechanisms to cope with the gratuitous struggle of war was definitely insufficient, especially when the bloodbath of the young soldiers’ loved ones overpowers a simple device like daydreaming. Sometimes, all they needed was a breath of fresh air and different scenery to ease into; “These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright, yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells… We hear the muffled rumble of the front only as very distant thunder; bumblebees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer.”; (Remarque 9). Generally, the creative imagery and the depictions of nature were spread largely throughout the war novel, and specifically from this moment in time, it was clearly illustrated. Paul and his fellow comrades found themselves in a seemingly protected paradise and were able to ease in with the tranquility of the “wonderfully care-free hours.” They were detached from both the physically inhumane and mentally deteriorating workings of war. After all the bloodshed and brutality, there was no doubt in mind that the soldiers would not presentably steal the opportunity in being able to be surrounded once again with such thriving life.

Yet another example of the brutalization and dehumanization of the soldiers caused by the war occurs during Paul’s leave. On leave, Paul decides to visit his hometown. While there, he finds it difficult to discuss the war and his experiences with anyone. Furthermore, Paul struggles to fit in at home: “I breathe deeply and say over to myself:– ‘You are at home, you are at home.’ But a sense of strangeness will not leave me; I cannot feel at home amongst these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano – but I am not myself there. There is a distance, a

Erich Maria Remarque's All Quiet on the Western Front is one of the greatest war novels of all time. It is a story, not of Germans, but of men, who even though they may have escaped shells, were destroyed by the war. The entire purpose of this novel is to illustrate the vivid horror and raw nature of war and to change the popular belief that war has an idealistic and romantic character.  The story centers on Paul Baümer, who enlists in the German army with glowing enthusiasm.  In the course of war, though, he is consumed by it and in the end is "weary, broken, burnt out, rootless, and without hope"  (Remarque page #).

As mentioned previously, the story is told from Paul's point of view. This view of his is parallel to that of Remarque's. Remarque's characterization of paul and the other soldiers is intended to convey information and instruction to the reader. For example the way these characters are described instructs the reader in the needless suffering and loss brought on by war. The author makes a point about military leaders through one of the characters. Kropp notes about rise in rank, "As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete" (43). Kat mentions that military life brings out the worst in men, particularly the abuse of power over lesser men. This is a significant part that the author adds into the book because it illustrates a metaphor of the greater powers wanting to attack the weaker countries to gain more power; imperialism, which is one of the main causes of the war. In chapter 4, one of the most dramatic in the book,