Allegories Of Racial Discrimination In 'Between The World And Me'

In the essay “Color Lines” by Ralph Eubanks, the author explores the flawed logic of race from a scientific perspective. In the article, Eubanks explains the fact that a person cannot know the ancestry of another person or the nature of that person by looking at their race alone. Heritage is a much more complex concept than a simple racial categorization. In writing the article, the author sought to demonstrate that when looking at a person, you could not confirm their identity based on what percentage of a certain race they may have and that social construction meant to depict one group as being superior or inferior to another. This rhetorical analysis will therefore explore the importance of the rhetorical devices and strategies used by Eubanks to communicate with the audience.

As a black man, Samuel Delany has experienced discrimination and racism in a number of settings. However, as a Science Fiction writer he mostly explores racism in that community. Samuel Delany’s, “Racism and Science Fiction” explores how “Racism is a system. As such, it is fueled as much by chance as by hostile intentions and equally the best intentions as well. It is whatever systematically acclimates people, of all colors, to become comfortable with the isolation and segregation of the races, on a visual, social, or economic level”(31). Delany blames social traditions, and material and economic conditions for supporting the system. And not actual individuals. Delany supports his argument by giving three examples of when he has experienced racism in science fiction. The issue of racism in science fiction is presented by Delany when he tells his readers of an encounter with Isaac Asimov, his convention book signing partner, and his habitual panel placement with a fellow writer.

Humans define race by how they conceive and categorize different social realities. Thus, race is often referred to as a social construct. The differences in skin color and facial characteristics have led most of society to classify humans into groups instead of individuals. These constructs affect us all, and they often result in situations where majority racial groups cause undue suffering to those that are part of the minority. The understanding of race as a social construct is best illustrated by the examination of racial issues within our own culture, specifically those that have plagued the history of the United States.

It has always been assumed that races have a certain look; a person can always tell what a person is by their mannerisms, their speech and the overall way they carried themselves even if they looked a certain way. However, this is mainly due to stereotypes that have long plagued our society and what one “expects” someone to look like just based on the negative connotations that are associated with skin complexion. When we read certain literature, the description of the character is the first thing that we look for as it is a way for us to somewhat bond with the character and attempt to see the story through their eyes. Toni Morrison’s Recitatif explores how the author describes each character not expressing their race leaving a bit of mysery to the reader and attempts to breaks down the stereotypes that exist for each race. Through a literary analysis, the reader is able to see those stereotypical assumptions about the color of one’s skin and how they should cease to exist in any world whether it is literal or figurative.

Racial Formation in the United States by Michael Omi and Howard Winant made me readjust my understanding of race by definition and consider it as a new phenomenon. Through, Omi and Winant fulfilled their purpose of providing an account of how concepts of race are created and transformed, how they become the focus of political conflict, and how they shape and permeate both identities and institutions. I always considered race to be physical characteristic by the complexion of ones’ skin tone and the physical attributes, such as bone structure, hair texture, and facial form. I knew race to be a segregating factor, however I never considered the meaning of race as concept or signification of identity that refers to different types of human bodies, to the perceived corporal and phenotypic makers of difference and the meanings and social practices that are ascribed to these differences, in which in turn create the oppressing dominations of racialization, racial profiling, and racism. (p.111). Again connecting themes from the previous readings, my westernized influences are in a direct correlation to how to the idea of how I see race and the template it has set for the rather automatic patterns of inequalities, marginalization, and difference. I never realized how ubiquitous and evolving race is within the United States.

Racism is an issue that blacks face, and have faced throughout history directly and indirectly. Ralph Ellison has done a great job in demonstrating the effects of racism on individual identity through a black narrator. Throughout the story, Ellison provides several examples of what the narrator faced in trying to make his-self visible and acceptable in the white culture. Ellison engages the reader so deeply in the occurrences through the narrator’s agony, confusion, and ambiguity. In order to understand the narrators plight, and to see things through his eyes, it is important to understand that main characters of the story which contributes to his plight as well as the era in which the story takes place.

Equality is a word that possesses many meanings and feelings which encompass centuries of wars and struggles especially with racism. While it is easy to look back at history and accept the accounts for misconduct and atrocities, it is vital to reexamine and revise thoughts and actions in order to prepare for the future. An invisible type of racism that can be revealed with reexamination often times is institutional racism. The short story, “The Comet” written by W. E. B. Du Bois, is a story set in a post-apocalyptic world. The story shows that in order to bring down barriers of racism, it requires a catastrophic event to occur. Another story that focuses on a similar concept of institutional racism, but uses science fiction as a vehicle is “The Bicentennial Man”, written by Isaac Asimov. In this story, a robot named Andrew suffers through prejudice and racism despite his many contributions to society. It takes a large sacrifice in order to allow for humans to disregard race and to take robots as an equal. Although both stories pull in elements of science fiction, it is clear that the stories incorporate a dominating theme of not just racism but institutional racism. This paper will discuss some historical context to the two authors’ experiences along with a deeper dive into the text in regards to institutional racism.

Throughout the essay, Race, Culture, Identity: Misunderstood Connections, I found Kwame Anthony Appiah’s claims about social scripts to support my idea that we present ourselves differently depending on the circumstance. There are times when we try to play into the majority, as well as times where we try and fall into the minority; we choose which group we want to highlight depending on which will get us where we want to go.

In the United States early history, Native Americans, Africans and Europeans were marginalized by White People, and categorized as the minorities because they were seen as the inferior race. For nearly three centuries, the criteria for membership in these groups were similar, comprising a person's appearance, their social circle (how they lived), and their known non-White ancestry. History played a major part, as persons with known slave ancestors were assumed to be African (or, in later usage, black), regardless of whether they also had European ancestry. Most often these minorities face significant discrimination in various forms whether through voting, law policy, unequal pay, or even implicit racism, minorities of all kinds have been and still are being put down today. The book Between the World and Me is a letter to Ta-Nehisi Coates’s fifteen-year-old son, Samori. He weaves his personal, historical, and intellectual development into his ruminations on how to live in a black body in America. Not only does Coates give his personal experience in how he experience in first hand discrimination, racism, marginalization but he also gives vivid images on how he lived multiple worlds and how those experiences changed him. In “How to Tame a Wild Tongue”, Gloria Anzaldua exposes her feelings about social and cultural difficulties that Mexican immigrants face when being raised in the United States. She establishes comparisons among English, Spanish and their variations on how

Throughout history, different people are treated with isolation and discrimination. This is shown in our culture through songs, movies, television shows, and other forms of art in every corner of the world. For example, the movie and song “Rudolph the Red Nosed Reindeer” parallels the oppression of minorities, specifically with the ‘Code Talkers,’ in the novel, Code Talkers, by Chester Nez, during World War II.

What if we could walk in each other’s shoes? What if we could truly understand what our brothers and sisters are going through? These questions and more are what John Howard Griffin strived to answer when he surgically changed his complexion to resemble that of a black man in his book, Black Like Me. He set out to write a biting commentary about the state of race in the United States, but what he experienced changed his life forever. Griffin learned two very valuable lessons that dominated his experience; good can exist in the midst of suffocating evil and to bridge the gap between races there must be mutual understanding. To analyze such a powerful book, I will start with a summary and then explain my thoughts on the text.

In these lines from Derek Walcott’s “A Far Cry from Africa,” the speaker emphasizes the natural human tendencies to “inflict pain.” Similarly, in his poem, “Sympathy,” Paul Dunbar explores pain from the point of view of a bird being trapped in a cage. It flaps its wings and tries to escape but it cannot. The bird symbolizes an African American bound by slavery and unable to escape. On the other hand, in Claude McKay’s poem “The Harlem Dancer,” the dancer feels as if

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

To Kill a Mockingbird written by Harper Lee is a Pulitzer Prize winning novel, that offers a view of life through a young girl’s eyes. The novel is focused on two main themes which are racism and discrimination.

Yet, despite this struggle for ownership, the fit between Science Fiction and people-of-color appears to be an intuitive one. Mark Dery (“Black to the Future”) poignantly points out, effectively noting that African Americans are always already seen and constructed as Other/Alien (8) . Is that all that surprising? Not