Allegory Lord Of The Flies Analysis

The antagonist in this novel, Jack, is the archetype of demon. Jack is described by Golding as “tall, thin, and bony; and his hair was red beneath the black cap. His face was crumpled and freckled, and ugly without silliness. Out of this face stared two light blue eyes, frustrated now, and turning, or ready to turn, to anger” (251). His eyes are always used in the novel to depict his emotions, as they are above. His appearance leaves a bad impression on our readers. He seems to be crazy in hunting pigs, which turns worse and worse in a situation far away from the civilized society. Gradually, he becomes an animal without reason, so that sometimes he will disguise himself by the mixture of red, white and black dirt, like a barbarian. “In the beginning of the story Jack, still conditioned by the previous society he had been a part of, could not bear to kill a pig that was caught in the brush. As the plot progresses he becomes less and less attached to any social norms” (Li Xin 104). As structure breaks down, Jack forms his own separate sect separating from Ralph and the rest of the group. In the end, he breaks Piggy’s glasses and leads the others towards Piggy’s murder. He brings the boys into mass hysteria and eventually hunts Ralph down like an animal. Not seeming to care about being rescued,

Jack represents a dictatorship because he uses fear tactics to attract followers. He decides everything and disciplines those who break his rules. He uses fear tactics to keep his leadership position.

Archetypically, red, white, and black all represent evil, death, violence and chaos, which makes sense in relation to Jack’s character once he becomes the savage chief. His descent into savagery is rather slow though, before the face paint, “I went on. I thought, by myself”. The madness came into his eyes again. “I thought I might kill” (51). It seems almost reluctant, but he’s beginning to succumb to the bad, the devil on his left shoulder per say, rather than the good. His bloodthirst is highlighted, “His sinewy body held up a mask that drew their eyes and appalled them. He began to dance and his laughter became a bloodthirsty snarling” (64) the paint that made him an “awesome stranger” (63) also made him seemingly like a devil in disguise. Along with Jack’s appearance of red hair, in which gingers are said not to have souls, it paints him as terrifying and a newly liberated savage.

He leads a group of boys after they kill the pig and starts a war dance around the carcass chanting “Kill the pig, cut her throat, spill the blood”. This is quite a disturbing scene, the boys appear far too young for such ferocious actions. The chant shows how savage they have become under Jack’s instructions. The words ‘cut’ and ‘spill’ are quite visceral and forceful and the boys are acting far more bloodthirsty and savagely than we’d expect them to. This makes Jack seem fascinating as he is now convincing the other boys to become savages too.

Jack is filled with an internal evil that strives for power and dominance through the fear and trust of the weaker children. The littluns are swearing their trust to Jack in return for protection. Maurice even confesses that Jack says, “I mean when Jack says you can

Jack represents evil, violence and how people can have a dark side emerge in a period of hardship. As a former choirmaster and "head boy" at his school, he lands on the island having had control and power over others, by overpowering the choir with his bad attitude. He wants to make rules similar to Ralph but his rules are much harsher. Jack’s rules are more black and white.

Jack’s thirst for power for the sake of dominance develops a sense of dictatorship. When killing the sow, the shift in Jack is clear. Jack no longer looks to control nor shield himself from savagery; instead, he embraces it: “His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink” (Golding 70). The sense of power Jack receives from his kill is enough to completely take over his actions. Power is a drug to Jack, and he has become addicted. This addiction continues to affect his life, and more importantly, the lives of those he has surrounded himself with. Dropped “He [Jack] began to dance and his laughter became a bloodthirsty snarling” (Godling 64). Golding uses juxtaposition and zoomorphism to inhibit this effect. Jack shifts from dancing to snarling in a matter of seconds, showing his vulnerability to the evil which has taken root in his heart. Jack is no longer human; he is a savage. It is known that money changes people. However, this is not true. With money comes power; power changes people. Jack has lost all control and power over his own life. So, he looks for control and power in the lives of others.

Oftentimes authors will use symbolism through the characters in order to represent a larger encompassing theme. William Golding’s book Lord of the Flies is no exception to this pattern—as various characters in the book have such allegorical meanings. In the case of Jack, he could be said to represent the evilness in humanity, proven by three established concepts in the story: the true nature of his hunting tendencies, the progression of events that happen in his dancing rituals, and his interactions towards other symbolic figures. These three reasons, furthered by evidence shown throughout the novel, fit Jack into a role of symbolic evilness (add something here).

The Lord Of The Flies is a Nobel prize winning novel, written by William Golding. Who was an English teacher in 1930’s. The novel is about a group of young British school boys who find themselves deserted on an island in the Pacific Ocean and are forced to fight for themselves. This has a unique symbolism of characters and the events. The young boys don’t know how to fight for themselves and turn into complete savages by the end of the Novel and they have some freedom from the adult rules they are familiar with back at home.

To start off, Jack is guiltless at the beginning of the novel, until he turns himself into a new person. For one, Jack wants laws and organization at the start and wants to discipline whoever violates them and eventually he is the first to contravene them. Furthermore, Jack is the initial one to influence the boys to infringe the rules and destruct the

Lord of the flies is the most famous literature book by William Golding because of his outstanding imagery and strong choice of diction. This gives the reader a better picture of Goldings perspective because authors tend to include a hint of their perspective in their writing. From start to finish the fear increased, the violence became overwhelming and the fight for power between Jack and Ralph becomes down to life or death. This creates a theme that humans are naturally evil.

Jack wants to be the leader which shows that he is controlling. He wants to be treated respectfully. He wants all the others to call him by his last name, Merridew, but becomes rude and mean when they call him Jack.

Jack is showing how savagery is becoming a monster in him. This monster is a threat to social order because it foreshadows what will happen in the future. It shows that Jack will turn full savage and stop following Ralph’s rules. He will create his own tribe and the people in that tribe will all turn into savages too.

At first, he is portrayed as a caring and compassionate person who seems adamant in the advancement of the oppressed. As time and political strategies change so does Jack and his perceived aspirations. In the end, it is shown that Jack simply used others for his own power. His red hair represents the rise of communism and the exploitations of the Black

Once these boys join Jack’s tribe, they are forced to follow his orders, committing heinous atrocities against their former friends in a desperate attempt to avoid the physical punishment Jack inflicts on those who disobey him. Jack rules his subjects through fear and intimidation, and yet lures them in by playing on hidden desires unbeknownst to them. Jack is often shown acting cruel and menacing towards the other boys, however is he also shown as being self-conscious and a bit insecure: “Boys are desperate to distract from their own helplessness and do so by projecting their fear of subjection onto an even weaker