Allegory Of The Cave And The Matrix Essay

The Matrix and the Allegory of the Cave focus on one central idea: What is real?. They engage the audience in a fictional world where people live in false realities without knowing it. They make us question our own knowledge. Their storylines connect in that the protagonist discovers that everything he knows is a big lie and now he must discover the truth. The protagonist is thrown all of the sudden into the real world and then, he continues to seek the absolute truth. Neo and the prisoner inquire whether knowing the truth is a blessing or a curse.

When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now. Neo turns into a state of disarray and denial. This new knowledge of the truth overwhelmed Neo so much that he vomited and passed out. The released prisoner in "The Allegory of the Cave" might feel that what he is seeing was the illusion and shadows on the

“The world you see is the world that has been pulled over your eyes to blind you from the truth…Like everyone else, you were born into bondage, born into a prison that you cannot smell or taste or touch. A prison for your mind. Unfortunately, no one can be told what

People seem to think that everything that happens to them everyday is real. The question is, though, “What is real?”. Is everything you see everyday really real or is it fake? We might see fantasies that other people or machines have created for us. Maybe we are the ones that are not enlightened yet. Numerous essays and films have been produced on this subject. One essay is “The Allegory of the Cave” written by Plato in 360 B.C. Also, the movie The Matrix was filmed in 1999. Even though many differences can be drawn between “The Allegory of the Cave” and The Matrix, there are many similarities as well.

Over the years you progress through life believing that everything is real, but is it really? In Plato’s “Allegory of the Cave,” he presupposes that there is a distinction between appearances (the world of senses) and reality (the world of ideas). Throughout the excerpt and the world today there are examples that supports his hypothesis. I completely agree with this because appearance is the perception of what others think happened, while reality is what actually happened.

The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.

Having read the synopsis from The Matrix, the excerpt from Plato, The Republic, Book VII, 514A1-518D8 “The Allegory Of The Cave”, and the excerpt from Descartes, Meditations on First Philosophy, 1641 “Meditation I Of The Things Of Which We May Doubt”, I am able to conclude that there are similarities as well as differences among these readings. Each question the state of reality in which we live. Is our reality a true state of reality or is it a state of mind we have allowed ourselves to exist in?

Reality versus illusion is described by Plato in chapter seven of The Republic. Plato creates an allegorical view of what it means to be alive, and the journey of gaining a sense of reality. He begins setting the scene by describing a dimly lit cave containing the men who have lived there since the beginning of life. The men are chained up and unable to turn their heads, only facing a a stone wall. They have not seen the source of light within the cave (which is both a burning fire and sunlight), nor the objects that depict the shadows on the wall. They know only what they see, ignorant to the world just beyond the cave. Plato continues by questioning what would happen if one man were to become free from his restraints and exposed to the sunlight outside the cave,

Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.

In the movie The Matrix we find a character by the name of Neo and his struggle adapting to the truth...to reality. This story is closely similar to an ancient Greek text written by Plato called "The Allegory of the Cave." Now both stories are different but the ideas are basically the same. Both Stories have key points that can be analyzed and related to one another almost exactly. There is no doubt that The Matrix was based off Greek philosophy. The idea of freeing your mind or soul as even stated in "The Allegory of the Cave" is a well known idea connecting to Greek philosophy. The Matrix is more futuristic and scientific than "The Cave" but it's the same Idea. Neo is

Plato's theory of forms, also called his theory of ideas, states that there is another world, separate from the material world that we live in called the "eternal world of forms". This world, to Plato, is more real than the one we live in. His theory is shown in his Allegory of the Cave (from The Republic, Book VII), where the prisoners only live in what they think is a real world, but really it is a shadow of reality. According to Plato, to the prisoners in the allegory and to humanity in the material world "truth would be literally nothing but shadows" and he believes us to be as ignorant as the people in the cave. Plato followed the belief that in order for something to be real it has to be permanent, and as everything in the world we

In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that

In “The Allegory of the Cave,” Plato also stated that eventually one of the prisoners, who Plato would say was the philosopher or intellectual, would break free from the cave and into the outside world. The one prisoner that Plato refers to, would also reflect Neo in “The Matrix” when he in being released from his pod that the machines have created. Once the prisoner of the cave has broken free he can now look all around him, and see the objects as they really are and the people carrying them as well. While in the movie “The Matrix”, Neo is using is own eyes for the first time and sees that he is actually living in a human factory. In Plato’s “Allegory of the Cave” he states that the freed prisoner would be shocked by the outside world, he would not be able to see the realities that he was used to deep in the shadows of the cave. The prisoner would try to think that what he saw and experienced before was truer than what is he sees now. When Neo is revived from being detached from the pod, Morpheus tells him what state the world is in now and Neo is in a state of disarray and denial. This new knowledge of the truth, overwhelmed Neo so much that he vomited and passed out. The released prisoner in “The Allegory of the Cave” might feel that what he is seeing was the illusion and shadows on the wall

Plato assumed the existence of human life in a cave. In his view, human beings are tied as prisoners in a cave and they could only see the shadows of real

Once one of the prisoner’s is released, he is forced to look at the fire and the objects that once made up his perceived reality, and realizes that the new images he is made to acknowledge are now the accepted forms of reality.